Bronze Door That Travels Through Time and Space

The author writes very well, keep up the good work

The male protagonist's mother-in-law and mother-in-law are both outwardly and outwardly arrogant. I really don't want the male protagonist on a male channel to feel like the zero on a female channel. Luoli Basuo also likes to preach. This is the first time I have seen such a cowardly and motherly male protagonist in a male video.

The Korean flavor is too strong, belittling others in various ways, showing off oneself, just short of being invincible in the universe, self-pleasure is too serious. It seems that the sense of substitution is very weak, the pace is too slow, and the plot and themes are cliche. The only advantage is that I finally don't write about the world of martial arts. I can barely read it, but don't read it carefully, otherwise logic and self-interest will too much affect your desire to read.

After reading the new book, I ran to see the author and the teacher. What should I say? . . How to write how the protagonist is useless, how to write how to hold up the wall, even the protagonist's mother took away all the protagonist's assets and took them back to the grandfather's house, and then sent people to kill the protagonist to snatch the protagonist's noble position. . . Later, she had an affair with a wild man and gave birth to a younger sister to the protagonist. . . The protagonist said that it didn't matter, as long as his mother didn't come to kill him personally, he was not prepared to take revenge. . . This character is so twisted that I dare not continue to subscribe to the author's new book, for fear that the author will be as poisonous as the previous one.

In the most recent chapter, the protagonist injured several chimpanzees who could use guns and incendiary bombs, and wanted to follow them to their lair. However, he was so stupid that he followed them and blatantly followed them without even trying to hide. As a result, when he was discovered by others, he went home directly without any precautions and followed them to their lair. As a result, he was directly blasted in the face by a broadsword mine.       Are you so stupid? It has been clearly stated before that chimpanzees have high IQs, yet they followed them blatantly. Not to mention whether they had foreseen the landmines, they were obviously confident in daring to go home when someone was following them, whether it was a trap or an ambush by their companions. It's very possible. Why is the protagonist so stupid that he doesn't prepare at all? This means that the broadsword and mine armor can still protect him. If the chimpanzee prepared a few Molotov cocktails that were used before and smashed them on the head, wouldn't the protagonist be burned to death? Does the protagonist have to be so stupid? He is no longer a novice. He has lived through two worlds. Not to mention he is a veteran, but at least he is out of the novice stage. The first dungeon was a local emperor who dominated an island, and the second dungeon was also a big boss who had established a mountain. Even in reality, the world can be regarded as an accomplished township entrepreneur, but the new dungeon is so stupid? The protagonist is not the type who loves soldiers as much as his sons, right? It is obvious that the lives of system soldiers are not taken seriously. It is not a waste, but it is just chips and property. In this situation where one's own life is at stake, shouldn't one of his subordinates be sent to explore the way ahead? Do you have to use your face to explore the grass? I know that it is safer for the protagonist to have armor, but he is not so reckless. As I said before, Black Star obviously has the ability to make and use incendiary bombs, and his IQ is not bad. If it's not a landmine, but a few Molotov cocktails hit him directly, what's the use of the protagonist's armor?

Even if there are cheats, they have no character. As some counselors said, this guy is not a hero.

I don't understand. You know that reality cannot be described in detail, but you still write it like this. What's the use of your reality development, no matter how good it is? Can you live forever or can you fly to the sky and escape from the earth? If you are so persistent in writing about reality, do you dare to keep writing? I don't understand. You write the ordinary employment relationship like a partnership. The boss, the protagonist, pays his employees wages, arranges some things, and has to win over them. Isn't this funny? If you are an employee, you have money and something to do. As long as you don't break the law, who cares about other things? Also, the overworld around 2000 is really not suitable for an astronomical world. It was far different from now. You can just do it around 2010. You can directly buy most things online, and your golden finger clearly shows that you are in the field of farming and hegemony. You can directly buy cheap broken grains for several years, or directly wholesale pig feed, directly develop a wave of soldiers, recruit some indigenous people, and occupy On a piece of land, I began to sell supplies, such as gold, jade, Long Yanxiang and other high-value things. With the funds, I opened an import and export trading company and started doing cross-border business. At this time, I could contact domestic or foreign contacts, especially domestic ones, and sell oil and rare materials, especially those that were embargoed abroad. Once I established a relationship, I didn't have to buy weapons myself. I would give them to them for free. No one would care how the materials came, as long as they were available. If you don't have these resources and can't build relationships, then buy them yourself. Just buy World War II equipment that is sold by the ton, and directly let the system explode the troops and then train them. I mean, can you push Japan with low martial arts in one year? After the unification, you start to cultivate your own extraordinary power. When you wait for the second year of the world, you have been fighting in reality. If there is only one different world, it is understandable that your reality is larger. You have one different world every year, and there are explosive troop plug-ins. I don't find it interesting if you play like this. It is better to just open the big plug-in and push it horizontally. After twenty chapters, you can directly unify, create a base world, and start to conquer the Chinese martial arts plane. This way, at least the lifespan is not so tight, and you can not touch the huge pit of the real plane. Zhutianwen looks at the heavens, not the cities. If I want to see the cities, why don't I go directly to the urban articles? Not to mention that the urban layout you wrote is huge. It feels low to write like this without a golden finger, let alone you who have several golden fingers.

After seeing the author's introduction, I want to say a few words. Starting Point actually has no shortage of ordinary protagonists, not to mention the growth diaries of diaosi. Many diaosi even grow up to be diaosi in the end of a book. What is missing is the kind of protagonist who is wise, decisive, and resourceful. An online novel. In fact, I am disgusted now, watching the growth of ordinary people. In particular, many ordinary people are portrayed by the author as wretched, timid and cowardly. Their brains are still unclear. They have not seen a woman in eight lifetimes, either a teddy or a licking dog. They have to grow up slowly like this. It is very annoying to watch. I feel like this kind of garbage has no room to grow. The so-called growth of ordinary people should originally have some very good qualities. This is a peaceful time and there is no way these qualities can be brought out.

To be honest, it is right for the author to pursue rationality and logical self-consistency in writing a book, but if you have to have the protagonist use a bunch of psychological activities to explain to the reader how you are logically self-consistent and how reasonable you are in the text, it will be a bit overwhelming. The chatty Deadpool had to complain about the fourth wall when he read it, Spider-Man had to say "Master, stop reading it, stop reading it," and the five-star Emperor MacArthur even commented that he had time to personally explain the setting to the readers in the text, but why he didn't have time to write more plot text. Readers are like a trapped army. You would rather air-drop orders than perform micro-management in person. Why are readers so confused and confused that you have no psychological points? It's not that you set too many inconsistencies, causing readers to have no way out and fall into a logical trap. I once again suggest that the author write more text and less settings. What readers need is the support of the text count, not the setting collection and the author's own mental journey, let alone micro-managing the battle situation and talking about tactics and strategies through the mouth of the protagonist. Otherwise, everyone can only say "Congratulations!" And "Thousands of readers have the advantage over the author, and you are the only one with the advantage!" And the readers all understand that the author's setting is extremely unreasonable, the protagonist is not smart, and he thinks his logic is self-consistent, and he has really taken off his own pants. Originally, everyone is here to read the plot development and ups and downs of the story, but the author insists on using the protagonist's words and inner activities in the text to debate how the setting is reasonable with readers who don't understand your bizarre setting. It is really amazing. Don't show your true ability casually, because this will let people know that you actually have no real ability. Don't always talk about how you set up the plot, how you set up the world view, and the main character's thoughts and behavior motivations. People are not here to read these, and the writing is very boring. It is better to write more words about the game settings, and add more colors to prevent so many people from watching it.

When I look at it now, I feel like the author is talking about some kind of state of mind, that his thoughts cannot keep up with his strength, that he is afraid of being unable to control his own strength, and so on. I really want to complain about this nonsense. Where does all this bullshit pretentious stuff come from.

Damn it, I've written more than 700 pictures, and you're playing sex with me

It's really disappointing that the male protagonist is still so stupid. There is a time-traveling portal where the male protagonist doesn't want to strengthen himself, he just keeps messing around like this, and the plot is very clumsy.

It is recommended to change the name to "The Dog-licking Life Traveling Through Time"

I have a question after reading Chapter 30. The protagonist traveled through time and wanted to find a woman. Why did the author spend so much time writing about why the female protagonist is not available? He also found some other reasons. I don't understand why you wrote all this if you don't want to find a woman? I don't understand the deliberate poisoning, but if I want to kill the book, I'll just cut it off as soon as possible.

Apart from the good setting, this book is all rubbish. Che Zhugluan talks back and forth, desperately trying to suppress the protagonist's combat power. Why do you write so many cheats?

，                    ， ，（，，） ，？ ? ? Industry planning, smooth handling? ? ? Practice martial arts by yourself and plan carefully? ? ?                                                                                                                                                                                              (Full of loyalty!) Is the extraordinary not attractive enough? (Good at practicing martial arts?) Is the other world not feudal enough? (Socialism ✔ Feudal Superstition ✘)

I have read a lot of this kind of subject matter. The real world is definitely a big pit, and many authors have fallen into it. Try not to write about fighting for power in the real world. If you write well, you will be blocked, and if you write poorly, you will be scolded. Personally, I suggest you write as little as possible, and just find an excuse to buy things reasonably.

If the author doesn't cheat the protagonist later, and asks the protagonist to find a realistic idol to bless himself, it is purely self-deception. Don't pressure me for being unpatriotic. One of them doesn't have extraordinary power at the moment, and the other has it, but it happened to be from a place where it doesn't exist. It's better to deal with ghosts more, buy some long-range weapons and find onmyoji, monks and witches. To comfort yourself, why not get one casually? Now the expenditure is greater than the income.

Goldfinger is very strong, but the author pressed hard. Normal people would first explode and kill the people nearby, then snowball and then farm, introduce modern advanced seeds and fertilizers, and then explode and snowball.

I finally found someone who dared to write a version of the Youkai Kaidan version of the Warring States Period. I originally thought it was an author with a certain standard and a deep understanding of the corresponding history, historical figures, and spiritual values ​​​​of the era. However, looking at the first few chapters, they were all zzzq's output, or they were just playing tricks. They thought they were delicious delicacies, but when they moved their chopsticks, they turned out to be the basis for the defense.

In fact, for the protagonist's war against Japan, the best way is to resist with heavy armor and kill enemies with crossbows. Except for the powerful Ming Dynasty, which has armor, the others have no armor at all and rely on ancestral inheritance or their own strength.

The first world was okay, but after that it was all about oral pleasure, and it was really like a diaosi's fantasy diary. It's all fantasy, just for self-pleasure.

It feels like the left and right brains are fighting each other

All I can say about this book is that some of its ideas are pretty good, and the ideas are pretty good. The protagonist's portrayal was okay in the early stages. I didn't read much later on, but it's like digging for gold in shit. There are some good things, but not many. And it's all nonsense. It doesn't affect reading at all if you skip it. It also contains a lot of the author's personal stuff, and it's too low-level. It feels like a nagging middle-aged man is instilling his set of values ​​in you, and the reading experience is extremely poor.

Except for the first world, everything else can be done💩

It's a Samurai Hime, a female ninja, a female ninja, and a shrine maiden. After reading more than seventy chapters, the protagonist turns out to be Liu Xiahui. If you don't write it, don't have so many female characters 😰

After reading the first two chapters, the protagonist said one sentence, and the rest was various explanations. How many old bookworms would seriously read this explanation? Is this explanatory text? I can't muster any desire to read on.

It's really true that it's over 900 chapters long…

Why is the difference between front and back so big?

I started reading from the author's "Alien World". I have read basically all of the author's books, but I have never read more than 20% of any of them. But I read every one of them because the author's settings and ideas expressed fit my brainwaves very well. Basically, they start slowly and develop slowly, but then do a little bit of crushing. Can't seem to find a replacement. But the shortcomings are also very obvious. That is, it is easy to write randomly as you write. Imperfect protagonist, Card Master, Gou, daily life. The author has at least four books, and I stayed up late to read them. But the poisonous point at the back immediately took away the poison from me. Every book is shit gold and I feel like I have that masochistic syndrome. Finally, I would like to give a suggestion to readers of this book. It's best not to watch it if you can, but if you really like it, just jump over if you encounter the poisonous spots. 🙂