Water Margin: I Will Be Song Jiang's Leader

I just read Chapter 7, Wang Lun is a man who is content with his wealth and is not willing to cause trouble at all. When he refused to take Lin Chong in, he made it very clear that he was afraid that he would bring trouble to Liangshan. He would not kidnap the son of an official. If he really kidnapped him, he would be released. As for the ransom of 30,000 yuan, he was afraid of trouble. Not even the hundred thousand guan brought by Chao Gai Lin Chong is not that generous. He could betray Lu Zhishen, but Wang Lun, the benefactor who took him in, still killed him because of a few sarcastic words. You, the protagonist who is not related to him and only told him a few words about his wife, why should he put your life in his eyes? Song Jiang killed Yan Poxi. Even if he fled, he went to Hua Rong, but he was unwilling to go to Liangshan. This shows how much he despised bandits in his heart. He could not envy Wang Lun, the bandit leader.

After reading these 61 chapters, I generally feel that the book's creativity is good, its writing is okay, and its narrative is relaxed and relaxed, but why is it so criticized and not so popular? I feel that there is a problem with the portrayal of the main character. He is both naive and fun-loving. He has no abilities and is not good at writing or martial arts. He seems to be a little clever, but the methods and strategies he comes up with are superficial and ridiculous. In the end, the goal is achieved through the deception of the machine and the enemy's intelligence. Moreover, when the protagonist deals with some ordinary things, they are all done out of hand. He does not plan things secretly, does not think carefully, and only looks for trouble. Even to get Shi Qian, he has to rely on trance. What was the state of Qian when he appeared in the original work? Zhujiazhuang stole chicken and was caught by several bankers. You were fully prepared and had thunder and Zhu Dian, but in the end you couldn't catch it. It was too useless.

Has the post been deleted? Ever since Zhou Nu came out, the plot and rhythm have completely collapsed. Although I know that writing about romantic affairs will make people read, this kind of writing should not be indiscriminately obscene. Don't be too original if you want to obscenity. The content is poisonous and illogical. I thought I would save people and leave without delay. I showed my talents on the way home, whether it was leadership or on-the-spot reaction. It turned out to be nothing. It was just like a child playing house. The gimmick was good, and the opening chapter was good. Don't be a studio book. I was given a gift at the beginning, but it was a hot grab at the end. I don't know why, but it was as if I had never seen a woman before. This kind of obscenity in the book destroyed the structure and content of the book. It was so forceful that it poisoned me to death.

I just read other book friends' comments and I'll give you a summary of some minor issues. 1. You don't understand the two modes. The first one is to offer suggestions and suggestions around the protagonist. The heroes of Liangshan use the thug's writing method to promote the protagonist. The selling point is the information gap and the protagonist's resourcefulness. This pattern is used in the early stage to the killing of Gao Yanei. The second is that the protagonist hangs out with the boss. No matter what trouble he causes, the boss will wipe his ass with the pendant flow, which weakens the protagonist's subjective initiative, but this feeling of having someone take care of everything is a great feeling. You have taken advantage of both, and you have not written both well. It is recommended to choose the former one. Zhou Tong can be the supporter, but don't overwhelm the guest with a mechanical deity. 2. The second problem is water. On the contrary, I think you are not watery at all, and the plot is even too fast. Killing Gao Yanei is the first climax of the whole story. Here are a few things you have to do. Before the climax, you can flesh out the protagonist's character, deepen the urgency of the event, and give different perspectives to several parties. How did the protagonist prepare for the work? (You can come up with a few things during the preparation. (A small twist), how Gao Yanei was kept in the dark (the information is almost refreshing), and you can even write about how Gao Qiu doted on his son (his misbehavior aroused readers' resentment, and readers will be happy when Gao Qiu was furious after Gao Yanei's death), and then the conflict broke out in the climax. 3. Female role creation. Still the same problem, the previous story did not talk about the heroine at all. She appeared with Zhou Tong, the deus ex machina, and her readership is not even as good as the little maid. All you have to do is to fill in why she likes the protagonist and what sacrifices she has made for the protagonist (more detailed, it is recommended to start with psychological description in the later paragraph before saving the protagonist) As for not wanting to be a pendant, That would be easier. Give an important scene that cannot be carried out without her. For example, Liang Zhongshu doubts the identity of the protagonist, and then the heroine appears to dispel his doubts (just for example, it is not recommended to write the heroine based on the protagonist) That's about it. Write calmly and slowly. It is better to write in detail than to let the pace be too fast. Emotion is really important in novels.

Song Jiang's mind is full of cleverness, hypocritical benevolence and righteousness, harming others and himself, it's no good!

The author has changed so much. Why is this book so exciting?

Liangshan Bo Waterway Map

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