
Cloud Dreams of Bagui
云梦八桂
- Status
- Ongoing
- Length
- 215k Words
- Genre
- Eastern Fantasy
- Subgenre
- Xuanhuan
- Updated
- 1y ago
- Source
- Qidian
Synopsis
103Chapters
0Votes
2.4kRecs
69Fans
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Reader comments 25
Translated by Google Translate
Shen Nong Tie (read Chapter 50)
The suppression is severe and the purpose is unclear. The writing method is completely like the ancient school, writing the background first and then the main flow. Draw a circle and then draw the next circle inside the circle. (This writing method is basically used for fan creation, now) If the author does not have an outline of more than 300,000, then he is 200% eunuch. This is determined by the writing system, and there is no need to talk about stubbornness Summary: Although it is arbitrary to say this, if it is not the trumpet of a master, you can just throw away 200% of this thing. If it is not a eunuch, it will be unfinished (if it is not a fan, the writing level required by that kind of system is too high, and it is impossible for ordinary people to sustain it)
Brief review
Let's talk about the conclusion first: I suggest you see if it's suitable. The protagonist is set as a time traveler. He was at least 24 years old in his previous life (16 in this life, and the protagonist himself said that the two lifetimes add up to 40). However, the protagonist is reckless and short-sighted, and his brain seems to have not been fully developed. Goldfinger can learn more information, but the protagonist has never thought about whether his situation is safe (the protagonist knows that his father was sacrificed, and the older generation in the village is taboo about mentioning the protagonist's father). With 100 resource points, he cannot see high-level information, but not being able to see is also a kind of information. There are various visible signs around the protagonist, but the protagonist just sees them as illusions, and is really completely mindless. The pace is very slow, but a dead line is arranged for the protagonist (the protagonist must die within two years), and a crisis is arranged outside the village. As a result, you are buried in it from the beginning to the end, and you don't move for a moment. This kind of writing is completely appetizing. You have to write so slowly about something that you are obviously very anxious about. This is very disconnected and cannot be substituted at all. The protagonist Goldfinger is a group of strong ones, and anyone can take off with anyone. However, the author obviously wants to highlight the protagonist's ability, not the strength of Goldfinger, so he presses hard. However, various fancy operations can be performed, but they are not allowed to be performed by the protagonist, which makes the protagonist even more useless. The world view is very powerful, with a sense of the Lord of Mysteries, various cognitive modifications, neglect, and forced intelligence reduction, but the author cannot control it. It gives the impression that the protagonist is a waste and needs to be forced to come back through various foreshadowings. The protagonist didn't even go out of the novice village. He bumped into all kinds of great people along the way (for the protagonist), but his performance was not as good as that of a supporting character (that is, the one who practiced red makeup). He had to rely on others to remind him to react, and his life was saved. In that assessment, I probably wanted to write a show-off and slap in the face, highlighting the protagonist's awesomeness, but unfortunately, it didn't capture that feeling at all. There are many shortcomings, the routines are very old, and the writing style obviously cannot keep up with the ideas. It should be that the author has just won the resurrection match and needs more practice. The good thing is that the creativity is really good. Judging from the writing, I guess there is an outline. I also listened to the advice and made corrections if there were any problems.
The Ancient God of War is back with his Ancient Profile
The people of Guangxi were attracted by Bagui, only to discover that an ancient giant had reappeared in the world 😰😰
Gee, that's a very cliche way of writing.
The protagonist has such a good temper, I hope they separate as soon as possible, otherwise I really can't stand it anymore 😰😰
Damn it!!! The ancient god is back!!!! I never thought that I would see such a day in my lifetime (=°Д°=) I only found out about this news when someone replied to my post in the book review section of Fairy and Demon War ಥ_ಥ
When I was a child, I read The Legend of Immortals and Demons. Now the author has actually opened up. It's amazing. I especially liked Tan of the Demons and Gods, The Legend of Immortals and Demons, and The Magic Apprentice at that time.
It is said that he is the editor-in-chief of the original starting point? So stupid? Which editor dares not to give face?
The parents are short-lived, and the house fights between the sisters-in-law are too annoying. One family can only raise a few chickens, but the other family can raise large livestock, and the children can steal the chickens and ducks at will. With such disparity in family circumstances, the old lady is clearly biased. Unless the protagonist is killed to inherit the protagonist's family business, otherwise the protagonist's family cannot compete with the old lady's inheritance. There is no need to deliberately follow and fight. The protagonist's use of cheats is extremely wasteful, with all kinds of coercion, and also to reduce the protagonist's intelligence. Just like a fool, he can sense something wrong that others cannot. Shouldn't he compare and check the difference between himself and others at the first time? If he has a sixth rotation and others have it, why should he directly assume that others are right?