Welcome to the Eerie Game

It is worth watching. As of October 11th, the plot has no poisonous points so far. The writing is smooth and the plot is compact and not procrastinating. The type of work does not belong to the pure weird style, but is more biased toward the semi-invincible style of Cthulhu. The protagonist has a bold personality and follows his heart. Personally, I like the volumes about Master Poisonous Heart and Xuanyuan Taoist the most.

It's good, I love it and I'll keep reading 🤓🤓

Nowadays, the rules of the book review area are corrupted and traitors are everywhere. This is due to insufficient updates. If the author diligently updates a hundred thousand words every day, then the traitors will be afraid and retreat, and the moral gentlemen will rejoice. This is a feat worthy of praise by Yao and Shun! I heard that calves born in sheep pens will not behave like sheep when they grow up. You are at the starting point and your computer keyboard is often used, but you have lost interest in updating it. Is this reasonable? Qidian is strong because it has inherited the etiquette and skills of its ancestors. Stop bursting, the pressure has nowhere to release, and instead you become tired. Isn't this the same as abandoning the roots of the tree and pursuing the treetops? If this continues, great disaster will surely happen! The reason why Bai Jin can have tens of thousands of royalties and not be harmed by villains is because they are willing to listen to what upright gentlemen have to say, while Poujie cannot get royalties and is even looked down upon by his girlfriend. This is because they are close to evil villains. I hope you can think carefully about the difference. There is one thing for which the author can cry bitterly, and six things for which the author can sigh. Since ancient times, when performing actions, the words are often very passionate. If they are not passionate, they will not be able to move the actor's heart. Harsh words are akin to slander. Author, you should think carefully about whether such a thing is right or wrong. Those authors who updated less, delayed, or missed updates had no time to feel sad about themselves, so they were drowned in the torrent of works, leaving only later authors to feel sad about them; later authors felt sad and did not learn from it, and future authors felt sad about it.

Nowadays, there are too many cold-blooded protagonists. I have seen too many protagonists who kill everyone on sight, take advantage of their teammates, and even turn them into characters. Or do you prefer to see protagonists who are principled but not bad-hearted, and who act within their abilities and should be chaotic and kind? But Chaotic Neutral is fine too

Let me conclude first, this is a good book. Supernatural life extension, and then the protagonist is forced to keep breaking the dungeon routine, like "Thriller Live Room". The dungeons are basically ancient dungeons, similar to the routine of "Seventy-Two Transformations of Earthly Evil" in which the protagonist goes on a heroic journey to clear the dungeon missions. The story is well-written, but the basic routines of several ancient dungeons are the same. I started with a broken settlement, then acted chivalrously and pretended to be awesome, and finally decrypted the code and defeated the boss. Now I'm starting to write a modern dungeon, which is a little more fresh. It combines a weird writing style, similar to the horror of "Immortality: Beginning with Caishikou" that combines Cthulhu and folklore. It is well written, not very scary, and more like the protagonist fighting ghosts as a Taoist priest. Although it borrows from many books, the story is the author's own, and it is written with the heart of a young chivalrous and righteous young man. Basically it is a rare masterpiece.

I feel a little tired of not seeing the heroine at the end. In online novels, women are like seasonings. You can use less of them (write less), but you can't leave them out.

I feel like there is a problem in this novel that I don't understand, that is, whether it is monsters, monsters or other evil people, they slaughter a village, sacrifice a city, and destroy a state at every turn. It feels like there are no other forces to check and balance it. Even the official organization Suppression of Evil often appears either half disabled or completely destroyed. It is a bit inconsistent with the level of a large organization that has been inherited from ancient times and specializes in suppressing sealed demons. In this case, it won't take long for all the people to be gone 😅.

​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​: In general, I can give you some food and grass. The first two dungeons in Building 4, Night Watchman, personally feel that the writing is stiff and the world view is small. Later, Tai Sui's writing has obviously improved, but the subsequent dungeons gave me a feeling of changing the soup without changing the medicine. They all came to a world with conscientious people in it, such as the Zhenxie Division, and the arrival of a big boss from the three religions and nine streams. Then Blood Rain Record is a copy that I think is better written, and I am looking forward to the follow-up Xingfeng Record. Blood Rain Record can clearly see a change in the author's writing ideas. There is no big boss anymore, which gives me a much better impression. However, I feel that the writing of the dungeon "Moon Chaser" is too slow, and the most important point is that I can see the protagonist's inner thoughts of "whoever I want to kill, I will kill." It feels a bit depressing. It can be said that in this dungeon, the protagonist is completely in the position of a thug. And this is also a more critical point. I feel that the protagonist's IQ has dropped after writing over and over again. In the first dungeon, the protagonist can still analyze it. How did he write in the latest dungeon? How did he become a thug who only listens to others' orders? I think it's unreasonable for a person who is destined to save the world several times to act like a fool. Another important point is that the protagonist faces contaminated gods and Buddhas from the beginning. Although the degree of unblocking and pollution is different, it gives me a big and empty feeling. Although writing about contaminated gods and Buddhas helps to reveal the world view, in comparison, I still prefer copies like Blood Rain Record. In the end, the most important thing is to hope that the author can improve the protagonist's IQ. Don't just play a thug role like in Moon Chaser. This will make the protagonist seem less intelligent and the destined person will be cheap. Finally, I wish the author good health and this book will get better and better! Zhu: The above is my personal profile, please don't comment if you don't like it.

The protagonist starts playing high-end games from Tai Sui. Tai Sui rewards a skill and a weapon. The light reward is to hit the Buddha's heart. He is rewarded with a skill and a red sky-shattering arrow to defeat Wanyuan. First of all, there is the problem of the prince's deceitful shaping. A clown who has lived for two hundred years, he uses the sky-shattering arrow to defeat the Wanyuan boss. The sword is also worn out, and there is almost no profit. The protagonist's strength is basically not much improved compared to the completion of Tai Sui. To put it bluntly, if you defeat the protagonist of Wanyuan before fighting Tai Sui, you may have to ask your uncle to sacrifice to the heaven to defeat Tai Sui. In the real world, there are also some small miscellaneous bosses, the first evil. The character was easy to solve. After defeating Wan Yuan, I defeated a dirty god in real life. Didn't the protagonist have no bow and arrow or sword at that time? He could hardly fight the dirty god throughout the whole process. He still relied on his teammates to burn himself to destroy the dirty god. I know why the protagonist in this book is not the only one destined to be destined. He plays high-end games every day and the rewards are deducted to death. After reading the reality volume after Wan Yuan, I just feel aggrieved!

The protagonist is not chaotic good at all. Judging from the performance, he is completely lawful good, and some are even absolutely good.

This is really well written, and the subject matter is also a problem. It's caused by suspense. It's worth watching. It's a non-toxic and unpopular herb.

The first two dungeons were amazing, but starting from Tai Sui it was just a traditional monster-killing upgrade.

Think about it, you are half exhausted in the game, but in reality you still have so many troubles, and you still play this boring and annoying game with them, are you bothered? If it were me, I would kill all the way and go back to sleep.

The book is good, a rare book that combines unlimited flow with folklore and Cthulhu. However, I just finished reading the Zhu Xie chapter, and I lost money just because of the broken evil. In order to suppress the combat power, the author made the black book system somewhat contradictory and stingy. On the one hand, it seems that the system is omnipotent and can realize any wish, and even bring the dead back to life. On the other hand, it is restricted from intervening in the Wan Yuan dungeon that is about to enter. The protagonist has no health when entering the dungeon. The world we entered was completely eroded and the protagonist was unable to use his abilities. He had to protect the mission target to fulfill his destiny and had 0 chances to resurrect... This dungeon was completely eroded and the difficulty would definitely be higher than that of the Zhu Xie chapter. In the Zhu Xie chapter, the protagonist's peak state was a miserable victory. This dungeon is where the protagonist enters. Otherwise, all 10 people with destiny will have to stop eating.

What's this? The hot newcomer kidnapped for suspense? Take a bite!

The plot is quite good and I feel like it can be replaced by the local evil 72, but there is one thing that I really hate. Why do I like to be a cat slave? It's like licking a dog, it's annoying to watch.

Everything else is fine, but your combat power seems to be high and low Obviously God has already done it, and it still takes a stick of incense to face a group of bandits.

Let me ask you guys, if there are no emotional dramas about falling in love, then I won't watch them because I don't really like them. I only like to watch career-related dramas and I'm a bit obsessive and don't want to skip watching them (personal fault, I made a mistake🙏)

To be honest, I think it's quite good-looking. It's a pity that it's not popular. It feels like there was a demon here when I first read it. It's good-looking. It's not the Holy Mother, but it's also very humane. The most annoying thing is that it's not the Holy Mother and then kill, kill, kill, sb. I think this book is second to none in my collection.

Are there any other books you would recommend that are similar to this one?

It is really well written, with no flaws at all. The performance of this book is not comparable to its quality. It is a pity that few people have read such a good book.

I finally saw that Goldfinger's writing wasn't that big. After reading it for several days, I found that my writing skills are very good. However, the text describing the pursuit of novelty is relatively abstract and a bit the same. It would be better to add specific details. It is recommended to use smart tools to polish it. The plot is very good, but the author is obviously more suitable for writing weird folklore and western fantasy future ruins. You can look at Mi Tong's writing style, especially the frost copy and sun copy of Deep Sea Embers. In addition, the main line should not be obvious, which is the main line of the black book. Otherwise, if there are too many copies, it will become fragmented and fall into the trap of weak integrity. Make the main line clear as soon as possible and string the copies under the overall main line. Not only will the logic become clearer, but the reading experience will also be more integrated.

Can I ask the author something? Why does every protagonist of your dungeon have to wear rags to do important things? Are you addicted to writing like this? I feel like there's no contrast at all, it just looks clowny. Doesn't it mean that if you dress well, you don't deserve to be a big deal? Count how many copies you have, dressed in rags like a beggar? There is still a smile on the corner of the mouth. Are you addicted to beggars?

To be honest, this book is quite interesting, but in the dungeon, it feels a bit similar to the setting and plot processing of the Demon Suppression Museum. In the Demon Suppression Museum, Wei Yuan learns memories through resonance with objects from his previous life. This book sends himself into the dungeon through the black book. The method is different, but the result is the same, that is, the protagonist promotes the formation of history, and there is a sense of reverse cause and effect. If the plot is similar, If that is the case, there should be a plot similar to One Permanent Certificate later in the development of the book, and the protagonists of both books use swords. The author should have learned from the Demon Suppression Museum. The cheap master of the protagonist died for the world is similar to Zhang Jiao cutting off the dragon veins of the Han Dynasty in the Demon Suppression Museum (this is about the artistic conception rather than the plot). In general, those who like to read this book can go to the Kangkang Demon Suppression Museum, and those who like the previous life setting of the Demon Suppression Museum can also read this book.

I would like to give you a suggestion: the plot should not involve complex philosophical issues 1. It is easy to fail to review; 2. These issues require careful study of philosophy to discuss them roughly; 3. Readers may have difficulty understanding them.

How's it going? What happened behind this? I watched the first chapter of Blood Rain and was hooked on it. The main reason is that I think the protagonist has gone through so many dungeons, why does he have to clear his whole body and suppress the protagonist as soon as he enters the dungeon? It's so frustrating to watch! There is capital but it is not allowed to be used, and the protagonist is beaten to life and death. Thinking of this makes me feel that the protagonist's previous abilities and equipment were all in vain. Anyway, I will ban you when the new copy arrives. It will be the same routine as the previous copy. There is still no progress and a sense of accomplishment. I don't know if there's anything better in the future?

I'm convinced, the new book The Whitest Crow, please don't take the college entrance examination and overcome the tribulation. The protagonist is also called Zhou You. I thought I read it wrong 😰

I got it from Guatian Shudan, it feels really good.

Just like the title, it's hard to imagine that the protagonist is going to have a head-on confrontation with the contaminated immortal Buddha. The last chapter also relied on rockets. In the end, the author wanted to play a mechanical game.

This book has a very good structure for the world in the dungeon, and the interactions between the main characters are thoughtfully conceived. The author has taken the time to understand the folk customs, and the depiction of the world in the ancient dungeon is very tasteful. But first, the depiction of the ability system is a bit arbitrary. Since there are no settings such as roll points and ability value tests, the growth between scenes lacks realism. I don't feel that anything I couldn't do before can now be done, or that the ability system is more complete. I just feel that every time I am getting better, I have gained some fancy abilities, but the real decisive things are consumables. I previously expected that boxing and flying swords would bring about a qualitative improvement in the protagonist's strength, but it turned out that it was not apparent. The flying swords did not even play a big role in the article, and it was mainly just a show-off in modern times. Also, every time we change the dungeon, because the protagonist has the ability to clear the original copy, our judgment on the strength of the plot characters is very vague. The author said that if you can cut it off, then you can cut it off. A good battle should be a game in which the reader knows the abilities of both sides and the author maximizes the performance of both sides' abilities, rather than the two sides showing their cards to compare their strengths. Second, the problems that the protagonist solves every time he plays the game are more serious and larger in scale. In fact, seriousness and large scale do not necessarily have to be true at the same time. A problem in an apartment can be ranked higher than a problem in an entire city. This will make the copy more rich in style when written. There is no need to find partners every time, collect clues left by seniors to clear the level, and then explode and kill a big boss. Third, the issue of growth within the game and the opportunity for the protagonist to recover his abilities can be more closely related to the script. For example, in Moon Chaser, the protagonist's body is divided into pieces, and several main ability systems that can be replaced by the protagonist are transformed into several items in the script. A certain pistol can be the protagonist's bow, and a certain wrench can be the protagonist's sword. In this way, the image and fighting style of the protagonist in each copy can also be different. Until the final release of his abilities, the protagonist fights with the image of the swordsman that the author wants to portray. In general, the author's writing skills are online, but the feeling of online writing that makes people want to watch the protagonist upgrade and want certain equipment is, to be honest, a little bit worse. Anyway, this book is really nice.