True

In fact, I could tell that this author was a newcomer from the beginning. Some of the plot design ideas were relatively old, and the early pace was fast, the control was average, and there were heavy traces of novices. But in terms of setting, the path of technology + fantasy is still relatively rare in the fantasy area. Although there is a book on the same path, Fire Swallowing the Starry Sky, there are still not many books that follow this path. And some of the settings of this author have a sense of science fiction and are not pure tricks, such as star leapfrog, star gate hyperspace, quantum mechanics parallel world, particle time theory and so on. What we are looking forward to now is mainly how we will continue to use "science" to interpret the subsequent realm. On the other hand, the battles written by this author should be said to be more exciting and tense. They seem to have some sea tigers and some shadows of classic martial arts. The settings and interpretations of the power system interspersed are quite understandable, unlike some other novels, which are just mindless qi refining, foundation building, and golden elixirs, which are just messed up routines. All in all, if you can accept some flaws in the plot, you can give it a try.

This book is the author's first. I relied on the support of some friends and received a small recommendation, and it gained a little popularity. I was very frightened. I am very happy to see some readers come in and leave their own comments or opinions. This also shows that some people are indeed reading my book seriously. As for all kinds of opinions, good and bad, I will not delete them. I am happy to hear them. (If not, you may have to ask your mother) Let's talk about a few things about this book here. (The reason why I don't reply to some readers one by one is because the number of words in replying to comments is limited and it is impossible to explain everything). First, it is a setting issue. I can say with some certainty that I am not particularly new to astronomy and other fields. When I chose the background of the universe, I actually went through a lot of considerations. Although I cannot guarantee that my settings are absolutely free of errors, bugs, or unsatisfactory aspects, the realm settings and important time settings and event settings that appear in the book were all written after careful consideration. For example, the time from the events of the prologue to the beginning of the main plot is two hundred years. Why will there be a population that can be measured in trillions in only two hundred years? Why can a considerable number of "immortals" be born in only two hundred years? These questions are not that I did not grasp the scale of time and wrote them casually, but they will be revealed one by one later. Regarding why the cultivation progress at the bottom is so difficult and seems to be disconnected from the top, why some things seem to be disconnected, etc. (Please forgive me for not being able to explain it directly here, because after all, the text needs suspense and needs to be spread out). The classification of this book is certainly fantasy, but it also contains certain elements of science fiction. Although I dare not claim to be very hard, the author also consulted a lot of information when setting up the structure, and I think it is not very clichéd and inconsistent (especially regarding the construction of the combat power system itself). If you have any doubts about the setting itself, I would like to say, please be patient and look forward to the subsequent explanation. The second issue is about narrative. To be honest, I wrote the prologue and first chapter of this book at this time last year. At that time, I followed the original idea and wrote 100,000 words in a single machine. Although the outline has been decided long ago, there will inevitably be many changes in ideas within a year. As a result, my current ideas and some detailed arrangements for the first volume are completely different from the previous ones, including the narrative style, which has also undergone some changes. Readers who have read a few chapters may find that if it is a coherent plot and there is no need to immediately explain the reasons or set up problems, I will directly put it later, or talk about it in the next chapter. As a result, some plots may make people feel a little unreasonable and confusing at once. These are objective problems. As a newcomer to online writing, I am also constantly summarizing the feedback I have received these days to make fine adjustments. I myself have been a senior fantasy reader for more than ten years, but when I started writing, I realized that when it comes to writing, I tend to focus on one thing and miss the other. Some of the routines that may sound old-fashioned to us are still the only magic weapon to advance the plot and create waves. The beginning is one of the most important parts of the book and the most painful part for me to conceive of. You can't throw out settings too much, but you have to try your best to attract people, promote the plot, etc... What to do? It is indeed a difficult problem, but I think I should gradually find some tricks. I humbly accept all suggestions in this regard and summarize them for correction. The third issue is the text style and some elements. Some readers may easily see that this book seems to contain many familiar elements. In fact, the identity of the author can also be seen from this pen name. As a long-time reader of Shenji, there were two main motivations for writing this book. One was that he had not published a new book for a long time, so he had to write it to relieve his boredom (Shenji has not published any works for more than four years so far); the other was that he was unhappy with the ending of "Dragon Talisman". Well, I once complained to a friend in private that I wanted to write a spiritual sequel to "Dragon Talisman". Anyway, Shenji is the author I admire most. My setting structure and ideas are deeply influenced by him, so I am not shy about letting everyone see that some elements in this book are derived from different works of Shenji. Of course, there must be some personal interpretation and innovation on top of this. It is a lie to say that "the blue is better than the blue". It is currently impossible (and it should be unlikely in the future, but daydreaming is still necessary). But if I don't have my own opinions, why don't I write fan fiction? Last point, about the title and introduction of the book. Well, since it is what I consider to be the spiritual sequel to "Dragon Talisman", the title and introduction of this book are naturally written in accordance with the standards of "Dragon Talisman". The name "Dragon Talisman", from my personal understanding, can be split into two parts. One is the dragon. All living beings can become dragons. This is the beautiful wish that is the core of the spirit. The second is the symbol. It is not only the magic weapon "Dragon Talisman" created by Yan Guchensha, but also the way given by Yan to all living beings to become dragons. Whether it is the "Heaven Talisman" or the "Dragon Talisman", they are actually in the hearts of all living beings. "Zhizhen" can also be dismantled in this way. To means "to". In my setting, isn't the root of cultivation lies in "reaching the truth"? Of course, attainment can also be a state—obtaining reality and ultimate perfection. Here comes the point. What is true? This question is actually given in the introduction. With so many ways, methods, and civilizations, which one can reach the end of cultivation and obtain the truth? Or is it possible to say every kind? Or are they all false? The discussion of "truth" will always be accompanied by the improvement of realm, and it is also the fundamental concept and core of this realm system. Is it a dream or is it true? True or false, who can tell? But, at least, nothing shown now is qualified to be called "true". Not immortals, not the tenth sense, not Lianxuhedao, including those gods that only exist in descriptions, none of which are familiar to us and have their place in this work. Far from it. The height, breadth, and filling of the worldview of this book took up most of my preparation time. It should be said that it will be part of the key points and selling points that I am confident I can use. I'm not sure how many readers will actually read this, but in short, I am very happy and hope to exchange my views and opinions with more people. Every comment pointing out the problem is valuable to me. As my first real work, no matter what, I will try my best to complete it and turn it into a complete story. Finally, let's end this paragraph with a slight change to Wu Hou's sentence: Now I am writing hard, fighting in front of the table, and I don't know what to say. The Sixth Generation of Heavenly Demons On the night of April 22, 2024

Don't worry about whether the book has not yet been signed and the author will run away... In fact, I already received the signing notice in the background the night before Qingming Festival, but it was cut in half by the Qingming Festival and I still had to wait two days. It's not a big problem, we will win! ()

It's quite interesting, but the protagonist, who has been reading the book for so many years, actually has no opinion and does whatever he is told to do. Who is the protagonist, big brother? Cultivating one's mind, that's all. Either Weiwu is the only real person, or everything is empty

Brother, I beg you to add another chapter, please add another chapter, brother😭

This young man is not very good-looking, and his aptitude is not necessarily that good. He is actually a sixth-generation heavenly demon?

It's obviously a foreshadowing, but it turns out that there's something wrong with my setting, so I'll just post the thing that was originally at the 200,000 position here: The five hundred cents in 200 rely on the difference in the speed of time. The time machine plus various inheritances are 100% impossible to repair by yourself.

Ask the author if the four sentences in the introduction, "The spiritual platform is a square inch, the Xuanyuan Qibo, the heavenly work opens up the things, and the " refer to the four types of cultivation paths: cultivating the mind, refining the energy, external objects, and incense.

It feels like reading Emperor of the Galaxy. It will be no problem to book it as soon as possible.

I don't care who you are or what the book is like. If you dare to come up with this name, you must support me. Alas, the person who slapped the table was mocked and red-haired. What the hell is going on?

There are laws, resources, jade pendants, and an old man. Don't go there, there are exams in the east and exams in the west. It's disgusting to watch. You obviously have the most advanced method, but you still have to go to a school with low-level civilization.

It is said that one round of recommendations is the time to take off, but the fact is that the conversion rate is too low, which caused me to stay awake at night, and discussed it with a few friends. Now it seems that the early rhythm may indeed be too fast because of too much care about the so-called compactness, conflicts and conflicts. It seems to be deliberate and routine. So in the past few days, I have been thinking, would it be better if I didn't listen to the idea of ​​quickly advancing the plot at the beginning? However, in this situation, it is not possible to make major changes. The only way is to fine-tune and fine-tune again. But fortunately in this part, I finally feel that the rhythm is back in my hands, and I can slowly come up with some different things, and start to show the world view, different settings, etc. Perhaps it can also be regarded as a kind of opening low and going high?

I know who you are. Send me a red envelope quickly and seal it. If it's not hot, I'll leak it.

Not bad😍

It's too late to be an eunuch. The first few chapters keep on poisoning me. The author should hurry up and open another book.