Is My Pet Sand Table a Secret Realm from Another World?

The subject matter is good, but it is very messy, the reality is unrealistic, there are no boxes, the world of immortality is not the world of immortality, it is a mess, and the plot often jumps directly without warning. It has a full sense of fragmentation, and there is no strong character at all. All plots only have one part, and then jump directly. The fragmented plot of the key part feels good.

Let the protagonist develop a few hundred pictures first, okay? You revived the spiritual energy so early and made the protagonist look like a clown. Many cases. The key is that you didn't say at the beginning that this was a world with supernatural powers. If you mention it later, it will be an act of deceiving readers. The previous one wrote about lizards. Obviously you can develop your own lizard kingdom on your own. We must achieve world integration in the mid-term. Spiritual energy revived. As a result, no one read the 6,000 subscriptions. I wrote hundreds of thousands of words, but in the end I couldn't write anymore. And as I said before, there are also successful cases, such as raising all human beings. He hasn't recovered his spiritual energy yet. Let's use an analogy. But the protagonist behind him has already developed. It's a crushing game. That's cool.

Stop writing about reality. Your writing skills are embarrassing when you write about reality. And can you write something about the world of cultivation? I'm confused by not mentioning the world of cultivation. I'm even more confused by the fact that the main character is somehow divine. Please write about the world of cultivation, and don't always treat that silly reality when writing about Hakoden.

If the scorpion poison is enough, it can poison people. The villain in the sand table cannot be filled with a sting. The foundation-building elixir must die or the protagonist's combat power will collapse. The foundation-building can kill the scorpion, the Nascent Soul can kill the mouse, the tribulation can kill neutral animals, and the protagonist can be killed on the top.

You can't use your brain. The setting of this book really cannot be studied in detail. After reading dozens of chapters, I didn't even understand how big the box and the little man were. At first, they were said to be as big as ants. You have to use a sword to cut the spider webs, and later you can wear a Lego hat. If a villain is as big as a Lego minifigure, a scorpion and centipede is at most a bigger beast to them, and a breeding box is at most the size of a manor to them. I really feel that logic is being raped all the time.

At present, the protagonist's sandbox is actually completely manually placed by the protagonist, and the main force of placement is consumers. In recent chapters, the protagonist is not satisfied with placing primary consumers, but has begun to place secondary or even tertiary consumers. The fact that the sandbox did not collapse is entirely due to the author's nonsense My suggestion is to reduce the investment in consumers and invest more in producers such as grass, vines and trees And the author has not placed decomposers, which is a very big logical flaw , for example, the electric eel electrocuted a lot of shrimps, but the electric eel must not be able to eat them all, so how to deal with the remaining corpses In summary, my suggestion is to invest more in producers, at least add two or more decomposers, and it is best to add a lighting mechanism, so that there is a cycle of life and death and the rotation of the sun and the moon. In an instant, it is out of the awkward situation of being completely manually input by the protagonist. It is semi-automatic and a small system is built, which can also be adjusted slowly later.

The first one is that the secret realm starts too frequently, not from the protagonist's side, but from the monk's side. The injury from last time in the secret realm has not healed yet and I have to come here again this time. I have never seen such a brainless person. Increase the speed of time and change the time when the secret realm of the monk world begins to ten years or a hundred years.

This idea has actually been around for a long time, but the author's writing is good, and the protagonist's portrayal is okay, but the monks' portrayal is very average, there are a lot of people, and there are no characters that people can remember at all.

It feels like the author is getting more and more biased as he writes. You can either speed up the transition of the plot in the small world and guide the protagonist to master the power faster, guide the revival of spiritual energy in the real world to expand the influence of Tiantian, influence reality, and pretend to be awesome, so that others can watch it. Then go to the world of cultivation through the cave, or guide the world of cultivation to enter the war between the cave and the sky faster.

Short, this book will be hopeless if it writes about reality.