Ancient Relics, Handcrafted Last Night

First of all, I have never been an author, but I want to say, is it difficult to write a hundred chapters a day ? It's not that I'm being unreasonable. After all, I said at the beginning that I've never been an author.

I'm convinced, don't disgust the boys.

Who can read this every day? Brother, please, brother.

Tang Burma didn't notify his group friends when he wrote the letter, right?

Let me tell you first, the little priest and the lord have been reading it, but the third one has disappeared after reading it. I came to this one a few days ago and checked it out through the daily introduction. Hey, isn't this my buddy? I put it away for two days and came back to see it. It's gone? No, buddy... But anyway, let's talk about writing. As a reader, I don't think I have the right to arrogantly tell the author what is right and how he should write, just some suggestions. To be honest, it was quite gratifying to see you writing the previous books step by step, summarizing your growth while writing the book (fog). Writing is certainly a joy, at least when it comes to ideas. The books, comics, movies we have read, the stories and songs we have listened to, the games we have played, and even everything that happens in real life, we live in stories, and those cultures and myths have shaped us, so when they form a story of our own in our minds, how can we not record it and share it with others. But there is no doubt that writing is painful. When you put the words into writing, what you write will never be what you imagined. Different ideas are fighting in your mind and you can never put them in the right place. When you look back and read it again, you will be amused by your own writing. Only by enduring this kind of torture, after repeatedly practicing writing skills and polishing them over again, can the things written be said to be worthy of reading. After all, it is difficult for most people to call themselves talented. So, I think, no matter what, if you can write a story for others to read, it is already very powerful. At least when you write it, you are sincere and brave. I remember we talked about long-form writing in Little Pastor. At that time, you talked about mystery. To be honest, in my personal opinion, Squid is a typical hard-working player. From the first life to the arcane, the story is quite good, but I really think... It is not interesting enough. Then when I wrote the mystery, this relatively novel setting and solid world view structure combined together finally became popular. Then he wrote Yuhuo, which received mediocre response, and then came to Suhuan... To be honest, I felt that he was already a little crazy, and he wanted to pursue literary qualities to the point of being too high or too low. As mentioned before, Cuisui is a hard-working player, and his talent... To be honest, he couldn't use the carrier of online writing to go further. But no matter what, the writing of Mystery is still good. I personally would give it a 7.5 To 8 out of 10 points. My previous suggestion was that the author should pay attention to shaping the world when writing a long novel. I think this time I can explain it more clearly. How to make the mystery, first of all, I think it is the creation of the character, the creation of Audrey, a kind-hearted noble lady who longs for the extraordinary, so that readers will look forward to her future collision between her kind nature and this cruel world, and even expect her to reveal "I have been a demigod" in front of her family when she encounters a crisis in the future. Like a character is such a subtle thing, so the book can use such a character to write about Backlund's upper class society, to lay the groundwork for the implementation of the Corn Bill, to connect events such as Miss Magician and the Psychological Alchemy Association. The advancement of the plot and the introduction of the time perspective are all extended by the creation of such a character. Take Little Sun as another example. His shaping led to the exploration of the God-Forsaken Land, and the shaping of the female Rose Bishop (I forgot her name, the one who died at the last moment before freedom) kept the story of the God-Forsaken Land within a good tension range. So I have to say that after reading the author's first few books, a big disconnect lies in the description. Many things are just one sentence. The protagonist arrives at point A, and the plot advances too fast. It is appropriate to add a little description of the process, even if it is the most vulgar kind of pretending to be a pig and eating a tiger, pretending to fight. The face section is used to describe other things that happen in this world in addition to the main plot (definitely not just daily life). As long as the reader is willing to watch, the shaping of the characters and the shaping of the world will also be slowly formed in this process, and the authenticity of the world will be slowly implemented. For me, I usually read novels with my imagination. I piece together the world in the book from a few words and then imagine the protagonist's adventures in it. The perfect details can at least help me build my imagination. Let's talk about the character creation. It can be seen that many characters have been added to the Lord because of the theme of the fourth natural disaster. Let's give an example, Summer Night Short. I still like this character, but... To be honest, I feel that many times she is just a label of reborn, and the world view is introduced through her mouth. When writing, try this: imagine that she is a real person, what kind of preferences she has, what kind of personality tone she has, and which characters she will become friends with and which characters she will conflict with. As for the plot arrangement you mentioned, about the ups and downs, I think you might as well try this. When you are trapped in a dangerous situation, you don't arrange what someone discovers and then does. Instead, you set up the conditions and scenarios, and imagine what choices someone will make, whether to take risks to break through the difficulties and get an adventure, or to be steady and do your best and wait for rescue. You also mentioned the growth of the characters. I think growth is reflected in these descriptions and can be repeatedly noticed by readers in the long term, rather than a sudden change and then telling readers what so-and-so has become. A labeled character may be annoying, but if you "label" it in multiple ways, and tear off some and put new labels on it from time to time, then it may be a qualified character creation. Getting to know the characters is also a pleasure when reading novels. And about the larger overall story, I think the same is true. Set the conditions and follow what you wrote before, and the story will grow on its own. Whether it is the growth or death of the characters, the advancement and twists and turns of the plot, I think they all serve the grand world in the book you want to tell. About this book, when I first read it, my expectations for it were... Although it is a bit rude, it is probably like Jiuyu's "The Saint" (one of the best books on the dnd worldview in my opinion). It is also a story about the protagonist with two souls getting to know the world and exploring the world (the tone of this book should be more relaxed)... Unfortunately, it died before I could get out of the house. Jiuyu's writing style is delicate and serious in a sense, so she can write a grand and epic story, and she can adapt her story to her writing style. I think this is also a very important thing. With the author's writing style... For example, in the previous few books, people will think of joyful and happy ideas as well as epic poems. As for the solemn idea, at least I feel that the author's writing style is more suitable for the idea of joy and joy, but that doesn't mean that serious scenes can't be written well. At least the first volume of The Little Priest, The Wind Scroll, I think is really well written, but a lot of the subsequent content often lacks description and long-term foreshadowing... It's a big thing, but it makes me feel a bit empty. If it's an epic scene like that... Well, actually "Apocalypse Forecast"? Although it's a bit formulaic, oh, by the way, you can just watch "Dragon" and then write ideas. The best idea article I saw on Qidian is "Witch 1994" (I feel that the author is actually quite suitable for writing this kind of aimless idea-type daily article, "Culture Invasion of Another World", and I recently saw a book like "The World of the Evil God", or a road novel or unlimited streaming that can write a unit drama?) Sorry, in the end I was arrogant and unknowingly said a lot of preachy words... After all, I didn't spend much money (there are only so many chapters to subscribe to). I just sincerely hope that writing can become a thing that brings you joy. Seeing characters and worlds taking shape in stories, seeing the joy you get in fantasy can be shared with others, and even let friends and family witness the stories you wrote. Really, writing a story is such a... Sincere thing. If you are embarrassed by your talent and reality, I think you will also be troubled by the urge to write something. If you really can't treat it as a hobby, no matter what, someone is indeed reading your story and finding it interesting and joyful.

If it were a man, I would watch it. The female protagonist feels weird.

Cwm invasion point, more and more of this kind.

Let me ask a question, if no one else can create extraordinary items, why are the materials so expensive?

Hurry up, hurry up

I got 133 investment points.