An Edict to Heaven

First of all, it is a book that I quite like. I have to say that it is really hard to find books with a writing style like Qidian nowadays, but I just can't stand it. Then, let's talk about some details. At first glance, it does feel very fishy, ​​and the rebirth of the previous boss is exactly the same as Dao Chaotian, so this is not difficult to guess. And apart from the similarities between the writing style and Mao Ni, the overall framework of the novel is actually very similar to Mao Ni's later novels. They all reach the peak of their combat power early, they all have male protagonists who are famous all over the world, and they all have male protagonists who are hunted by the world, and then use this to promote the development of the plot. The scene of being hunted by the world is even played twice in the book. But having said that, the early emergence of top-level combat power ensures the framework of the novel's combat power system, and being hunted by the world is indeed a very good breaking point, whether it is the plot advancement or the double point after the comeback. However, in the book, the reason why the male protagonist is hunted down is still too far-fetched. It seems reasonable for the male protagonist to be hunted down as his previous rival in the fight for the world, as well as the emperor's subjective thoughts of wanting to kill the male protagonist. However, although the emperor no longer wants to be the emperor for eternity, he still cares about the rule of the country. He sent the core troops of the country to almost die and let them hunt down the male protagonist. I can only say that I can't comment on it. In addition, I felt a little uncomfortable with the emotional lines of several heroines in the middle of the novel. Part of it is that the relationship advances too quickly, and part of it is that the length of the plot is too short, so that one plot is about this heroine, and then it quickly advances to the next heroine. Then, as a strong woman for the rest of my life, I don't quite understand being able to accept other women. Of course, the final explanation was given by my boyfriend. As for the plot advancing too quickly due to the identity exposure, I think the main reasons are Pei Jinge's premature appearance and the mountain climbing pretense. All in all, I still like this novel. As for writing so much, I can only say that I have no money, so I can only use this method to urge the author to write a new book 😭

After reading about 300 chapters, it was okay. I haven't seen what happened at that time, but it feels like the Dao is rising to the sky. It's because the final Dao is in conflict, which leads to the subsequent consequences.

I've only listened to episode 36 now, but I really rate these episodes very highly. I have seen such ease in Niu Zu before. Maybe people who shouldn't be relaxed are relaxed. Maybe there's an old-fashioned genius awakening, too. I don't know what the follow-up articles will be like. But those relaxations also have a touch of passion. I haven't seen it for a long time. I have read many immortality articles. I still see Ushi Nagisa's voice. I saw a lot of cool articles. It's hard to write so easily. Maybe it's bland. Your work makes me feel good.

Heehee

Is it a reincarnated Laoden or an extraterrestrial demon😋

The writing style can be literary and youthful, but the characters cannot be literary and youthful. Overall, it is somewhat similar to Mao Ni Zetian Ji, but the characterization is far different.

I thought it was a dead tree sprouting new buds, creating a new world, but who knew that the termites that were written later were eating the big tree and it was lifeless?

Just like this Wenqing 😋 I cough after eating too much.

After Yun Mengze, the plot started to collapse and become disgusting. The literary style gradually tainted the plot, which was completely hopeless. I persisted and watched 2/3, and the reward I got was that I understood that the protagonist is really a big turtle. This is not a Taoist master, but a turtle master. He can live, and he can only survive. Either he is under the threat of life, or he is rushing to the place where his life is threatened. On the road, life is rarely in my own hands. Every time I either rely on others to save me, or I try to escape from death by opportunism. A little Kalami eats hard every day and does not improve his realm. He makes trouble all day long, turns nothing into trivial things, and trivial things into big things. He plays games with people who are in five or six realms. It is extremely tiring to watch many times, but the protagonist is not. It's the same as other novels. When you encounter some evil deeds and sinners that you can't ignore, you stir up trouble. Instead, you have no reason to take care of things that you are completely incapable of taking care of. Every day, you use your previous life's strength and way of thinking to take care of things in this life. If you take such a big risk, you can gain a lot. But every time, you take a huge risk and get almost nothing. Because the protagonist was so awesome in his previous life, he had the strongest skills, the strongest artifact, and the strongest talent, so any gains were meaningless to him. Even if he just sat there and waited for a few years, the effect would be the same. This made his behavior extremely illogical, and he often felt like "What the hell are you doing?" After watching it for a long time. Moreover, the protagonist is also very good at pretending. In conjunction with the author's superb writing style and Riddler style, he can make a very simple logic or fact mysterious and enigmatic. A simple fact can make several people go around and talk about it for a long time. In the end, it is found that it is all nonsense and there is almost no useful information. This kind of content can support at least half of the book. I really suspect that what the author spends most on every day is not writing the plot, but how to use this Riddler writing method to complete the number of words... At first, I liked the previous content, but the more I wrote, the more far-fetched it became, and some small ingenuity could not cover up the problems of the article, which made people extremely disappointed... Forget it, the money and time spent are just complaints.

Overall, it's quite stunning, with a very obvious late stage style. It can be regarded as half of Zetian Ji + half of Dao Chaotian. Literary youth is actually nothing, the problem is that the characters are too similar. In The Legend of the Destiny, Xu Yourong and Chen Changsheng are both the kings of naughty, but the difference can still be seen in the way they pretend to be naughty (real people and real phoenixes, although the tricks are not completely written). In this book, I feel that everyone pretends to be Jing Jiu... They all speak in the same tone. It is okay for the protagonist and the eldest princess to speak like this, but Lin Wanyi's accent makes people feel out of place. However, the quality is good enough.

Wen Qing was too ill. After reading so many chapters, I was still confused as to what I wanted to write. There are a lot of Riddlers (especially the protagonist and Yu Sheng), and the emotional line has not been written well recently. According to the character design of the protagonist, it is best not to have any emotional lines, it is a mess

I feel like the protagonist is too self-righteous and pretentious. I don't know if it's the author's deliberate shaping or what. Anyway, the sense of immersion is very poor. I really hate this character.

After it was put on the shelves, especially Summer Festival, it really made me feel big-headed. Inexplicably, I really don't like this type of Riddler.

It's true that I haven't encountered a novel that wants the protagonist to pretend to be cool, but it will never be so uncomfortable. The author wants the protagonist to pretend to be tall and calm, but the writing power is far beyond control, so the dialogue and plot seem very inexplicable. As for the description of the protagonist's emotional plot, it's okay not to mention it 😰. Of course, I only watched part of it, hoping that it might improve later, but I just couldn't continue watching.

The more I read, the more strange it becomes. It feels forced, especially the dialogue between characters.

The heroine is really disgusting. Her mother was a shabby second-hand commodity, but she eventually got married to the emperor and became a queen. I can finally understand why there are TV series like "The Overbearing President Falls in Love with Me, a Second Marriage and Divorce". The three views are quite outrageous 😰😰

Let's talk about the reasons why I haven't read it anymore. I have read this book several times, but I still can't read it. I even feel like I can't stick to the subscription. First of all, the writing style is adequate, and it's not a big problem for a literary youth. It just represents a style of writing. To be honest, Tai Wenqing can only say that it has flaws. I personally feel that the biggest problem is that it is too unclear. I don't know if I like foreshadowing or something. Some plots and plots feel like there is a background story, but this background story is only revealed in the next dozen chapters. Looking at it, I feel that the context is particularly incoherent. For example, the power system in this book can be vague and can be shown through the plot. It is not a problem to guess it at the beginning of Chapter 4, but the previous description is somewhat inconsistent. For example, the Dongzhen realm is very impressive in writing, but it is said to be the first realm, and the power of the expression is not that strong. How can I put it, it doesn't give a unique perspective. Even if it is not an upgrade article, for such a state-of-the-art article, the protagonist can change the map at each stage, and the people next to him can also have a high state, and can also describe the background introduction, but it cannot take up too much writing, and the protagonist's abilities must be given some time to reflect, and this stage is too little. In other words, the protagonist's ability is very high, but the actual expressiveness and the amount of words occupied are not that much, and there will be an uncomfortable feeling of fragmentation. There is nothing I can do about character design. Why do people now like time travel? It's because time travel provides a sense of immersion. Reading novels will definitely bring you into the protagonist. Some people don't understand the character of the protagonist. Is he the kind of sick man who has been tortured for a short life and still looks down on life? I don't know if the author has actually experienced life. What is the mentality of being sick and about to die, especially in this different world with extraordinary power. No matter what, it must be matched with decisiveness. After all, the protagonist has fought for this kind of elixir, but he still takes it knowing that his value is not as good as it. He must want to survive, and he must know how to grab it. But I didn't see anything in this regard. Maybe the author knew that he was decisive, but he didn't write it out. I almost didn't see these previous chapters. How to decisively pursue life, and what judgments are left for this? Again, the foreshadowing was too unclear, or the reveal was too slow. I haven't seen the back yet. So the first dozens of chapters in the book show that the protagonist's purpose is very unclear. Why was it not tortured a lot earlier and there were no details? Then when it came to the disappearance of the dean later, there were no details. It seems that everyone knows why, because of what? But it's useless if you know it. You have to let the audience know it, and the readers have to know it. Perhaps there is a very clear main line of structure in your mind, and you have written out what you want to write, but what we see may only be an intermittent line. There is a hammer in one place and a stick in the other, and your article is not about solving puzzles, so the whole writing feels very stiff.

What kind of bullshit logic? You foolishly jumped out to save the person who killed you in your previous life, but you didn't save the disciples and friends who died because of you?

The writing style is a bit like that of ten years ago, but in terms of content, it is like today's. It is considered a breath of fresh air in Qidian.

The inexplicable emotional drama is pretentious and has to be well-pretended. Even if you don't write these two points, it's still an interesting book.

A word of caution to the author

Pretending to be very uncomfortable, it feels like a tasteless description.

Failed literary youth: The protagonist ordered the way of heaven, but was punished by heaven; if he tried to use it even a little bit, he was faced with the dilemma of becoming a puppet of Hedao; he played the most role of a monkey version of heavenly eyes and ears. When his relatives, friends and disciples died in front of him, he could only say "I can't do anything". What, is there a Herrscher account and other authors to inherit it? The same failed literary youth: as a time traveler, the feudal emperor took the moral upper hand, and was despised in every way; as the best person in the world, he died at the hands of a girl. Being fair and aboveboard belongs to others, and the protagonist can only be cunning and sneaky. The Dog Emperor used the pretext of wishing for eternal peace and wanted to rule the world forever. With normal thinking, shouldn't the protagonist slap him on behalf of heaven and justice? As a result, the protagonist just took the camera, because "the woman he likes is the eldest princess", sat back and watched everything happen, resulting in the death of his last old friend. Instead, the woman was about to die, and the camera could not be continued immediately, and he was sent to the door, which directly led to a thousand-mile escape. The dog emperor sent a dog leg to make the protagonist unable to live or die. Shouldn't normal people face the fact that this is all the dog emperor's fault? Should he just kill the dog's legs and overturn this mountain? The protagonist can only ask me if it's beautiful or not? Why hasn't the eldest princess come to save my dog's life? Wenqing who has successfully reformed: Is God ruthless? Destroy the sky! Destined? Break the sky! The Dog Emperor wants to occupy the moral high ground? Why hasn't he abdicated yet? The eldest princess wants me to stand by and watch? Look at the innocent people who were sacrificed. Are you so embarrassed? Isn't it honest to slap you twice? Conspiracy? Using the people as a shield? Isn't it possible to kill the culprit? In summary, it's all the author's fault

The toilet paper looks very delicate, but it is specially written with disgusting words.

I am almost this kind of person. I can joke with you and be very easy-going, but if you touch my reverse scales, I will let you know what the real darkness is. This kind of person is a child-faced wolf, innocent and innocent on the surface, but actually smooth and transparent. You can't possibly plot against me, because you have been laid out by me from the beginning. I am a chess player, and you are just a chess piece. If you disobey me, you will know what cruelty and darkness are. I have never lacked thunderous means and a Bodhisattva heart. There are Buddhas and demons in my heart, but I have sealed the demons deeply, and only the Buddha is left. I originally wanted to face everyone with a Bodhisattva heart, but some people insist that I unseal the demons in my heart. Then I want to ask you, when you face a real demon in the world, can you still calm it down?

It's okay. The writing style has distinctive features, but the characters are not well designed. It feels like they all have the same tone or the same way of speaking and attitude. The switching between characters is not good.

It can be seen that I want to imitate Mao Ni's style, but I can't control it well. There are many problems in the whole text, such as excessive pretense and excessive force. The summary can be summarized in two words: greasy! People who read it will want to vomit.

The sense of sight of this avenue facing the sky is full of pretentiousness.

Too much guessing and too little writing is the main problem with this book. I guess the content of the previous life was cut out of the second half, it still looks too unclear. The framework is finished for now, but the control over the details is indeed broken. The conclusion is that you can read it, but it depends on the quality of the readers, and it's just like that, so I think it's above average.

The author has published a new book. If you are interested, you can support it.