Simultaneous Transmigration: The Fun-Lover’s Adventures Across the Myriad Worlds

It's my birthday today, happy birthday to myself

How to say it? It was quite interesting when I first started watching it, but then the whole story became very scattered. There was no main thread connecting the various worlds, and it felt like I just wrote whatever I thought of. If you write this way, the reader will not know what the author wants to write, and the author may not know what he wants to write. In this kind of clone novel, the protagonists in different worlds often need a common goal, and then use the advantages of different worlds to achieve the goal in different worlds. This can well connect the stories of different worlds. It can be seen that the author of this book wants to use the theme of fun to connect the protagonists in different worlds, but it is obvious that the fun currently written is not interesting enough to play the role of the main plot. If this continues, there will inevitably be two endings, either all the way or cut off. I hope the author can make progress in the future.

What kind of creature walks on six legs when it enters the alley, and walks on two legs when it comes out of the alley?

Is it my problem? I can't understand the monk's chapter at all.

That Naruto movie is so boring. It's too long. I have no desire to watch it at all.

In fact, all the worlds are quite satisfactory. The highlight is probably the plot and imagination The writing style is just okay, not a bonus, but it is considered a pass. And the look and feel of each world is relatively independent, and the style is slightly different Like the world of the monk, the protagonist is more like a traveler. Walker or Witness is also my favorite world The author probably wants to describe the mythical world in his imagination. Anyway, it suits my taste The protagonists of the world such as Naruto and the Three Kingdoms are the decisive factors in promoting huge changes. I won't spoil it here. The entry point is quite interesting

I want to read the Dou Po chapter, Xiao Yan's reaction to discovering tonsillitis.

Looking at these two articles, it seems that I want to write about a hodgepodge world and one where a bunch of big guys appear to be incarnated and come down to earth. The world setting should be a bunch of small worlds created by the big guys, such as the setting of Three Thousand Worlds. I wrote about A Chinese Ghost Story, but I didn't write it completely. I guess it may be to say that it is good for demons to practice the Eight Classics. In addition, people from both Buddhism and Taoism have no intention of harming such good demons. There will definitely be one later. If you go astray, you will be killed if you are a demon For example, if you say Fa Hai. I guess this author will definitely write it. And judging from the urinary nature of these two pictures, he probably brought a group of big boss avatars to find Fahai. There is no such thing as the Black Mountain Old Demon. It should be to show that the world is under the control of the bosses and there is no chaos in the underworld. After all, there is no chaos in the underworld. Running around is unreasonable. This is probably the reason why there is no Pudu Cihang. The next few studios should be Shushan, Calabash Baby, and The Legend of the Condor Heroes. Maybe it's to use Lost as a whole program effect, or maybe it's to supplement the world view. For example, Shushan Baimei looks familiar when seeing the protagonist create a mountain with a slap. It may be because Baimei is also the incarnation of a certain boss, and the protagonist has an inheritance similar to that of Tathagata Divine Palm. The singer in the latest chapter, if I have played Black Mythology before, I can tell it is Lingji at a glance. Those who have not played it should be able to tell it from some clues. And I guess the next chapter will reveal the identity of Lingji, such as bringing out King Huang Feng or something to become a prophet. As for what is the main line of this world? This world should be divided into two layers. For example, there is one world on the top and 3,000 worlds on the bottom. These 3,000 worlds are then pinched together by the big guys. The upper world is where those big guys are. I can't guess the main plot, but judging from the author's writing style, he probably doesn't want to write something so dark and cruel. Maybe I just want to write about that relaxed and happy feeling. Black myths should not have the feeling of being inhuman, a treasure-hunting lucky star, or 100,000 bad jokes. The main plot of the period in the lower realm. Since I mentioned the good monster before, I will also have one thought of good and one thought of evil today. The plot of Fa Hai is probably gone, and there will probably be a plot of Jigong. I just don't know if it is Stephen Chow's version, You Benchang's version or Living Buddha Jigong's Chen Haomin version. Maybe there will be some agarwood or something? According to his stitching feeling, these are almost all his guesses.

The core of comedy is tragedy, and the best fun is contrast. Just like, when you go out to play with your own puppy, and suddenly the sentence "dog wants to listen to dog songs," Xiao Huang... Go straight in that direction, it is our home 😭

These chapters look quite happy, the big guys are teasing Menzi together, the protagonist doesn't suffer, the big guys aren't angry either, everything is harmonious. I'm afraid that the story will be written in such a way that the boss tests the protagonist, defeats the protagonist, and then becomes a grudge, and then the protagonist cheats the boss, defeats the boss, and then takes revenge. Or, the tragedy can be presented one after another, and the viewers will feel depressed and then say that it is a test of the protagonist. There are too many such stories. Happy novels are better. I have rarely read novels about the Journey to the West conspiracy theory, Naruto conspiracy theory and other conspiracy theories. If you have other happy novels, please recommend them.