I'm Growing a Divine Tree in Tokyo

This behind-the-scenes scene is so crazy... When he meets a girl, he performs all kinds of cerebral palsy operations. The girl's emotional line is so super redundant! The excess is not a girl's emotional line! It's so outrageous that the protagonist can't help but do all kinds of facial expressions~

Chapter 23: This bet made my scalp numb, and my IQ instantly dropped to the center of the earth. Additional comments on May 30th. Overall, this book is good. Except for my complaint, everything else is pretty good. The subject of the behind-the-scenes mastermind is really out of date. It is rare to find a good idea. Please support it.

It's endless, right? Readers have reported how many times the plots of Busujima and Komuro Takashi are disgusting, and they still use these two things, which will only make people more disgusting as they watch. How many times have I said, even if you can't change it, just speed up and let them die, just go to hell, the kind with no soul, don't let his face pop out, especially Komuro Takashi, who is trying to use them to recreate Sasuke and Naruto. Are they worthy? Recently, it's difficult to stitch up One Piece, and it'll be awkward

You've already written about Brother Yu, why don't you hurry up and bring up the battle at the entrance 😂

Having a harem is actually not a big problem, but the key point is that these harems do less and get more. The protagonist has to work hard to plan and the subordinates have to work hard. As a result, these harems get new things again and again. Once or twice, they show that chickens and dogs ascend to heaven, which can be regarded as showing off to the protagonist. It would be a bit disgusting if they also received new characters every time the version was updated. After all, they have made it clear that they appear less and contribute less. Not to mention the protagonist, the familiarity they give readers is not comparable to that of the following tools (Kafka, Takashi, Luffy, Miss, Kamijou, etc.).

The protagonist hides behind the scenes, wears a vest and forges spiritual energy, and the myth is revived. However, almost 700,000 words have been written, and several years have passed in the book. However, the current events have been limited to Japan. All the myth revival events and vests are all Japanese. All other countries in the book feel normal. Except for America, who symbolically sends a wave fleet, there is no movement or description in other countries. It is as if there are only two countries in the world in this novel, Neon and the United States.

Regardless of the author or the studio, this book is a group drama, but it has no ability to depict characters at all. It can only use some existing anime characters to make up the number, so that the characters can stand up a little. Among novels of the same type, it is considered to be the lowest level.

Just like in Parasite, no one with a name died after a battle. No matter how weak you are, as long as you have played more roles in the past and have a name, you can still survive. The names of the dead ones are only known later in the review stage, which is also difficult. The only person who died in more scenes before this was the werewolf. I thought it was the beginning, but I didn't expect it to be the end. You have captured several cities, established warlord regimes, and attacked each other. The intensity of the war has increased. Isn't it faster than playing house? The protagonist can create a bunch of extraordinary things just by throwing them out. I don't know the reason why the author unlocks the blood of extraordinary extraordinary people with names. In a big battle, if a few famous people are killed and a few cities are captured, the authorities will have a sense of urgency and be able to carry out more radical extraordinary experiments and produce more artificial extraordinary beings. Wouldn't it be more conducive to the protagonist's upgrade? Tokyo is now blessed by gods and sacred trees. It's like opening a safe zone, and you can have a sense of urgency with a hammer. The big-headed soldiers are like this. Every time they are sent to fill in the line, the gentlemen in the rear safe zone have a lot to think about when eating and drinking.

The author is really a legendary anti-stress king. After the mid-term writing collapse, the readers who hated it were scolding the readers who liked it, but the author deleted the follow-up outline without deleting the existing chapter content, maintained two updates a day, and rebuilt the follow-up complex. Although the character creation and plot quality have declined, it was written smoothly and smoothly without any surprises or unfinished work. The follow-up did not forcibly cut off the Poison Island plot but rounded it out. This was a stroke of genius, the plot took off immediately, and the characterization was superb. It was really not easy to get to this point when the comment section was full of boos and questions. The current plot is considered top-notch among novels of the same type. As long as you give the order, I will immediately make you the best brother behind the scenes in Tokyo.

This author is good at everything, Qun Xiang also writes well, but he just doesn't know why he insists on making emotional scenes. It doesn't matter if he gets scolded, it's just forced writing 🤔