Reborn as the Godfather of Chinese Entertainment

When writing about Hong Kong and Taiwan entertainment, no one in China will read it.

Mainland actresses are worse than the last and dirtier than the last

I'm really convinced, you can do dozens of chapters in high school, and then add entertainment stars. Otherwise, if you learn from others' entertainment, your business will flourish. Otherwise, just connect directly to the main line of entertainment. .

It would be better to just write about urban rebirth. The entertainment industry is not something that an ordinary person with no background can navigate.

The first chapter persuaded me to quit. It was written more than ten years ago. The title of your second chapter hooked me in, but it turned out to be a lie again. I wanted to skip reading it, but it turned out that I was still in high school at chapter 20. . . Selling dog meat under the name of China Entertainment? Early excision and early birth. I would like to give you a suggestion: People who write about Chinese entertainment and have nothing to do with the entertainment industry, even family members and parents, should appear less often. Readers really have no interest in reading it, otherwise why are there so many orphans in Qidian. There was a book about Liu Shishi. I forgot the name. It was pretty good, but it ended up always writing about his sister and niece. It was too dramatic and had no sense of empathy at all, so I had no choice but to abandon it.

I hope that the heroine will not choose the Poetry Fairy of the Tang Dynasty. I am tired of seeing them. Instead, she can choose some unpopular beauties For example, Wan Qian, who is sassy and cool, and is also a heavy player of World of Warcraft. She is a good match for the male protagonist to play games and make money

I like Jing Tian and Liu Yifei, but hate Yang Mi and Tangtang.

There are three authors similar to Ren Zhufei, Hard-Bi Xiaosheng, Li Yuanzhe, and Zhou Zhoukoutiao. They all like to write harem-type protagonists. One of them, Zhou Koutiao, keeps repeating the same routine, and I am almost tired of watching it. These authors are all born in the 80s and 90s, and their writing is relatively close to reality. Of course, after becoming rich later in the novel, the plot is very exaggerated, and the characterization is relatively full.

I have probably followed four of the author's books (Ng Kuang Yao, Lin Zhichao, Lin Zuhui, and Lin Zhengjie). The author still checked the information when writing Hong Kong. Unfortunately, every time, the beginning of the writing is amazing, and then starts to fill in the middle and late stages. The writing is too vague and unimaginative, completely copying the original historical line without considering the protagonist. Variables, and the author is a bit greedy, especially loves business, harem, and harem. The result is that he cares about one and loses the other. I hope the author can learn from the lesson and clarify the theme of this book. As for the harem, he can write a good emotional drama, write a group portrait of the heroine well, and write it brilliantly. Give us book friends another Shen Chuyou, and never write the heroine like a puppet.

Don't write one-liners. I write too much and get tired of aesthetics.