I Draw Comics in Tokyo

Wouldn't you be able to write without a woman? It's still such an old-fashioned plot in 2024. There has to be a woman, right? Isn't it good to write comic stories honestly?

You're okay with writing about parallel time and space, but the quality of the works from the Age of Death and Sea of ​​Fire is obvious to all. The devil daddy, the grandson of the slippery ghost, etc. Will be chopped off at will. Didn't you see that some of the entertainment articles started well but chose unpopular songs?

I sincerely suggest the author to revise the plot in the re0 King's City chapter. In the original plot, Subaru's performance was completely ugly. He spent most of the time in that chapter as a clown. This situation can be alleviated in a light novel released at a low cost. However, in the jump that is updated every week, it is really a suicide. The protagonist is just a newcomer. The original work is very controversial. If the aggrieved plot is updated for more than one month, the protagonist's manga may really be cut in half by public opinion.

At that time, migrant workers comics were at their peak

The author's selection of materials is very problematic. I won't talk about the choice of Zero for the first one. It can be said that he had no experience at the beginning, and the cold reception from Zero can be regarded as a new idea, which is somewhat interesting. Then I chose Chunwu from scratch. Isn't this nonsense? Chunwu is purely a work that depicts the hearts of contemporary students. Who could I have resonated with 10 years earlier? It's not like there haven't been any good works in the past 10 years, such as Curse, Spy, Dongsheng, etc. Which one can't you write? Do you have to focus on light modification?

The author made comics re0? Are you kidding, re0 has written 5 million words now and it is not finished yet. Is the author planning to let the protagonist draw for 10 years? Or is it that the author has only watched anime?

You don't want to write the entire plot from scratch, right??, And then add one-twentieth of the real-life daily content in the middle?? This is not a different world. You don't need to show the content of the story of moving the earth to the earth's starting point readers, right? After it is put on the shelves, if I use 90 words out of 100 words to convey the content of the cartoon, I really might as well just watch the original cartoon. This is not considered stupid, right? Articles and Japanese light novel content have a plagiarism check rate of 80+%. What does the Qidian editor not say?

It is recommended that the world view be changed to an imaginary one, otherwise there will be a huge quarrel.

Choosing to serialize spring objects for the second plot? If the previous work was criticized for having a weak male protagonist, why would you choose this for the second one? And after all, would this kind of youth love routine really be popular in Japan in 2000?

It's inexplicable that a formal cartoonist actually has time to be an assistant to others during a long series? What the hell, is this editor sick? It's okay for some assistants to occasionally save some manuscripts and draw a short story, but when it comes to long-form serialization, they have to submit manuscripts every week, and they have to come up with plots to compete for rankings. How can they have time to be assistants to others?

I re-read the list of the third work in the introduction, and I would like to share my personal opinion: First of all, jobless reincarnation is really not possible. The background setting of this work is very grand, but the detailed plot is not very good. It is an excellent work, but it is just that. It can be said to be a model of the explosion of animation team's cooking skills (of course Jobless is much better than 86, which was also taken away by the animation team); Dragon and Tiger has no problem, but if the previous comic is a spring object, it is best to change the theme of the third work, and stop using the theme of youth love Ice Sea and Alien Invasion have bigger problems, the former is well-received but not popular , limited by the popularity of the subject matter, it will not be too high. The plot line of the latter is too short and cannot support long-term serialization Su Qing, a funny show, I have posted about similar issues before. The protagonist is just a copywriter, not the creator. It is good to be able to complete a clear plot with a clear main line. It needs to be A small theater filled with a lot of daily or funny plots is beyond the scope of his ability, and it is a bit inconsistent There is nothing wrong with Bone King, it just feels a bit inconsistent, but I can't explain it myself... Looking at it this way, Steins; Gate is the work that best suits the black and red physique of the protagonist.

I can no longer understand the direction of the plot, and the career line feels a bit uncomfortable. Accurate. , The protagonist has not proven that he has the ability to complete a work at all, and the protagonist's ranking on jump is not high, so he just changes the series if he wants to. The protagonist's halo is so bright, but the plot is still unpleasant...

I haven't followed this book for a while, but I suddenly saw The Eunuch and wanted to discuss this book with you. First of all, the plummeting performance of this book has nothing to do with what the author said about listening to opinions. The author should not blame the readers for this. There is a problem with your plot arrangement. First, there is the plot issue of the protagonist's copy. It's okay to adapt a light novel to a manga, but you need to find someone who knows the ending. If you start the manga from scratch and don't know the follow-up plot, you forcefully interrupt the novel and then start a second book. This is illogical in itself and is a very disappointing operation. Second, there is the issue of the protagonist's growth. The protagonist is just a copywriter from beginning to end. He has not modified the original unreasonable plot at all, and created an inappropriate plot in an inappropriate era (Wang Xuan is really not suitable for weekly comics, not to mention that it was the era of passionate comics at the beginning of the century). Most readers have read this work, and they all know how explosive this plot was in those years, and this is where the book's performance plummeted. Third, daily plot issues. In addition to the comic plot, the author's daily plot is also poorly arranged. The biggest poisonous point is the part where the protagonist is confused. What can he be confused about? All the creative actions of the protagonist show that he is just a copycat, without any thinking of his own, and relies on pure copywriting to make a lot of money. Why is he suddenly confused and insists on finishing several chapters? When I saw this, I almost died of poison, and I was almost carried away. There are also emotional issues. There is basically no interaction between the protagonist and the heroine. It seems that they have suddenly fallen in love for a long time. To be honest, I can't see the sweetness of love at all in their interaction. It is not as interesting as the interaction between the protagonist and Oda. In addition, there are other things such as the protagonist's goals and pursuits, indifference to the performance of the work, etc. I will not explain them one by one. If you are interested, you can discuss them together.

This book is a very typical Amway novel. What is an Amway novel? That is to say, equal emphasis is placed on Wenzhao and Amway. Wenzhao is to advance the plot, and Amway refers to the works that Amway authors love. Friends who have read "The Father of Rebirth Animation" should understand this aspect, but what is slightly different from him is that the Amway plot of this novel takes up a lot of space. It should be said that it is too big. It is so big that you have forgotten the plot of Wenzhao. Well, in short, this is it. If you hate anime, you will definitely not be able to read this book. Even if you regard it as an urban literary copy (that is, write some feedback on the copy of the work and rush to promote an urban plot), you can only read it if you don't reject the author's Amway and the protagonist. If you don't want to read either of them, you basically don't need to read it. The more you read, the more uncomfortable it becomes.

It's too watery. When there are about ten sheets, pour a glass of water and you can soak up one chapter.

What are the protagonist's current strengths? An advanced version of the painting style. It is because of this that there are so many anti-fans. Even if it is a plot like re0, which is hard at first and then sweet, they are willing to follow it. Otherwise, they would have run away. Who would care about the protagonist and give him bad reviews every week. In my opinion, the protagonist can take two paths First, draw what they want to see - girls. Choose party or harem comics that highlight the charms of girls, such as "Can't Learn", "Girlfriends in Pairs", "God's Knowledge", "To Love", etc. Take advantage of the style bonus first and keep your footing. Later transformation can also increase fault tolerance. Second, draw what they don't want to see. The more my enemies oppose me, the more it means I am doing the right thing. Choose depressing plots or dramas, such as "The Island in School", "Red Eyes" and "Girlfriend at Home" (this is a defense), and continue to increase the number of anti-fans and increase the discussion of the topic. Provide enthusiasm for subsequent transformation.

I talk about comics in the novel, and half of them write about the content in the comics, which is really good.

Should the author consider the prisoners of food? The standard theme of hot-blooded kings, just right in 2000 The theme is also novel The main shortcoming is that Komatsu and his combat power collapsed in the later period Change Komatsu's character into a shota or a girl, and the later plot will be more rigorous, not much worse than the sea of ​​​​dead fire

This work of re0 is indeed a commercial success, but its early content is really hard to be recognized. I still can't accept his King's Selection. 486 Is too mentally immature. His character is similar to an abandoned house that is completely out of contact with society. Many times, he solves problems completely by relying on the author's handwriting, just like Conan solves the case. There are no interference elements at all, and every clue can be used perfectly. When I read the chapter review, there was a sentence that impressed me deeply: The author of this book is just like the protagonist. He knew that he would be scolded if he wrote it, but he still had to write it. I would like to make some suggestions. Don't draw a work like re0, which has obvious dismissal points in the early stage and the plot connection is too deep and difficult to change. If you really want to avoid the popular literary works such as "One Punch", it is better to draw something like "Guilty Crown". It will never be worse than re0. Moreover, the dismissal point of Guilty Crown is easy to modify without touching the core of the main plot. It is refreshing in the early stage, has a good heroine and is good-looking.

00 Young reform can not die suddenly? Did anyone read this kind of comics at that time?

Will there still be a lot of original content after it is put on the shelves? Can you give me a hint of the title of this purely original work? I've read it and don't want to read it again.

I'm all damn sure, you ran away ntmdzgs

Go search for Hegemony anime after 2000. Isn't Hegemony comics better than the introduction?

One thing to say, I think these comics are no worse than the migrant workers comics. It's just a matter of length. In those days, it's hard to say who could beat who.

The plan is in the crowd, the decision is in the alone. Writing a book is a systematic project. A certain suggestion may be reasonable in part, but it is evil in the overall situation. Only the author who can see the overall situation can take a comprehensive look at it, not the readers. So readers suggest that you can listen, but you have to absorb it selectively based on your own ideas.

If Bing Hai hadn't been drawn earlier, the original Bing Hai would have been drawn in 2004. It couldn't have been only two or three years after you finished drawing the comics above, right?

If you like any comics, you can post them below. If many people post them, I will record them in the small book. I may rearrange the serialized comics in the future. Requirements: Works that appeared after 2000 (not limited to comics, novels and animations are acceptable) Have a certain degree of popularity (at least most readers must have heard the name of this work)

One thing I said is that I followed Shitoshimen. My feelings are not that Shitoshimen is bad, but that all of them are unpopular light novels and you write them as if you interpret these works from another aspect. That doesn't appeal to me, because I read fanfics to make up for regrets or the protagonist's success rather than constantly throwing away the setting. To be honest, there is no difference between changing the work and rewriting it. To be honest, they can be divided into zero chapters, spring things, and Shitoshimen. If any of them is missed, it may not have any impact on the follow-up.

Does the protagonist have a career? You can't spend your whole life painting for others and just be a copyright production machine. Do successful people have girlfriends? Write them all down. Don't always review comics.

The main theme is text copying, and there are problems with content distribution and the rationality of plug-ins. 1. The selected light novels are all unfinished, or have too much content that is difficult to cut. Once you draw them, you have to keep drawing them. This is completely restrictive. Therefore, in the early days of copying graphic novels, movies, TV series, and original animations were generally chosen as copy objects. It is easy to cut and has a good degree of relaxation.                                                                                                                                                       but if we were decisive at the beginning and re0 was not popular enough, it would be a good thing. After this incident, the protagonist learned a lesson and began to let go of the arrogance of the time traveler. However, it would be fine to turn it into a monthly publication, but I didn't expect that the main character would be taken off the magazine and directly arranged to be drawn by someone else. The rationality of plug-ins is introduced here. 2. To put it simply, cheating must also follow the Basic Law. Why does Doraemon have any door? Because Doraemon comes from the future, where technology is advanced, he has any door. This is rationality. It can be an identity, a system, or a cheat, but it must be stated clearly to convince readers. So, why the protagonist can use Oda's air conditioner for a long time, why the protagonist can take a break from the magazine as he pleases, why the protagonist is about to be serialized after getting an outline, and why the protagonist has not been featured in the extras after drawing for several months, it convinces us. It can be a hypnosis app, it can be a jump bastard, it can be a max-level skill "persuasion". Ahead of the times? The plot explodes? What is this? Content distribution is introduced here. 3. To put it bluntly, as soon as I saw the beginning, I had no desire to click in. It was either a large copy of the text or a large amount of daily life. Wanting them all means not wanting them all. The consequence is not only that the plot is not popular, but also affects the rationality of the plug-in, causing readers to question "No, this thing is really so popular."