A Certain Scientific City Detective

I don't know if Tiger Bee is an original character or an existing supporting character. Anyway, I can't search it on Baidu. This guy stabbed the protagonist's Seven Swords when he first came up, and then he kept hanging around the protagonist. I really don't know what the role is. And he let Shokuhou know the secret of the time traveler. The author's highlights are a bit dense 😅

To be honest, I'm tired of watching A Certain Magical Index fandom blindly save so-called tragedies. I am not against saving tragedies, but basically many time travelers want to fight against the darkness of Academy City beyond their own capabilities. Based on the author's plan, the time-travelers' confrontational actions were naturally successful one by one. But to be honest, if it is based on logic, it is impossible to eradicate the darkness of Academy City. You think you have saved 20,000 Misaka sisters, the victims of the Talent Workshop, and the victims who have appeared in other plots... But in fact, there are countless victims in Academy City. The protagonist can succeed simply because the author arranged it this way. Otherwise, it would be impossible to save 20,000 Misaka sisters. The sisters are one of the puzzle pieces of Alistar's plan. Before the time traveler shows enough potential, the darkness of Academy City will naturally stop the traveler's actions. Even level 5 Misaka Mikoto has not solved the problem, so why can the time traveler stop it? Of course, the above refers to those protagonists who have not grown up and "overestimate their abilities". The protagonists who have the ability to directly flip the table naturally do not need to worry about these rules and regulations. Personal opinion, don't comment.

I remember that a few years ago, there were a lot of people reading and writing fan fiction about The Forbidden City. But in recent years, I feel that the popularity of The Forbidden City has dropped a lot. Why? Fan fiction often travels back to Misaka sister. The ones that impressed me include: A certain scientific otaku railgun, Code Zero, a black railgun. A certain scientific Kamijou Demon, a certain scientific pseudo Misaka sister, Academy City's Celebration Monster with the largest number of words, A certain scientific space user. This book is the darkest, Guardian of the Railgun. Lv0, after my death, I traveled to the Forbidden City. The heroine of A Certain Magical Index: Scarlet Leaf is Archbishop Laura, Kamijou Touma (traveling to Magic Circle, Honkai Impact, Arknights), level 5 of Rebirth of Railgun, a certain scientific star player, and Accelerator of the Land of Eternity (complex comics involving re0 Magic Circle, Black Bullet, Stars and Moon). I have read it in Tieba. The two people who should not meet are in tears, a one-way railgun, the appearance of fantasy beasts, and a certain mass-produced Kamijou Touma. It seems to be a pity that the author deleted this book. If Accelerator picked up the catalog, Kamijou Touma traveled to the East and had an heir with Marisa. Misaka Mikoto and the sex-changed second child became good friends. Misaka Mikoto is a person with low abilities.

Come on, after all, in recent years, it is rare for a fan to finish writing a novel about A Certain Magical Index. It is available on all three platforms. I will still vote for it if there is a recommendation vote. I just hope that this book will have a plot of the New Testament. In recent years, Shirai's books are the only ones that have written about the New Testament.

Why do I feel like the more I write the emotional scenes, the more I go back. I feel like the male protagonist has become a tool. The female character says what the male protagonist does, and the male protagonist has no ideas of his own. He is led by the woman. Everything he thinks in his head is seen by Shokuhou. Physically, he is controlled by the Tiger Bee. I feel spiritual and material. I am not free at all. I look so suffocated. I feel like the male protagonist should be punished so that he can't be seen thinking about things in his head. Otherwise, there will be no privacy at all (it has nothing to do with whether he trusts Shokuhou or not). Tiger Bee's explosive temper should be controlled. Now it's outrageous to want to stab people when they meet Finally, I want to say that this is still a male video. Why does the emotional line look so frustrating? The plot has reached this point. The male protagonist should have his own personality characteristics and opinions. Don't be led around by the nose when you see a woman, and you have no brain to make up for the women around you. Shouldn't the character flaws as big as Tiger Bee be taken care of? I don't want to affect the author's outline, but the main plot belongs to the main plot, and the emotional drama belongs to the emotional drama. The emotional drama should really be changed. The male protagonist should be made stronger and don't treat the emotional bitch. This is 1.5 Million words

If it warms up too slowly, it will give people a feeling that there is no possibility of improvement in strength. It will make people uncomfortable and feel unspeakable depression. You can give people a direction in the early stage and give people something to look forward to. It will make people resist the depression without giving any expectations. Those who can continue to watch it are those who have strong ability to withstand stress.

I finally understand why my writing skills are okay but I am not famous. There is really nothing to criticize about the plot, the problems are not big, but the most important thing is the strength of the protagonist. From the perspective of these hundreds of chapters, the protagonist's strength has not improved at all in terms of hard power, except for some improvement in practical application (actually it is as if it has not changed). This shouldn't be like this. The improvement of strength should be a curve, a process of accumulation. Just like those development games, the value will be expanded every ten levels, but the small levels in the ten levels will also be slightly improved. For those Level 5 characters in the original work, you can see through dialogue during testing that they have made progress in normal times. Therefore, if your protagonist has room for improvement, you have to show it in the text. For example, the weight that can be lifted by telekinesis has increased by one kilogram, for example, the protagonist's mental upper limit has been improved, etc. It's like riding a donkey with a carrot hanging in front of you. You have to give readers something to look forward to. Aren't readers tired of reading an article with no feedback at all? Or simply for your protagonist, his upper limit is level three and cannot be improved; or his improvement requires an opportunity, an unexpected event... But these things need to be reflected in the text and hinted at. If your article only has a few dozen chapters, you can also say that the article is still short and needs to be paved. But it's two hundred and three and there's still no movement at all, so it's painful to wait. After all, you can't really design a plot where the protagonist jumps from level three to level five and level six. It would be too inconsistent to do this. That's it, I'll wait for you

Is it necessary to forcefully suppress the protagonist's strength to prevent the book from being too powerful?

It's already been chapter 137, and the protagonist is still sitting in his loyal wheelchair

The more I think about it, the angrier I get, and I can't sleep tonight The protagonist can ignore Sha Damshan. Is Sha Damshan's approach correct? The author really doesn't want Sha Damshan to accept any grievances. The protagonist has to bear all the blame. What is the meaning of this role? Is it used to annoy readers? The protagonist has been hiding in hiding. The author will not regard himself as Sha Damshan.