Recasting the Three Kingdoms: the Headwind Situation Is What Makes It Interesting

This book is a little more than passable but not excellent. The general framework is good, but details such as Zhao Xiang and the maid of the protagonist show the book's failings everywhere. A guest orders his servants to take the owner's personal belongings at will, and the maid listens to outsiders' orders at will. There is also a way to die. In ancient times, the word "rules" was everywhere. The background identity of the protagonist's mother is probably the daughter of a wealthy family. As a person from a wealthy family, she should be more aware of the importance of rules to a servant. They are like a few black spots on a white paper, which is extremely annoying to the eyes. In historical fictional novels, details determine success or failure. Excellent handling of details will leave many readers behind. Poor handling of details, even if the overall framework is good, will leave readers with the feeling of eating a cake and feeling like there is cockroach droppings on it. It is disgusting and uncomfortable. I hope the author will revise it as soon as possible in subsequent chapters!

He punched Lu Bu, cursed Zhuge, lay drunk on Diao Chan's knees, and Cao Liusun was his follower. Of course, this has nothing to do with this novel.

If you are a fan of Shu Han, I must help you. I know that your writing style is good, your narrative is detailed, and your foreshadowing is rich enough (other people may like it). However, at the beginning of your book, overly long foreshadowing and divergence from the main line will only consume the inner expectations of some readers. When you start to read the book, the data will not look good, and it will be difficult for you to write. Personal opinion, don't comment if you don't like it.

The last volume ended at the end of the 25th year of Jian'an and the beginning of the first year of Zhangwu. It is "approaching April 25th" (quote from the original text) for the enthronement ceremony. I am also looking forward to seeing how the author will describe the grand occasion of the enthronement ceremony (supporting Jingyi, suppressing Dongwu, resisting Cao Wei in the north, etc.) Zhao Ma, Huanghuang (Gongheng), Wei Huoliu (Yin), Wang (Ping, you can mention it in one sentence at this time), Wu Liao, etc.) Are pure and let nature take its course and are delivered to the pillow. It's a good thing that "Flowers in the Imperial City" left such a big scene and ended it without writing it. I thought it would be left until the beginning of the next volume to have a climax and change the scene to the departure to Hanzhong. In the end, Zhang Wu was stabbed three years ago? ? ? ! ! ! ! ! Isn't it going to take another time to review it and show the author's skill in making mistakes? ? ? This is too deliberate! ! ! It cuts off the rhythm of the plot too much! ! ! ! ! ! It doesn't feel like a snake has a gray thread running thousands of miles away. I just feel like I want to open my mouth to eat candy but I was stabbed from mouth to buttocks by a baseball bat and got a big lump... (The words are very rough, but not so rough that I can't express my feelings as a reader) The reason why I have repeatedly called out the rhythm problem several times is because I really feel that this is a rare Three Kingdoms novel with an interesting general direction of the plot, smooth writing, and comfortable characterization. But the author's personal writing habits are really uncomfortable! ! Is it because you think it's vulgar to describe grand scenes to reach the climax of the plot? ? (I didn't write about the imperial edict or the enthronement ceremony) Or is it because I can't write about big scenes and group portraits? ? (If it's because you don't know how to write, that's understandable. It would be best if you could state it in the author's statement so that readers don't have wrong expectations.) So you always want to deliberately create a "bland yet high-end" feeling? I hope I can get a simple reply from the author, otherwise I will really have to abandon the article (although I know that the author does not care if one or two readers abandon the article)

The author's writing is good, but how old is it that a rich man from a small village can write thirty or forty chapters, plotting against the protagonist, making false promises, and fighting wits and courage? . . . There are not enough major events in the Three Kingdoms for you to write about? ? ? No one can write about the Three Kingdoms with such a petty attitude.

Procrastination. I was able to write one or two hundred chapters when I was sent as an envoy to Jiangdong, and then I was sent as an envoy to Cao Wei. He was weak and incompetent, was manipulated by Sun Shangxiang, was assassinated and did nothing, and he was still able to serve as an envoy to Wei for the Han Dynasty. The writing is inexplicable. Many times I like to set up foreshadowing and create suspense, but it is boring to bury it behind the scenes! Hundreds of them have been sitting in a group of places, and Zhuge Liang and Liu Bei have not been seen. They really came to see you cheating and pretending to be cool with the natives. Give up.

It is recommended to only see the Battle of Xiangfan. I don't know what the author did in the following content. The good Shu Shuang article was written to support a Soochow article who was reduced to mentally retarded. After riding on the horse to help the mentally retarded, he was forced to go to Wei as an envoy. I just want to laugh now when I see a message in the comment area saying that the negotiations are finally over and they are looking forward to the Northern Expedition. Yes, the Northern Expedition is about to begin after the talks are over, so why not go north alone?

Do you believe that an online article in 2024 will write: The protagonist went into the city to pay taxes and was stopped by the gatekeeper The gatekeeper said that labor and management have prevented you from entering the city and paying taxes for the past few days The woman who was closer to the protagonist has a second-generation ancestor The pursuer, this person is jealous and wants to be the protagonist, and openly sends people to deduct taxes and food from the protagonist Then the second generation ancestor makes fun of the protagonist and says that I have a noble status... ↑Thank you, the author, for making me dream back to the last century, when online articles were written like this. Oh, in the last century, the protagonist would not have been bullied like this in an online novel. After being bullied for a round, he would get angry and have no plan to fight back. He would continue to delay the slap in the face. Oh, by the way, the protagonist also has a greeting card from the prefect. I don't know how there is a creature in the world that can't enter the city gate with this thing. Then the protagonist wants to be slapped in the face, how to do it? The protagonist talked to the prefect, did not complain at all, and admitted all the deductions to himself. The second ancestor rushed in and shouted: "I bribed the tax collectors to deduct your taxes and grain. Why don't you accept it?" Then the author wrote that because the protagonist was very smart and did not complain, the second ancestor's shouting was tantamount to self-inflicted trouble, so the prefect was furious and wanted to kill him. ? ? ? ? ? If the protagonist files a lawsuit, doesn't he just bring it upon himself? Twenty years ago, there were no Internet articles about such stupid people being slapped in the face, okay! Then I thought that the second generation ancestor was sure that the prefect would protect him, so he rushed in and blew himself up. As a result, the prefect was furious and said that taxes and food are a national matter. If you dare to withhold taxes, I will kill you. …move it off the bookshelf!

When I read about going to Wei in the third volume, winning the battle of Jiangling in the second volume, and sending an envoy to Wu, I can only say that the writing was aggrieved, without the feeling of a victor, and was forced to surrender. In the end, he was asked by Sun to go to Wei. It was awesome. I almost thought the protagonist had defected to Wu. Rubbish plot, farewell

I have been searching for a long time today before I found this fascinating historical article. It is really sad. In the past, there were not many particularly good historical articles on the starting point list, but at least most of them were readable. Now there are basically only cool articles left. What's even sadder is that some of them can't even write cool articles, so they can only say that they are just enjoying themselves! I found this book after looking for a book list. I hope the author can promote it more. My example proves that it is useful to find someone to promote it. The current environment is like this. The competition is not about writing but reading. Shuangwen is naturally suitable for this. I hope the author can stick to it.

Even though he is already in his prime, the protagonist is always arguing with Mr. Liang, which is too cheap. Moreover, the plot deviates from the main line. What is there to write about Mr. Liang? In summary, the beginning is okay, but there are problems with the subsequent plot arrangement. When the protagonist points out his ambition in Chapter 8, the plot of the protagonist entering Liu Bei's circle has been introduced. The follow-up should focus on the description, rather than the master of drawing. The plot is not enjoyable because of this

I finally understand why I don't want to watch emotional dramas. Wouldn't it be okay for you writers to write emotional dramas without competing for the wind and jealousy? Obviously, relationships should be written about daily interests of both parties mixed with the serious main line as a buffer, but each one is a tauren. I have seen too much and can't write the emotional drama between the two without the third party? And the rhythm is also crappy. Are you writing a otaku story or a hegemony story? How can a novel about the Three Kingdoms look so petty? If you say that this novel just wants to focus on a little person from the Three Kingdoms period, and tell the story of a guy with some land who gradually fights against the village elders and marries his beloved wife, and not only preserves himself in the torrent of history, but also eventually replaces the village elders and becomes the boss of Feiniaozhuang, then you have hundreds of thousands of words ahead of you. I'm not going to find fault with you for wasting a lot of pen and ink on the battle of wits and courage between the village elder and the gatekeeper; but you have made it clear that you want the protagonist to move up, and the city gate officer is a position that the protagonist clearly despises, so why don't you just skip the plot or just brush it off? Obviously, the main plot of the opening part should be that the protagonist uses his agricultural skills to attract the attention of local officials, and then write about the protagonist's plans or ambitions. The last thing to focus on is how the protagonist accumulated his first achievements. As a result, I have written more than fifty chapters and more than 100,000 words. The protagonist is still dealing with difficulties from several minor characters who have little impact on the rest. Tuntian, who is suspected to be the protagonist's first achievement, has not even started yet. What are you writing? You have already met the governors of two counties and become brothers with Guan Ping, but you are still competing with a village elder who is not even a small landowner and a city gatekeeper? This is the first time I have seen a novel about the Three Kingdoms written in such a petty style, giving people the feeling of being a parent who is reading a novel about otakus. If you were asked to expand a novel with Zhang Fei from The Romance of the Three Kingdoms as the protagonist, would you spend 100,000 words describing Zhang Fei's pig-killing career and dealing with all kinds of unruly customers and greedy clerks?

A question suddenly occurred to me. Nine of the ten Three Kingdoms books are written like this. What about equality between men and women, liberating the labor force? Even before the three countries were unified, compulsory education was universalized. They rolled water-powered windmills with their hands. They thought the branches were too hard, so they made paper by pressing them, mixed mud to make cement, and directly lit up the gunpowder technology tree. Every time I see this kind of b-stuff, I have a strong sense of separation in the plot. Obviously the historical struggle for hegemony has turned into farming development, or is it unreasonable? Is this a historical novel, a fantasy novel, or a farming novel? Looking back, the feudal army turned into the people's army. The will to fight was overwhelming. After the battle was broken, it would assemble independently. When Napoleon saw it, he would give him the crown. Promise me, don't write like this, okay? If it doesn't work, let's go back and write about Xuan Tianhou

To be honest, if you travel to the era where the protagonist lives, self-reliance is basically a delusion. If ordinary people really want to defect, they can only defect to Liu Bei. I don't know Liu Bei's upper limit, but the lower limit is quite high. Going to Cao Wei is an independent thought. Under the ninth-level Zhongzheng system, ordinary people have no prospects. As for Jiangdong, it is even worse. So there is no other choice except Shu Han, which is also the best solution for ordinary people.

There was a lot of direct money circulating in Wei and Wu. I don't know why, but in the author's writing, it became despised.

After spending a long time staring at the protagonist and the heroine for hundreds of chapters, they were finally stolen by a traitor. Is there any use for the protagonist to travel through time? Even after the Seventh Army was flooded, they still refused to withdraw. When someone robbed their home, they still refused to leave. Why did they stay here to wait for death? The author forcefully watered the plot but it was a complete mess

As plain as water! It's like being a literary youth, writing about petty bourgeoisie life.

It's both messy and procrastinating, and since you had such a big feud with the protagonist before and was sent to Cao Wei, don't you think it's a bit funny to borrow someone here? It's not like you sold the book and asked someone else to write it, right?

This article is a rare example of smooth writing and vivid characters. In some novels, only the protagonist is considered a human being, and the rest can only be regarded as humanoid animals, with skin but no flesh and blood.

At the end of Chapter 49, the protagonist's special maid told him not to take the paper from the cabinet, but then the maid turned around and started to express her heart to the woman she met for the first time, forgetting the protagonist's words

When writing a historical article, you either have to be foolhardy and have fun, or you can use some logic. Does this protagonist look like a normal person with a modern education for so many chapters? A bit too outrageous. At the beginning, the landlord is about to go to war. Doing nothing and having no plan is just waiting to die. Difficult to stretch. If you had to live fifty more fucking years or you would die now, how could you be invincible?

What the hell, isn't Liu Bei a feudal leader? Why are there so many filial sons and great grandchildren?

You can only be at the starting point yy 😜

It's rubbish among rubbish. I thought it was slow-burning at first, but I endured reading more than one million words. It's all damn poisonous.

The water blow, the water blow is super big, don't fall into the pit

The speed is really slow. I've read almost 50 chapters and I'm still at the same pace.

I'm so tired from reading this book. It's not easy for a useless time traveler to survive. If you still want to be comfortable, I won't kill you.

The normal speech of the ancients was not "wuwuwu", "rururu" 😰😰😰

Well written, I really like your book

The author's writing is very good, but the main character is always thinking about farming, which is really boring.