
My Endless Life
我的无尽人生
- Status
- Completed
- Length
- 2.1M Words
- Subgenre
- Myriad Worlds
- Updated
- 1y ago
- Source
- Qidian
Synopsis
666Chapters
0Votes
12.2kRecs
109.6kFans
More by this author
In booklists 5
A Little Reading List
The protagonists have always been walking bugs. Recommendation (* ̄rǒ ̄) (I especially like original stories with a System)
11Books26Follows1yUpdated
A Wonderful Book List for Those Desperate to Find Something to Read
A reading list with some unpredictable elements
5Books41Follows1yUpdated
Urban Fiction with Original Fantasy
This is exactly my favorite kind of story
14Books3Follows1yUpdated
In a Reading Slump, Looking for Recommendations
These are all books I'm reading or have finished. Please recommend more with a similar feel, nothing formulaic. I'm looking for books with imaginative ideas.
11Books4Follows1yUpdated
Whatever I Read, I Recommend
Sharing the books I'm currently reading. I add whatever I'm reading, so there probably won't be many. If your shelf has anything similar, please recommend it to me. I don't like letting books pile up unread, so I switch between them pretty often and easily run out of things to read.
16Books23Follows2yUpdated
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Reader comments 31
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Is the protagonist sick? He complains that everyone does not abide by military law, and at the same time condones others' disobedience of military law. He does not kill those who should be killed according to military law, but he does not abide by it himself and blames others, which makes him laugh.
The most exciting part of the novel is the unlimited superposition of talents.
But the author later discarded this exciting point, in an era when white writing was rampant. You use this cool point as an introduction to attract readers, but when readers see that they have been deceived later, they may come to the comment area and leave with a bad mouth. Deep Blue can get unlimited points if you go away. It is fun all the way to the end of the book. In the early stage, there is one more talent in each world. I think some people should be looking forward to what the next talent will be. But you told me that there is no one, then your profile should be changed.
After reading more than a dozen chapters, I have no desire to continue reading. The impotent protagonist Higarashi is no longer adapted to this era, and some detailed settings cannot withstand scrutiny.
Originally, the first two sentences were quite exciting. Although they were a bit watery, they were bearable. In the third volume, the story is even more confusing. From beginning to end, the Shengxian Sect was treated like a big boss, but in the end, it turned out to be some kind of royal chess piece. The golden elixir that had been studied all the time turned out to be the product of dragon veins, which I couldn't imitate at all. The only function is to take a few pills to help yourself overcome the disaster. Why would you spend so much time writing about something useless? I also spent a lot of space talking about studying the Heart Sutra of Immortality, so that I can quickly upgrade regardless of the rules in the new world. As a result, by the beginning of the fourth volume, it was not as good as the second volume. Where is the setting that allows you to build a magic circuit inside your body and use magic without releasing it outside your body? Where are all the secrets in the world that were snagged in the third volume? Is it a psychological hint that the more you live, the more cramps you get? Moreover, the protagonist is an old monster who can be infinitely resurrected and traveled infinitely. Shouldn't all the great power be attributed to himself? What does it mean to spend a lot of time studying the auxiliary skill of Alchemy Puppetry with a lot of restrictions? When you create a puppet in a new chapter, you still have to worry about the battery running out, just to increase the difficulty and add drama to yourself, right? Moreover, the protagonist obviously does not have a high level of education, but he still loves to carry out industrial revolution everywhere. The aborigines in the second volume can build starships, why not learn to promote this Zenith star technology?
The author likes to give up halfway when the plot is just getting interesting.
After reading the latest chapter, I saw some readers asking why it wasn't popular (it seems that the author himself had questions, but I don't quite remember) Let me tell you my thoughts. I think it has something to do with the author's constant "change of mind." First of all, just looking at the title and introduction, my first impression was that of the original fast travel flow (drawing on the anime setting, people have different opinions. People who like it like it very much, and people who hate it hate it) At this time, my psychological expectation for this book is that the book will become stronger at a fast pace, and then the superimposed talents in the next life will become stronger and more versatile in a shorter time. Repeatedly, it will bring a sense of satisfaction through the comparison of the intensity of different lives. The fast pace will also dilute the sense of loss of starting over in the world. In fact, it turns out that it is almost 60 chapters, and it is still in the first world, and according to the author, it will be written at least until it is released on the shelves. People who are interested after seeing the title and introduction will definitely feel put off. This is the "change" of the theme. Then there was a "change" in the plot. Originally, the protagonist led his men to kill everyone on the battlefield as a child who was despised by everyone. My expectation is that the protagonist will continue to be promoted as he continues to accumulate military exploits and encounter various powerful enemies one after another, and then continue to become stronger by learning the magic of powerful enemies, integrating the old and bringing out the new, and finally using his own power to fight against the development of the times, destroying the entire world, and becoming a god on earth. This kingly way of online novels will unfold. As a result, the war ended just after the protagonist learned the armed color and developed the armed color entanglement... Then the protagonist, the key figure in ending the war, was sent to study (the academy stream is really not interesting, that is, there is no sense of crisis in war, and slapping students in the face is no better than killing them) The enemy's strong combat power is very refreshing, and it will become very watery and uneventful as soon as you write it) And it is obviously a cool point to get the official title of the title level. However, the protagonist kills the enemy's title level and does not get the official title. After passing the title level test, he still does not have the title, and the upgrade is lonely. Can you imagine the scene where the young master has the ability of a special chef and passes the special chef exam but does not become a special chef? The main character expressed his expectations for the future based on his past life experience and shocked the boss. It was also a cool point. I thought that the main character could take the opportunity of the visit to come into contact with new technologies and make suggestions for improvement through the knowledge of the past life to start a scientific research route. He could develop the science and technology tree of science and technology by relying on his magic talent and the knowledge of the past life. In the end, he was just a temporary tester, and he was gone after saving a doctor... One of the more poisonous points is that the protagonist shows off to others his ability to learn from others in seconds (the disadvantage of the academy style is that he cannot be silenced, which makes what is cool become a bit toxic), and he also tells his superiors about his special abilities. What are you trying to do? After being exposed, the magister won't fight him, but will focus on him. The protagonist will bet his own life that the superior will protect him? But if he didn't show off and secretly learn to make a fortune in a muffled voice, wouldn't this happen? Although some readers expressed dissatisfaction with the main character dressing up as a woman, you have to say that there is still an audience, and the sense of danger of being a spy who can be discovered at any time, and the contrast between the appearance of a weak woman but actually the youngest title-level magician, pretending to be a pig and eating a tiger, is much more interesting than the plot of the academy. As a result, he resumed his identity as a man after writing. As of Chapter 57, we have entered the stagnant college plot. It was a bit fun if there were women's clothing, but now the whole chapter is about settings and I really want to skip it (these spell settings can obviously be interspersed in the previous war plot, but in the end, the reader has to re-learn the basics with the protagonist, a strategic magician) The basic knowledge is really inconsistent. For example, after Edward became the national alchemist, he went to the new country to learn the level of chemical knowledge of acid-base neutralization, and then Edward looked surprised) Every time he started to get excited, he immediately changed the direction of writing. This kind of constant "change" in the excitement is not able to retain people. It's like a newly opened restaurant with a rich menu. When ordering, I was told that during the trial opening period, there were only scrambled eggs with tomatoes. The taste is different every time I come here. Sometimes it's sweet and sometimes it's salty. In this case, there are still customers who have to say that the chef (author) has some skills. Let me tell you, the author, that you changed the introduction (at least explain it) and just focus on one world. You can't bite off more than you can chew. There are too many things to write about about magic + technology. If you really want to write about the collision of systems, you don't need to change the map. You can also directly expand the original world view later. Let's say that the protagonist becomes the god of magic and travels the universe, or leads others to explore the universe. Different planets are different worlds and different systems. Otherwise, if you write one world for too long, another group of people will leave when you change worlds. Even if you are deeply involved in cultivating a world in the early stage and have unlimited flow in the later stage, it is better than if you say in the introduction that you keep reincarnating and stacking talents, and the result is 60 chapters without changing the map. Of course, the above content is all nonsense. The author's book is very beautiful and the content is very exciting. I opened it for the first time today and saw the latest chapter. The whole reading experience can be said to be unsatisfactory. The main reason why this book is not popular should be the lack of recommendation and exposure. The fragrance of wine is also afraid of the depth of the alley. My suggestion for this problem is to update more. Author, if you update 10,000 words a day, will you lose popularity?
As we all know, the upper limit of the protagonist's intelligence is the author's intelligence.
Does the author have any misunderstanding about artillery? Artillery has a shorter range than a bolt-action rifle? Even the artillery of the 15th century had a range of several kilometers! Author, if you don't have any military knowledge, why not go to Baidu?
I just watched the previous ones, and when I saw the protagonist saying that he was from the Uluo country, I felt extremely uncomfortable. He joined the army at the age of 12, returned with honors, was looked down upon, and finally had to become a spy because of a trivial matter. Reformists are not a good thing either. If a 16-year-old kid becomes a spy, isn't this just a Boy Scout? Is this already the case in all countries? As a time traveler, you say that traditionalism is not good, and that is true. But radical reformers are not in the interests of the protagonist. If it weren't for the protagonist's aura, the protagonist would have died long ago. The logic is also difficult, because I wanted to live, so I joined the army at the age of 12. Because I wanted to be safe, I secretly learned other people's ancestral knight skills after returning to the rear. Then because I wanted to study more technologies, I became a spy and infiltrated into the enemy country. Although I stayed in the enemy's country for three years, I will definitely be put to good use when I come back. So is this the thinking logic of a great musician and the God of Gambling? I admit that this is a gamble, but I believe I will win, right?
The author has no imagination For example, magic has a threshold It is not suitable for fighting with ordinary soldiers Others are throwing bullets and money You are throwing blue bars Why not use mages as artillery and tanks Have you ever seen artillery and infantry fighting against each other What do you mean about mages seeing with the naked eye? He can fly and escape. He doesn't need to bring a lot of supplies. He only needs enough food. Even the load is tens of millions of units. Believe it or not, I will beat you to the ground Well, the magic you set is not a natural skill They are all learned through research. What does knowledge mean How can you still go up to fight with firepower at close range after suffering a loss? Can there be a shot of invisibility magic and stealth magic Can 10 magicians do it with skyfire fire coverage Also, can't I hold a staff in my left hand and a gun in my right hand
After Chapter 60 of The World of Fog, it was 100% written by a different person. Although the previous writing was poor, it was still readable. Whatever I wrote after that, it was perfectly reflected in the protagonist's fear, and it insulted the readers' intelligence.