Swallowing the Starry Sky: Starting from the Doomsday Secret Realm

(Only discussion and exchange, expression of thoughts, no intention to ask the author to write according to what I said) At present, the plot trends of most of the fandoms are very similar. In the beginning of the earth, the quasi-warrior assessment genius battle began with a dragon in the outer battlefield of the universe's Xueluo world. However, in my impression, there were people who traveled through time and became the prince of Black Dragon Mountain a long time ago, and there were also people who traveled to the dark land in the beginning. It can only be said that too many fans are going backwards. So I have to praise the author manually. Before this book, I particularly liked the setting of the original universe and the continent of origin. Moreover, the original universe body did not start from the earth. Personally, I think that at this stage, anyone who still insists on following the old-fashioned plot at the beginning of the earth should be attacked, because there is really not much content to write about the earth, and the plot is always bound to Luo Feng, which makes people feel like they have read the original work N times. In my opinion, the following points are more important when writing fan fiction (only expressing my views on the Devouring Starry Sky fan fiction). First, the settings and birth points must be innovative. Please don't be lazy. The birth point is exactly the same as the original. Luo Feng's deskmate, classmate, neighbor, and cousin must also participate in the quasi-martialist and warrior assessments with Luo Feng, join a warrior team, and go to the training camp together. . . A mouthful of old blood spurts out. Is imagination really so lacking? Only a handful of authors have some ideas, placing the opening before the Great Nirvana, during the Rise of Hong, or even three hundred years after Luo Feng entered the universe. This kind of story is inseparable from the original protagonist in the very early stages of the plot and even forgets to replace the protagonist's name in the copied chapters. The comment section is criticizing it. Second, the setting must be innovative and within the scope of the original work. This mainly refers to the cultivation path selection and golden finger settings. Is it true that many authors' clone settings directly copy Luo Feng's Demon Killer Clan and Nether Sea Clone? Not to mention the Nether Sea Clone, can ordinary choices like the Demon Slayer Clan only be copied from the original works? Everything you pursue will change a little bit. If you have the ability to change energy, then I will get the ability to change into flesh and blood. You will get a Nether Sea clone, and I will get a World Tree clone. This is slightly better, but it is still within the scope of the choices of the original protagonist. What I hope to see is within the scope of the original work, but beyond the scope of the protagonist of the original work. I see that the setting that is acceptable is a clone of the Golden Crow from the prehistoric times, with thousands of times the gene. I also saw that the golden finger is a clone bred from the essence and blood of a mythical creature from the wizard universe. This itself can evolve many strange and interesting abilities; A negative example I saw is the Zerg Overlord, which is still being updated. , The author described the Zerg dominance ability as extremely unbelievable. It can analyze the genes of any living thing. As long as it is analyzed, it can be industrially produced in large quantities at a very low cost. Therefore, it created an army of starry behemoths, with tens of thousands of golden-horned behemoths charging. At the same time, the author was crazy about suppressing it, so it was very awkward to watch. On the one hand, I felt that it was so unbelievable that the universe was about to be bulldozed and eaten up. On the other hand, the protagonist's upgrade was not even fast. Third, you must pay attention to the visible range of important setting information. In the original work, even though the protagonist becomes a core member, they don't know the specific information about the realm of the Lord. They only know that he may be a great existence above immortality and similar to the Lord of the Universe. As for the Lord of the Universe, the strongest person, and even the original ancestor, his realm and existence require extremely high authority to know. In some fandoms, there is no such consideration at all. Everyone knows the master of the universe and the strongest person, so the protagonist's sense of superiority as a time traveler is much lessened. Fourth, the battle is not that exciting, please write a lot of pretentious plots. Many authors and readers think that writing about battles is the climax, and everyone loves to watch it. However, there is actually a misunderstanding here. Simple battles are actually not very interesting. The exciting battles must be produced after exquisite plot layouts, such as the original star and the cosmic sea. Some authors have spent a lot of pen and ink writing on them. Treasures are snatched in these places, but even the battles in these two places in the original work are not very interesting. The good-looking battles in the original work are the battles in the treasure room of Yanji Continent and the battle where the King of Knife River became famous. The plot itself is advanced layer by layer, and there is a lot of training plot in the early stage. It is not that mindless fighting will be fun. At the same time, if the fan author can write the plot advancement and various foreshadowings well, then he generally won't write fan fiction. For example, I saw an author named Feng Xian, whose writing style always feels like eating a few tomatoes. But if others can learn certain essence and use it for their own purposes, he will not write fan fiction. So I very much hope that fan authors will write more side-showing plots, which is what I love most. The pretentious plot on the side I am talking about is a bit similar to the shock of passers-by. It uses other people's descriptions to enhance the protagonist's character. Many historical novels use this writing method. For example, after the protagonist occupies a certain place, he describes the experiences of some small people to reflect the policies announced by the protagonist and the progress it brings. At the same time, I also think that this kind of side pretense is what fan authors should focus on. The growth of genius is fully reflected in the original work. The original perspective is the process of a small character constantly exploring and meeting a big person. The fan perspective can be changed to the plot of the protagonist being a big person being explored by others at each stage of the protagonist's life. Give a few examples to be specific. For example, when the original work was exploring the World Lord world, a core member of the mercenary alliance banned entry from above the star, leaving all the powerful World Lords helpless. Everyone was shocked. Are they happy? Cool! So now, let the protagonist appear in a certain plot and rely on the identity of the core members to speak the truth at a lower level, leaving the powerful people helpless and the onlookers shocked and envious, and discussing what kind of big shot this is. For another example, the Lord of the Heavenly Eclipse Palace in the original work has suppressed the Blood World for hundreds of millions of years, and is invincible. The Lord of the Chaos City, sitting in the Chaos City, slaps the unruly Immortal to pieces. Is he awesome? Ox! So now it is the protagonist who enjoys the real life. The protagonist becomes a venerable and possesses powerful combat power. He is assigned by the human race to sit in a certain important place and build a luxurious palace. The second generation who arrived here are shocked at how powerful this is. Some passers-by explain, and everyone understands the identity and worships them one after another, or opens a small extraterritorial battlefield. The protagonist launches a soul attack to sweep away the secret realm of the universe. The ethnic groups inside are directly wiped out. The protagonist's subordinates are shocked and admired, and the passers-by introduce the protagonist's glorious deeds. Wait, wait. Then the question is, how much of this kind of plot should be written? The more, the better. You must develop the habit of showing off from the side anytime, anywhere. Do it several times in each realm. The important thing is not to repeat it. You need to switch from various perspectives, such as the perspective of your subordinates, the perspective of passers-by, the perspective of the enemy, the perspective of the rescued, etc. How to enter this kind of plot? Going beyond the scope of the plot of the original work, such as traveling between the universe level and the headquarters and missions in the original work, is it possible to go to other places on the way? It doesn't have to be the original one, just send a clone. Don't worry about the assassination list, just change it. The alien assassination list in the original work affects the plot very much. Fan authors can find ways to explain it. The other thing is role-playing. Many protagonists in the fandom are too urgent about training. They only have to practice-fight-treasure. Is it possible to consider role-playing to open up branch plots? For example, when you become immortal, you can become the emperor of the universe country (use a clone to change your identity). Just like the protagonist in the novel "Squid Loves Diving", he often hides incognito. Open a small shop in the name of something like that. If I break through immortality, I can open a sect in Chaos City and act as a boss, or I can become a king with invincible combat power as a backing line and go to extraterrestrial battlefields or secret realms to compete for resources on behalf of human forces (don't worry about aliens, for example, having a clone to let aliens know that nothing can be done), or participate in the struggle between several major forces within human beings; break through the venerable, etc. Allow readers to experience various protagonist identities. In addition, an important point of this kind of side pretense is to control the protagonist's knowledge of the intelligence, and it should be progressive. When the protagonist is pretentious, first there are passers-by who know nothing about it. They only know that the big shots in the human/virtual universe company are awesome. Further passers-by will know that the protagonist seems to be related to high-level people, second-generation passers-by. Then you know that the protagonist may be a certain big boss or a disciple of a certain big boss, but you must not leak all the information. Just like when I read the original work, it vaguely mentioned the description of a great existence and the universe, and I felt very awesome. Later, when I introduced the realm of the Lord of the Universe and knew the Lord of Ganwu Kingdom, I didn't feel that way.

Let's talk about the setting of this book in a unified way. This book is a double start of the original universe + the East Emperor Holy Land universe. It takes the most mainstream time and space route to break through the Lord of the Universe. It does not follow the path of the beast god or the ancestral god religion. As a Devouring fan fiction, I try to follow the original settings as much as possible, and I will never change anything mentioned in the original work. For many of the settings in this book, I can give specific references to which chapters and chapters in the original work. Of course, there are many places that are not mentioned in the original work. For example, the original work of Dongdi Universe only has a few paragraphs of description. Like these, I will make reasonable assumptions based on the Devouring worldview.

I would like to suggest that it doesn't matter who the original universe is a disciple of. After all, as long as the original universe understands the laws, it can make breakthroughs all the way up. But the same cannot be said for Dongdi Universe. Although geniuses can get preferential treatment, if they have connections behind the scenes, they can break through faster and won't be stuck. For example, if you become a disciple of a very powerful Lord of the Universe and break through immortality, it will be easier to obtain the venerable position. For example, if you become a disciple of a certain true god, you can meet the ancestor of the Eastern Emperor when your talent is fully demonstrated. You will definitely get his support if you show your talent. So I am tasked with Dongdi Universe. A powerful master will make the future brighter. The two true gods are the first to recommend. Both true gods should be able to contact the East Emperor directly. I remember that there seem to be two true gods in the East Emperor universe, but the true gods may not necessarily pay attention to geniuses. After all, they live for a long time, and they may still be the founders of the East Emperor clan. The number of disciples should be enough, and they may not be of that nature to accept disciples. Secondly, I recommend the Lords of the Universe who are related to the East Emperor. For example, the East Emperor must have disciples who are the Lords of the Universe. The authority of this kind of Universe Lord may be greater than that of other Universe Lords. It doesn't matter if it is weaker. The focus is actually on the backstage, and it is more important to be able to directly contact the East Emperor. The key point is that if you become a disciple of the Lord of the Universe, then the protagonist will automatically become a disciple of the East Emperor's lineage, and the relationship will be closer. After all, cutting a small universe is a big deal. Only when the talent is in place and the relationship is in place can you make a decision. Finally, I recommend the group of sixth-order universe masters. The universe masters of the holy land universe may be stronger than the original universe. After all, there are several universe masters armed with the most powerful treasures. The status of such a universe master must be strong enough and high enough. In the end, devouring is all about strength, and it is the same even for the holy land universe. As for the Master of the Universe, I do not recommend it at all. The level of the Master of the Universe is really embarrassing in the Holy Land Universe. Those who are neither above nor below are too abstract, and they are of really little help to disciples.

This book has been signed 😁. Please collect it and read it.

It's okay, there's no problem with the setting or logic, and it's not a big deal. It ranks first among fans.

Dead eunuch...😒😒😒😒

Isn't the author a great author? This writing style and plot don't sound like a newcomer who has just written a book. Can anyone dig into it? It's really to my liking!

The plot setting is not cliché. Many Devouring fanfics are like the original work and directly insert one person. After reading it, I feel bored. This one made me want to read it in one go.

Regarding Tiandi Mountain, I have a question to seek your opinions. The original work does not mention how many levels of the Tongtian Bridge are needed to break through the Tongtian Mountain, but as King Zhenyan said in Chapter 5 of Chapter 13, whichever Tongtian Mountain you pass through means that you are stronger than members of the same level in which secret realm. When Luo Feng was in the Taichu Secret Realm, dozens of old members of the Heaven and Earth Secret Realm broke through the sixth floor of the Tongtian Bridge. In other words, in order for the sky and the earth to connect to the Tianshan Mountains, the Tongtian Bridge must be at least six stories high. The original secret realm Moro is the secret realm of heaven and earth that was entered through the Tiandi Tongtian Mountain. He entered the original secret realm after two qualification battles for the secret realm. By the third qualification battle, it was still the seventh level of Tongtian Bridge. This shows that the difficulty of Tongtian Mountain should be ≤7th floor of Tongtian Bridge. How difficult do you think Tiandi Mountain should be? 1 Pass through the seventh floor of Tongtian Bridge 2 Pass through the sixth floor of Tongtian Bridge and approach the seventh floor

It was a good idea, but it ended badly.