The Career of a Shinigami Starting from Hueco Mundo

Has the author written on other websites before? The plot direction is very similar to a fan novel I have read before.

Aizen's Kyoka Suigetsu has no five senses, and you wrote it as a rubbish illusion that can be decoded with your eyes closed. . . It doesn't matter if the supporting character's abilities are wrong. The abilities of a character like Aizen can be written wrong, and I'm convinced.

I found that the protagonist was such a loser. He was immediately arrested when he was wronged. Also, did you write Yamamoto as too much of a loser? Your own student was wrongly accused and was immediately arrested without asking any questions. The protagonist is still the captain, and you know so many captains, nobles, and subordinates. Why did you just lock him up without any reaction? You wrote it like a joke.

I'm speechless. Captain Yamamoto is the sword of a noble? Yamamoto is a sword demon, and what are the members of Gotei Team 13? They are a killer group. Yamamoto has been kind in the back, and he just maintains the stability of Seireitei. Anyone who has read the original work knows that the anime is over, and the so-called five nobles are basically gone. With Yamamoto here, Soul Society cannot make big waves and can only make moves in private. When it comes to the author, Yamamoto has become a decoration? The noble dog.

I don't know if the comment was controlled, but in fact the upper limit could have been higher. 1. What is the significance of the battle between Mole City and Ken81? 2. In the battle against the Quincy to exterminate the clan, he said that he had no regard for justice. 3. Overall, it is not exciting enough, and it is easy to stop. If it is called Yakuza style, the description space of promotion and fighting should not be limited to this. 4. The protagonist is like stepping on the rind of a watermelon, sliding wherever he goes, and his advantages in time and prediction are gradually lost. 5. This section of Kiigashima Kenpachi screens readers. 6. Srds, update volume

It's really embarrassing for the male protagonist to know a little bit about the plot but not too clear about the setting.

There are too many things that are taken for granted. It seems that the announcement of the Tenshin Body will allow more people to learn Wanjie. Those who can learn it do not need it, and those who need it cannot learn it. People like Urahara have a foundation. It is only a matter of time before they learn the Tenshin Body. Ichigo is completely cheating Hey, the plot is not well written, so I can only write some things that are taken for granted.

There are too many private goods, poor character design, and the worst starting point for the Death protagonist.

He dared to rush into Mole City Kenpachi's face as soon as he solved it. . . . Seriously?

This author's writing style is too ink. I'm not paying for a subscription just to see your popular science about Death's setting.

It's quite speechless. Many fans regard it as an official establishment. There is no so-called Hueco Mundo Expedition at all. Asido is an original anime, and Asido and his gang chased Xu through the black cavity to Hueco Mundo. This is a one-way ticket. How can there be an established Hueco Mundo Expedition? The expedition team led by the anime's original Suisuke Amagai is a Hollow that conquers the edge areas of Soul Society. Before the store manager analyzed the black cavity structure, Soul Society had never sent anyone to Hueco Mundo. How Aizen got there was never explained. If Soul Society had the technology to go to Hueco Mundo, Niryuri and the store manager wouldn't have worked so hard to analyze the structure of the black cavity.

It's too long-winded. There isn't much serious content, and various explanations account for two-thirds of it.

What the Quincy killed and erased was the soul, but the spirit son was still there. The Quincy kills as many Hollows as he does in this world, and the Death God will destroy as many Hollows as possible. The imbalance in the number of souls in the two worlds will break the cycle. What kind of ghost are you, a Quincy who destroys souls?

The sea, you are all water. I have written about the previous Kenpachi and how to become Kenpachi over and over again...

After reading Chapter 25, I suddenly felt that the protagonist was not strict enough, not talented enough, and not invincible enough. I sighed "trash protagonist"

In view of the fact that many readers felt that the character of the protagonist in the original chapter 21 was inconsistent with the previous one, a large-scale modification was made to make the character more consistent with the previous text!

What do you think about accepting Tōsen Kaname? How could a conspirator like Aizen leave Tōsen Kaname with such a weakness? He is like pinching an ant. How can you want to protect him for the rest of your life? Or do you want to write Aizen as if his IQ has dropped and he can't beat you?

The protagonist is less like a person and more like a plot prop.

Captain Yamamoto is a sharp blade in the hands of the nobles? Author, are you serious?

I really don't understand that everyone who writes about Bleach fandom is just trying to make a fool of themselves and is afraid of flowers. There is no true fighting genius who loves fighting and is a self-trained protagonist who is self-trained. No wonder Death fans are getting worse and worse.

How is this book? I heard that the author made the old man a noble dog.

Even if it were written as a novel about a reckless journey, it might have done better than the current one.

It's so frustrating to watch. The male protagonist is bullied like this by old man Yamamoto. He is obviously no weaker than old man Yamamoto. He is just like a Ninja Turtle who doesn't dare to make a move and just endures it. When someone else, Yamamoto, rushes to kill you, why can't he show mercy?

It's just that the political struggle was too simple. I thought that the Central Room 46 that was established for the second time would be an illusion created by Aizen, but I didn't expect that it was still controlled by the Tsunayashiro family. The political game cannot be played unless one family dominates in terms of strength. How could Shifengyuan and Kuchiki allow the Tsunayashiro family to speak in the forty-sixth room? Political compromise is not about surrendering. Moreover, many senior members of the Tsunayashiro clan had been killed before. How to operate such a thing is completely unrealistic. The most important point is, how could Aizen cooperate with something like a noble that should be swept into history? This Aizen is too stupid, and his character image has completely deviated. To him, everyone is just a pawn to be exploited for his own ambitions.

It's too bland. I think your protagonist didn't pay attention to it when he used it for the first time. I flipped it up when I saw the content below saying that the protagonist has solved it. It's the first time that the protagonist reveals his solution in front of the readers. This relatively climactic content is so boring. After reading it, I didn't know what the protagonist's abilities were. There is also the climactic plot where the main character kills the ghost and becomes Kenpachi. I didn't feel any excitement at all. I read through ten lines and one chapter at a time. The whole story was boring. I suppressed my desire first but you suppressed it first, and the suppression was not good. I didn't feel the excitement at all in the following part.

I thought it was fiction, but I didn't expect it was written about people.

There is obviously a protagonist, and except for the trip to Hueco Mundo, several subsequent events are deeply involved with the protagonist, but the protagonist feels like a passerby.

It's a bad ending. I didn't see the 11th Division's swastika that I wanted to see. Aizen was thrown into hell and there's no follow-up.

The writing is okay, but the shortcomings are that the setting is not clear and the writing is too dry.

Regardless of whether it is the original work or various fan works, Yamamoto is a bastard. This is a fact. It is too cowardly for the protagonist not to fight back when being slandered.