I'm GSD, I Can Explode with One Sword

It's so fast on women, so slow on writing a novel, what do you do for food

I feel like a self-motivated clown.

Is the GSD template too powerful? Only 50% is comparable to the apostles

The combat power of this world is too high. In the world of poisonous milk powder, everyone is an absolute master in the first sleep, but here they are like garbage and can only hang out in a small place In the second sleep, there is not much. Most of them are background boards, and then there are apostles or things related to gods and other things Also, it is too watery.

I feel that the protagonist can tell them that he is from another world. Since the protagonist is so strong anyway, he can also tell them about the continent of Adra. Let's talk about the nine apostles of the continent of Arad. The number of words in a story like Tyrannosaurus King can be said. I want to read it too, but I don't know much about the plot of the continent of Arad.

It's early, hurry up and update. I just feel that the protagonist is a bit like a game character. The ghost swordsman should not only have skills, physical fitness, and everything he understands about swordsmanship can also be reflected.

Did the author fail to write it? The book begins by saying that the mainland can be a famous town at level 50. As a result, when the protagonist leaves the principality and encounters a caravan, four escorts of level 50 or above appear. The leader is still over level 70. What you wrote like this, the author, forcibly increases the strength of the continent and reduces the character of the protagonist, which will greatly reduce the rating.

Haha, no one is watching, it's getting more and more boring. If you start a direct fight with a different dimension, at least someone will take a look. Now I don't even want to chase you

Can't you just say the protagonist's stance on good and evil?

It's like a parallel world in Arad, but the protagonist can't recognize it? I originally thought that the protagonist would be the leading version, but judging from the author's writing, even if GSD came in person, he probably wouldn't be the strongest.

Isn't it just that he traveled to the continent of Arad? The name is the same, the location is the same, and the protagonist is no longer recognized?

The real Arad has a happy life if he chooses the right career, and spends his life in the sewers if he chooses the wrong career. Some are still performing on the streets, some have become the incarnation of gods, and some insist on themselves, and even more sacrifice themselves just for that moment of strength.

The author has a Western fantasy background. Where did he come from so many Chinese martial arts-style words? Sir, you are so righteous. I will definitely disappoint you. It's very funny.

The sea, you are all water. If you add water for a few dozen chapters, you will probably be able to rescue Celia from the goblins. I'm afraid Celia won't have children by then.

I believe that those who like to read this type of article must have read The Demonic Swordsman 🤓

I looked at the loneliness, the sea, you are all water

I'm not a buddy, and I didn't mean to be a troll like a grumpy old guy. Can this comment be deleted?

After reading a few chapters, this author doesn't look like a newbie or an old ass.

You set the word count in the game every day and still ask for reading, which makes it very difficult for us 🤔

It's a bit boring. I have traveled to a world that is different from Arad. I use the names of the characters in the dungeon, but I don't know the story of the dungeon. The original world reads much better than this. It feels very awkward, very awkward.

The subject matter is good, and it has the idea of ​​attracting people to come and read it. However, the writing style is indeed a bit too immature. Even the first chapter made me feel uncomfortable!

Does this have anything to do with playing GSD? I only saw the protagonist telling a story, explaining the source of the protagonist's power? If others believe something about the Arad continent, the protagonist will be able to increase his role. And no one finds it strange why the protagonist has to insist on making people believe these stories, otherwise there is nothing he can do. It's like opening a dojo. If others don't believe in ghosts and gods, the protagonist can't open a dojo?

Seriously, if you want to write something original about mainland China, then write it well. It's okay to create some original crises and game plots. Why do you insist on dragging DNF mainland into it?

The protagonist has traveled to the parallel world of Arad continent, right? The characters in it have the same names and professions as the characters in Arad, but the protagonist doesn't recognize him. Is this really reasonable? ? When I saw that the background story of the fourth ghost god Saya was changed by the protagonist, I almost couldn't stand it. It was completely different from the official background story of Dnf and the one written by the protagonist. It was so outrageous.

I like water, but my combat power expands so quickly in water, I don't even know what to say about you.