You Said It Was a Text Game, So Why Are You Invading Reality?

This book is well written, but in the eyes of our fourth natural disaster, working for NPCs is okay; working for players is not okay, unless he (she) pays me a salary.

Spending money makes me feel like I'm going to be poisoned to death. I've seen so much that I don't know what to write about. It's just a hammer here and a stick here and there.

The writing is okay, and the game plot is well written, but the real-life plot is too intellectually depressing and has too many poisonous points.

When I first started reading it, I felt it was quite innovative, but the more I read it, the more uncomfortable it became. It was too bland, like a running account. Without intense conflicts and collisions, there was no refreshing plot, and I felt that it could not retain readers.

A good book, better than most of the books on the list. This score is really undeserved. I have just read dozens of chapters, and I would like to talk about a few poisonous points that I think are not big or small. 1. Regarding the protagonist not wanting to join the Special Affairs Office, the author said that he does not want to be restrained. To me, it does not matter whether he joins the official or not. But the protagonist says that he doesn't want to be restrained, but at the same time he doesn't resign and goes to work. Isn't he being restrained by going to work? The contradiction between the protagonist's behavior and thoughts is a minor drawback, and the game time is synchronized with reality. Going to work obviously affects the game very much. A bit unhandled. 2. The official website is written as too incompetent. A veteran player for at least 7.8 Years, he has developed a small company into a large group through the things in the game, and also invested in a doomsday survival base, and the government also invested and built some secret facilities. The article actually says that the official does not know her identity as a player? If you develop in the game silently and don't make trouble in reality, the official will not know what to say. You are investing in the Doomsday Survival Base through the Game Development Group, so the official does not know your identity as a player. I really don't understand. 3. The first two are actually fine for me, they can only be considered minor flaws. But it's a bit poisonous for the protagonist to kill the two second-mark elementalists in the villa. One is being searched at close range. According to the description in the book, the protagonist can be said to be at the mercy of others. Putting yourself in the hands of others is a poisonous point in any book. Another thing is that two second-line elemental masters were actually killed by the protagonist with a gun 😅 The second-line elemental masters are not physically stronger than the protagonist? Others can inherit the memories in the game and are not more experienced than the protagonist? Second-line elemental masters, the highest at the time were 3-line elemental masters. It was too hasty. There was no twist or resistance, and they were shot to death by the protagonist who was still an ordinary person at the time. The author arranges a realistic background, and then there is a supernatural game. It is a great point to obtain abilities from the extraordinary game and then use them to fight real thermal weapons. I was also thinking that the protagonist would become unafraid of firearms through some kind of force field protection or magic shield. You directly arranged for two second-line elementalists to be killed by the protagonist without doing anything with a single shot, which instantly shattered the reader's feeling of having the great power attributed to himself. Then why would such a rubbish elementalist dare to make such a jump? He really treats reality as a game and is not afraid of death at all? This plot is really not handled well. 4. The first wave of fights after it was released was not handled well. The protagonist has no abilities now. Why should he arrange to participate in a battlefield where there are hundreds of water elements on one side and dozens of people on the other side with guns. And he dares to grab things, which is of no use to the protagonist's current growth, and can expand the backpack space. The protagonist really needs to expand the backpack space? Can this help the protagonist become a second-text elementalist? It's not that cool. To put it bluntly, the protagonist has no abilities now, and a stray bullet can kill the protagonist. Wouldn't it be more fun if the protagonist now had a defense skill that could defend against some bullets and the like, and an attack skill, and then kill everyone? This would satisfy the reader's fantasy of extraordinary power, which would be a lot more fun. Instead of having no ability like now, just giving it away. And it's for something that is of little use to the protagonist right now. 5. As I said, after dozens of chapters, the protagonist has not grown. The growth of the protagonist in the farming novel is to acquire more territory, and the growth of the protagonist in the business novel is to create more industries and more connections. You obviously have extraordinary power. It must be the extraordinary power that is the main conflict. It will take dozens of chapters to make the protagonist grow in terms of extraordinary power. Look at how many readers scolded the protagonist in the Xianxia novel for not building the foundation in more than 200 chapters. And even if he didn't build the foundation, at least he could reach a few levels of Qi training in the dozens of chapters, and learn some awesome spells, right? You're better off, the protagonist is now dozens of chapters older, and it can be said that he has always been at the "first level of Qi training." That inheritance still doesn't feel like it has improved combat power. And apart from the inherent talents and skills (which seem to be unused in reality), there is nothing else. You have extraordinary qualities, so improving in this aspect is the main point. Fairy tales are very popular and have a large audience. You are a niche person and you are still doing this. The author should come up with more exciting plots. I just finished reading the free chapter and I really liked it. I accidentally said a little too much. I hope the author's results will get better and better.

There's a bit too much in the reality of reducing intelligence.

The writing is not bad, some people find the realistic part to be toxic, but I think it's okay. I mentioned that the protagonist is a sea king, and being as protective as a jade and a yellow flower girl actually deviates from the character's personality. Text-type novels are quite interesting. The protagonist has a cynical character, not a sixth-grade character. There is no need to impose Gou's style on the protagonist, which will appear to be fragmented. There is no other meaning in writing so much, except that the book looks okay, and I am afraid that someone will be dissuaded by the comments and the author will have no money. If the book dies suddenly, it will be uncomfortable. Also, I feel that one or two female protagonists are enough at present, and any more will affect the plot. After all, what I am here to read is a game novel, not a stud novel, and it is clear which one is more important. It is okay so far. At least the female characters are not a burden but can support each other.

What I feel is a bit outrageous at the moment is that the protagonist has joined the Dead Bone Dimension and is a public enemy of Yinou Star. Most other players will probably join a certain camp. Isn't it a keynote salvation? It feels like it will collapse later (it is inevitable that there will be a plot where the camp is exposed as a public enemy, right? This is a poisonous point, right)

Come on, it has been added to the bookshelf. I have a suggestion. At this stage, write more about games and less about reality. When the game comes, focus on writing about reality.

A battle of wits and courage with the system? Are rewards still being given out in reverse?