Superhuman Strength in Horror Movies

If you're strong, go carry manure.

If you're not going to create a harem, then stop writing ambiguous relationships and love triangles. Aren't you tired of them?

You can fight Uncle Nine's zombies, fine, but what if a beautiful ghost comes along? It's all an illusion, you know.

How can I file a complaint about this? The characters in the Hong Kong arc were very lively, and the plot even had comedic elements that resonated with Hong Kong. But in the Japan arc, they all seemed to have reached a level of superhuman skill, completely lacking any sense of divine power. They were still solving puzzles and exploring like complete beginners.

The story is quite interesting, but the relationships between men and women are disgusting; wherever he goes, women are throwing themselves at him.

Since the protagonist embarked on the path of conquering ghosts and immortals, the plot has taken a major turn, with each chapter becoming more padded than the last. The author seems to want to fill every single chapter with an endless ocean of filler words!

Let me explain three things: 1. The protagonist is not a eunuch, so his passive ability is very useful and he can break through the restrictions very quickly. 2. This book will not be abandoned. This is my first book, and I will try my best to give it a good ending. 3. This book actually flopped quite a bit. I tested it out with 100,000 words, and then stopped writing for a week.

Prove your path with strength, you want to be like Gian!

The book should be renamed "Unlimited Strength in Japan," I'm speechless. I've been in Japan for too long.

What on earth is chapter 188? It's driving me crazy! I'm not afraid of heavenly thunder, but I'm terrified of Little Karami's claws. In the original movie, Little Karami only had a strength of a few hundred pounds, yet the protagonist, who weighed tens of thousands of pounds, was injured by him. How can this be so cruel? It's mindless.