After Becoming a Zombie, I Want to Travel Around the World

It can only be said that the data difference is normal. As a novel similar to a road movie, it uses an ob perspective to record the experiences of the zombie-turned-protagonist along the way. However, because it is the end of the world, there are too many plots that must be present. The three major elements of the dark side of human nature, stupidity, and positive characters run through almost all plots, and the emotional output of these plots is always negative emotions than positive emotions. You cannot expect every human reader to be a zombie. This is something that most people can't do. What's more, you want to rise too much and constantly output your negative emotions and "philosophical thoughts" in your articles. Systems, superpowers, zombie evolution, intelligence, multiverse, and so on, there are too many elements that are difficult for the author to grasp. I have only read less than 100 chapters. The elements you can see in the apocalypse are basically there, but can you really write it well? Road movies attach great importance to your control of the unit drama, but so far there is no unit plot that I can remember deeply. The entire novel seems to have originated from a whim, the birth of a negative emotion. There is no outline, and the plot of the unit drama is extremely poorly controlled. Character creation is always the three major elements.

A slow-paced group portrait of the doomsday, the road to survival, superpowers, time travellers, and all kinds of weird system holders. The world is in a mess. The protagonist passes through these chaos and becomes stronger through photosynthesis. The subject matter is very interesting, but too many elements will make it difficult to write. Please do your best, author.

It's a very interesting side-viewing stream. The protagonist is a perspective, and he sees the stories of various false protagonists with systems in the apocalypse. Hey, if you put it this way, isn't this just the perspective of ordinary people or supporting characters who wanted to write about it in the forum, but it was really written!

This novel is like running water. Each paragraph is just one line. Just turning the pages makes me feel tired.

Although, the protagonist is too weak and only appears as a bystander in the whole process. And my feeling is that if he is touched even a little, he will die. Isn't it too weak? I know the theme of this book is travel, but you have to at least protect yourself to travel in the apocalypse.

Will the protagonist not improve his strength and rely on his head to travel around the world? 😅

To borrow a phrase from the book review section, this book is a bystander. The protagonist is in the end of the world, but he is not stained by the dust. You will meet all kinds of people along the way. There are various systems, time travelers or other plug-ins and other character things. Some people say that it is very complicated and messy, jumping to another thing before finishing one thing. But this is the essence of watching the flow. It will not delve too deeply into one thing, which makes people feel very heavy. What the protagonist does is what I want to help. I will help gently, but not desperately. Run away when there is danger, it's easy. I will not engage in things that oppress the protagonist, create conflicts, suppress first and then promote. Look at the clouds rolling and relaxing, and observe the various conditions in the world, without being stained by cause and effect.

I have read Chapter 39 so far and would like to share my views The author's writing is very interesting, but it is too confusing. The system, the rebirth, the country, the organization, and some chapters are all very short, which makes people feel that they are not understood and then disappear This book is a road style. The protagonist travels around and encounters various people and things. But traditional highway flow is also divided into chapters, some of which are long. The protagonist goes through a complete event and then moves on. Some are short stories that briefly show the social outlook But the problem is that the author of this book has too much imagination (various plug-in characters), which does not show the social outlook well. On one side, ordinary people struggle to survive (even betray their companions), on the other side, cheaters do whatever they want (pure system flow), and on the other side, zombies evolve crazily. There is no main line to connect the plot, and the style switching is too strong For example, a war road movie: the protagonist is separated from his family, so he travels all the way through the war to find his family. During this period, the protagonist sees the cruelty of war, the helplessness of civilians, and the dawn of peace, but it is always related to war and the cruelty of war, which means that the big background theme is the same But here, on one side, ordinary people are attacked by zombies and betray their companions in order to survive. On one side are cheaters who farm zombies to get points and do whatever they want. So what exactly is your background?

When I saw the title of the book, I immediately thought of a comic and novel about a woman who was afraid of female zombies. When she was alive, she didn't dare to travel because of her fear, and then she traveled after becoming a zombie. The names are "Social Horror Girl's Doomsday Survival Diary" and "Xiaobai's Travel" or "Zombie's Hiking Diary"

I feel that in the genre of ordinary people, it doesn't matter if the protagonist lets nature take its course and travels around the world without fighting or grabbing it. But if he resists the things that are given to his hands and the power that is given to him... He is no longer an ordinary person. He lets everything come naturally, but refuses what is beneficial to him. This is not an ordinary person's protagonist, but an ascetic monk who is committed to being a camera. He forcibly suppresses himself in the world's lowly class and forcibly gives up to the master. Jiao looks at the world from a low-level perspective If you want me to say, either let the protagonist truly be an ordinary person, do nothing, or only do some small things that are within his ability, and do not get involved in any big or small struggles. Otherwise, after getting involved, he will happily accept what he deserves instead of resisting for the sake of the setting. A slight increase in power will not make the protagonist a boss, it will just make him less empty.

Five years ago I might have been furious. Why doesn't the male protagonist kill zombies and eat crystal cores? Build a base to expand your power. But now I just want to lie down. There is no struggle at all.

The problem is obvious. If you look for too many eyes, too many perspectives will be confusing. You can write more complexly, but your perspective must be around the protagonist. If you look east and west, the plot will become more fragmented and make people feel incoherent.

It starts off as a joke and a joke, but suddenly a trio of superpowers pop up and I don't know where they came from. Captain Liu suddenly came and arrested a few people with super powers, and he didn't know what he was doing. Let a group of survivors write about the ugliness of human nature. Then came the Plants vs. Zombies system. Seeing this thing, I really felt that my cerebellum shrank. I don't know what I'm doing in the fog. Sometimes it's black humor and laughter, and sometimes it's serious and human nature is ugly. Also, I did laugh and laugh, but I didn't find it that funny when I read it. Maybe the baggage was too dense and overshadowed the narrative, and the whole thing became a bit exaggerated and not funny at all. This makes it difficult for me to handle. It was already a bit difficult to hold up when the corpse core appeared in the front, and then the all-in-one superpower came. Several classic special infected, zombies stacked with debuffs all night long. Among these settings, the corpse core and superpowers are a bit old-fashioned, and he is also particularly good at evolving superpowers or cultivating immortals. In the original version of Left 4 Dead, the four characters don't have any special powers, so they still have special feelings.

There is a problem with the plot. The author should think more about it. Since it is mainly about zombie tourism, he should write less about living people. This is a difficult contradiction to deal with. Or simply be an expert outside the city and continue traveling after saving people. This requires cheating or special settings. Or arrange a few zombies or humans as companions to travel together, have fun, and have adventures. Conflicts inevitably arise when people are involved. Moreover, it is an urban novel, where humans and zombies are naturally at odds. The set human forces or zombie BOSS are too powerful, which will make readers feel nervous when they get involved, so they still want to read on. It's so frustrating. If you want the protagonist to be a passer-by, you must give the protagonist a distinctly rational and emotional character, whether he is a fun-loving person, a kind person, or a villain. The story must also have a tone, warm and cruel, and then we will write related stories based on this. Instead of looking at the scenery, saving someone, and just passing by. Isn't this just a running account? At least based on the main element of travel, let's extend it to elements such as fun, food and drink, and companionship. Even if you are a passerby, you should leave a mark on the world. Anyway, what you wrote is really unclear about the main and branch lines, there are too few storylines, and some of the plots are really too abrupt.

If you write a group portrait, you should say it in the introduction first. Before I clicked on it, I thought it was a post-apocalyptic travel article from a zombie perspective. However, the perspective was randomly cut and the protagonist was marginalized. Moreover, the protagonist wants to help others. It doesn't matter, but can he not be so stupid? He wears such a little for fear. Can't others tell that you are a zombie? Since you don't have any physical mutations, you can disguise yourself as a human simply by wearing a few more layers and covering yourself up tightly. Are you walking past the two monks openly just for fear that they won't blow your head off? 😅

Group portrait, but poor writing skills, too fragmented

I won't be attacked by the same kind of zombies🤔, I have a bold idea🐶.

One sentence after another makes my head spin.

I feel like the subject matter is good, but why does the protagonist always want to help humans? Obviously the protagonist's race has changed, but humans will beat him up when they see him.

It feels okay, but it's probably getting cold after such a long time.

As for the author, is he still alive? The writing style is very to my liking. Has he withdrawn from the circle or changed his pen name?

Look, that's far away, where I want to go