A College Student Becomes a Village Official, and I Make No Exceptions for Family

Weird, how come farmland occupies a village road? Shouldn't it be a village road that occupies farmland?

It's amazing. The books I browsed on Douyin can be seen on Qidian in two days!

It's getting more and more ridiculous, and many of them are illogical. You are not writing fantasy novels. You have to write about life in a logical way. Everything goes to the homes of relatives. I have not seen other people's homes. Relatives are used to set an example, not to cause harm. There are many old people in your article. How can you write like this to make the old people angry? In the whole article, I only saw demolition for the sake of demolition, but not any solution. If the reality were like this, I would have been dismissed from my job long ago. You can demolish it, but you must first come up with a solution to convince the public. If you still write it like this, you will not have good expectations for the follow-up and will not be interested in reading.

It's okay in the front, but it's extremely easy to get bored in the back. I have seen 63 chapters so far, and they all follow the same routine: splitting up, chasing, and fighting for peace. Moreover, they only demolished their own relatives, and no more than 30% of other people's bridges were demolished, and they were not responsible for killing or burying them. I mentioned earlier that the old man was up to his waist because there was no ladder, but I didn't mention it later. The wild cat didn't say anything, and suddenly an inexplicable digger appeared. OK, you are fine here, but others were so angry that they were shaking all over. The foreshadowing was so obvious, but nothing happened in the end. It was as if the plot was thought of in a flash without thinking about the follow-up. As for the contestants, I can accept that the other two are not good enough. After all, people are in dark places, but there must be something unique about them being able to appear on CCTV's program. If their ability is not good, then their family background is good;

I started pushing the steps at chapter 39, and now I'm at chapter 57 and it's not finished yet. I was quite happy reading it at the beginning. I thought I met someone who was a dick, so I gave him a monthly pass. But now that I've read it, I didn't expect it to be a big deal. Everyone, keep chasing, let's slip away first 😅

1. Demolished Third Master's illegal building 2. Digged Third Master's field 3. Demolished Ergou's kitchen 4. Moved trees 5. Demolished uncle's steps In just a few days, they demolished this and that, just demolished or not built? If you have a dirt road, then there is no difference between a single lane and a two-lane road. Is there any need to expand it? As for asphalt roads, can the village's finances be enough for you to spend money on? One more thing, before one relative is done, the next one is buzzing, just to make fun of the six relatives, right? At least let the villagers see some sweetness? There is a hammer in one place and a stick in the other, and the existence of the heroine is also superfluous. If this continues, the results will not be good and it will not be attractive.

Just bully that now the rural areas are full of old people and young people are outside.

After reading the comments on Chapter 21, as the saying goes, problems that can be solved with money are not problems. The author completely uses an unlimited budget method to solve the problem, which is impossible in reality. For example, if you don't cut down a tree but transplant it, the budget is 100 yuan based on the cost of cutting down the tree. The transplant is estimated to cost more than 1,000 yuan. Who will pay the difference? Too taken for granted.

I have a question. I don't know if CCTV actually has this kind of live broadcast program. But as a national channel, the main thing is stability and eliminating any possible accidents. So I think it is impossible to allow this kind of live broadcast unless everything is arranged.

In today's online literature, a worrying trend has become increasingly obvious: many authors adopt a "one word, one paragraph" writing style, with frequent line breaks and short paragraphs becoming a common phenomenon. This style may have its reasons to adapt to the fragmented reading habits of modern readers, but the influence behind it cannot be ignored. Simple literary expression First of all, this "one word and one paragraph" writing method seems to be fast-paced and easy to read, but in fact it greatly weakens the ideological depth and content coherence of the article. Literary works should be profound expressions of thoughts and emotions, and should introduce readers into a complex and layered world through exquisite language and delicate narratives. However, frequent line breaks and short paragraphs cut this depth into fragments, making it difficult to form coherent and profound thoughts. When readers scan these words quickly, they often have difficulty understanding the deep meaning behind the article and fall into a superficial reading experience. Shallow choices to cater to the market Secondly, the popularity of this style reflects the current change in market demand for literary works. With the popularity of mobile Internet, readers' attention is divided by a large amount of information, and long texts are difficult to arouse their interest. In order to cater to market demand, many authors have to simplify their works to be more in line with readers' reading habits. However, this market-oriented choice has caused literary creation to gradually deviate from its proper track. Writers pursue click-through rates and readership more than the literary value and ideological depth of their works. Negative impact on readers' thinking habits In addition, this writing style also has a negative impact on readers' thinking habits. Reading this kind of simple text for a long time will make readers gradually lose patience with complex ideas and profound content, forming a fast-food reading habit. They prefer to receive direct, concise information rather than taking the time to think about and understand complex content. This change in the way of thinking may eventually lead to the shallowness of the entire social culture, lacking the appreciation and pursuit of depth and complexity. The Responsibility and Persistence of Literature Although modern literary creation inevitably has to compromise with market demand, the essence and responsibility of literature should not be ignored. Literature is not just entertainment, it is the transmission of ideas and the accumulation of culture. Those works that can travel through time and space and endure for a long time, all of them touch people's hearts with their profound thoughts and rich content. Therefore, while pursuing market recognition, writers should adhere to the essence of literary creation and avoid giving up the depth and thickness of their works in order to cater to temporary trends. Conclusion The popularity of the "one word, one paragraph" writing style in today's literary world reflects changes in reading habits and market demand, but its negative impact on the depth of literature and the transmission of ideas cannot be ignored. Writers should find a balance between pursuing the market and adhering to literary value, so that literary works can not only attract readers' attention, but also touch their hearts. Only in this way can literature truly assume its due social responsibility and continue to shine in the long river of culture.