You Told Me to Enjoy the Singing Girls, but You Became a Demoness!

Female-oriented: I'll use tricks and schemes to eliminate all my competitors. Male-oriented: No, buddy, don't you know my cultivation level?

Dude, it's one thing to massacre a city, but why are you slaughtering the common people? What do the common people have to do with you? Don't tell me that fate has anything to do with the common people. This part of your plot is completely defying the heavens. You don't care about the Northern Barbarian royal family, you don't care about the Southern Liang, but you're attacking the common people. What were you thinking when you wrote this part?

The protagonist is portrayed as naive, ignoring the suffering within the building. A protagonist who has not experienced betrayal and lies cannot empathize with the situation, while a protagonist who has gone through growth and maturity is difficult to portray.

The protagonist has already broken through to the God Realm, why resort to underhanded tactics? One person could directly kill all the high-ranking officials of the Northern Barbarians and the Southern Liang. To insist on writing such a silly war drama is like playing house. In this way, the protagonist is like an infinitely usable hydrogen bomb, which is not available in other countries.

As a new author, here's a brief overview of the book. First of all, this book is absolutely not about marriage. As for whether it's about being single or having multiple partners... Don't ask. It's all about best friends, and I absolutely deny any romantic involvement. So don't worry about that, the important thing is the plot! Well, that's all I can think of for now. I'll think of something else later.

Starting by creating an important female supporting character, and then quickly killing her off—no way! I find this kind of writing style really hard to accept.

The protagonist is like an adult hitting a child; she could easily win, but she chooses to use her pitiful intelligence to play dirty tricks.

I haven't watched it yet, but the comments section is already getting tense.

Instead of spending time teaching readers how to read, you should improve yourself. Even if you don't improve yourself, at least be clever. No author can be omnipotent, but you should play to your strengths and avoid your weaknesses. Don't do things you're not good at. For example, if you're not a cyber-military strategist, don't write about military and political matters.

What's the point of writing so many conspiracies? They only annoy readers and do nothing. It's better to just go straight for the protagonist and kill them. Can conspiracies outdo the main character?