Wizard's Guide to Farming

This maid has really bad senses... She's not witty, she's not lovable, and she became a maid without much contact. Let's not talk about whether the protagonist is a noble and whether the extra people around him need to be reviewed. A stranger said a few words and then became my subordinate. Company recruitment also requires a written test + interview. When you meet the protagonist, you don't even guess his intentions, and you don't have any basic psychology towards strangers.

The plot around Chapter 12 focuses on an old routine that has been used for more than ten years 😅

I wrote more and more, and it turned out to be a long essay 😥 1. The writing of the female character was outrageous. It can be seen that this character is written very vividly, and the character's growth is written out. But the problem is that the background is a Western fantasy. It is understandable that the girl wants to climb up. But in the background of Western lords and aristocrats, which ordinary village girl dares to come to the aristocrats and recommend herself as a pillow? This is the first point that is very unreasonable. The second point is that I believe that I will definitely become a hostess. But with her status, even if she could succeed, she still couldn't be a hostess! She doesn't understand the gap between social classes. Doesn't her father, the village chief, understand it too? As a result, the village chief's father actually expressed his support and believed that there was plenty of room for maneuver! It feels very OOC and the characters are outrageous. 2. The protagonist is too kind. It's normal for knights and soldiers to be paid, and it's understandable to form a militia to pay salaries, but I don't understand how serfs are also paid. Secondly, as soon as the girl came to the protagonist, the protagonist immediately asked her to be a maid, and the salary was three times that of a young man, which was unexpected. It was said earlier that it was not advisable to take a maid to enjoy the business in order to play a good leading role, but later he very decisively accepted the maid, which was a bit contradictory. The protagonist also took the initiative to pass fruits to the maid and invited him to drink. He was gentle and considerate in every detail. He did not look like a maid but looked like a little ancestor. Finally, I understand that the protagonist, a time-traveler who is a flower grower, has no class consciousness and values ​​equality among individuals, but his subordinates pay attention to having sticks and jujubes, and giving both kindness and power. In the protagonist, he only sees plenty of jujubes but no sticks. What's more, what kind of social background is this? It does not require breaking the bottom line of ideas, but it is also important to do as the Romans do. The protagonist is too nice to everyone and is unreasonable. 3. Funding issues. I can understand the embarrassment of insufficient funds, but if the protagonist has a mouth, wouldn't he borrow it from his duke father? His father only has two sons, so he wouldn't give so little help at all costs. 4. The team led by the protagonist is basically like a tool, stiff, and has little interaction with the protagonist. The protagonist goes out to start a business, and the team is very important. You can't see the team building part, you can only see the description of changing various weapons and paying various salaries, like a running account.

Write less about that woman, write more about other daily life of farming development, be indifferent to strangers, don't be nice to everyone you meet, do it well, don't meet a useless stranger, and use that appearance, write more about the development and expansion of the territory, with wizards as the main focus, farming as a supplement, these two basic points are a bit nice to write down. Don't you want to develop with the background of magic recovery? You can develop this family into a wizard family.

If you don't mind the protagonist, the Virgin, being a dog licker, and grinding, then you will definitely like this novel. In addition, the decisiveness of the labeling is completely deceptive. The most unqualified diaosi protagonist in the wizard genre with golden fingers.

To be honest, I can actually tolerate Lily, because although the character is not likable, there are indeed such people in reality. After all, the author does write quite well in other aspects. It is not easy to find a good novel nowadays... But in the next few chapters, when building a house, I feel a little unbearable. There is a lot of reality in the construction territory that has been foreshadowed. The difficulties that will be encountered, in a cold mountainous area with no money and resources, it is indeed difficult to imagine how big the project is. I realized that the protagonist would definitely cheat, but I didn't expect that in just a few paragraphs, the protagonist would break up the mountains and loosen the soil, and turn bricks into springs. Isn't this inappropriate for the Son of God in the Middle Ages? Putting a patch on it is equivalent to signing a contract with the earth? I think it would be better for you to slow down a bit. This is reality after all, not a game. You can extend the time to describe the development. This is too open-ended. In an era where extraordinary things are not obvious, everyone is a knight and you suddenly become a magician? I vaguely mentioned in the previous article that the church may have magical power, but your father, a duke, has never seen anyone or anything with magical power around him Okay, I will just treat it as the protagonist is awesome, and then the big ones come later, the captives have one room, one living room and one bathroom, the serfs have two rooms, one living room and one bathroom, and the coffin room is free , not considering whether it is suitable for the current economy and humanistic culture, I just say that I don't want the castle to be in a mess I think urban planning is very necessary and it is indeed necessary to set standards in advance. For example, you can stipulate that houses must be square and square and cannot be built randomly, but can we slowly improve it and not get something for nothing? How about concentrating on big things first? Can we first set up the basic functional infrastructure framework and build the defense facilities on the road up the mountain? The protagonist assumes that the barbarians will come to plunder a few months later? Is it necessary to give you time to develop and build three bedrooms and one living room here? Can you look at a real territorial development problem from a development perspective? Wouldn't it be better to build a small house first and then slowly expand it to three bedrooms and one living room? Serfs have more motivation to struggle and can easily establish a reward and punishment mechanism. Are you sure that you will stay in Pingdingshan forever? Your future capital? Why, are you embarrassed to be surrounded by small houses? As long as they are regular, even if they are uneven, they are very distinctive. It is much more distinctive than your coffin house. The coffin house is the choice when there is overproduction and dense population. You are in the Western Middle Ages, and you just put people in cold concrete pigeon cages. It's great. It's not that we are bad people, we just want the protagonist to be a bad guy, but I think your behavior must be logical and consistent with basic human nature. Under modern education, it is good to respect others and have a bottom line. But in the early days of starting a business, everyone is given a big house in one step, and food, housing and wages are included. In my understanding, they are no longer human beings. They should be living Bodhisattvas who need to be worshiped at home. This is really too idealistic, just like time travel without having any contact with society

I have a question for the author. The protagonist is the second son of a duke, and his mother is the daughter of another duke. When he goes out to fight the pioneering war, his father does not arrange for manpower, so is it reasonable to give him 20 gold coins?

This little fairy is included in every chapter. There is no main plot explanation. You just keep writing about her doing things. It's really just to annoy readers. Sooner or later, this book will hit the market because of this supporting character.

After reading Chapter 17, I don't understand that the author wants to describe a village beauty maid in a colorful way. Moreover, their family is too preoccupied with many thoughts and is not lovable at all. They don't understand the etiquette of being a maid for the second son of a duke, so I just call the protagonist "Oh," what I want to read is the medieval demonized world you wrote, not the way for the little fairy to grow up in another world.

The second son of a dignified boss, the protagonist with cheating skills, doting on a "little fairy" from the countryside, I almost thought I was watching an ancient domineering president.

I have never used the word disgusting to describe the characters described by an author. Anyone who has read it should know who I am talking about. It is so disgusting that I want to curse people after reading it.

One lord even personally fed honey water to a little maid he had known for a month on the street. . I even suspected that this book was a vulgar romance novel written by a high school girl. . .

East Coast Region—Kingdom of Rosa

I posted a lot of them in a comment before, and then I thought about it and decided to organize them into posts. First of all, let me say that I don't hate this kind of female character, but the author's description There's no way I can like her. It's not that there is something wrong with this character's personality, but that the author uses a lot of "words" to describe this character. The reason why he uses "words" instead of "pen and ink" is because these descriptions take up a lot of space but do not contain much effective information. If you want to write a character with a "distinctive personality", or an irrational character, the author needs to describe the character's mental journey, way of thinking, and inherent concepts. It doesn't mean that the writing is good, but it should at least be good. In this way, readers can clearly understand what the character's "personality" is. But I can't accurately understand her "personality" based on the author's description. I only saw an empty silhouette That's why I said that there are a lot of invalid narratives in the author's description. First of all, among these invalid narratives, the most problematic is the psychological description. To sum up the whole text, it is no exaggeration to say that all the psychological descriptions I saw were only "ideas" that sealed the coffin, and I did not see any description related to the thinking process. The author's psychological description only states "what she would think in this situation" The reader cannot know "what she would think in this situation" She can only be hysterical through the "impressions of people who behave similarly to her" in the mind, which leads to a highly subjective content in discussions related to this character. A bunch of negative comments about the plot related to this character are probably related to this. Then there is Lily's background narrative. Let me pick the biggest question, Why did Lily develop this character? The explanation given in the original text is "Lily's father often told her about his experiences when he was young and wandering around. In addition she loved to read fairy tales when she was a child." Does it seem to be explained clearly? In fact, nothing was explained clearly. Why do you say that? There is a concept called "narrative ladder" in artistic creation. To put it simply, it is to layer the narrative "The rougher the description, the more abstract it is, and the more detailed the description, the more concrete it is." It is difficult for the human brain to understand abstract things, just like most people find mathematics difficult. Because mathematics is an abstract tool created by humans. Looking back at this passage again, the author seems to have found a justifiable reason at random. I just wrote a rough outline and went through it in one stroke. Without any detail, the level of abstraction soars. What kind of stories did Lily hear when she was a child? What kind of books did you read? What did she figure out from these stories that made her like this? Not to mention direct answers to these questions, there is not even a plausible side answer The background description of the character should have endorsed the character's personality and strengthened the rationality and credibility of the character. If you can't even do this, then this text will have no meaning It is better to just draw a slice of memory and write a picture of a father telling a story to his daughter than this "snapshot" Because at least there is a specific plot for readers to refer to and interpret. Final Question Many authors have started this type of question. That is, the character's personality has not changed at all after experiencing a series of events I guess the author set Lily's character in the outline from the beginning. The innocent character of a little girl has been written as a little girl from the first meeting to the present, no matter where the plot develops. If nothing else, it is outrageous that a little girl who has never been involved in the world and has never worked is exactly the same as a little girl who has started working and is in a high position. "The Job of the Head Maid" is an event that has deep contact with society, involves complex interpersonal relationships and interests, and should have a huge impact on personality, as if it does not exist. It's as if Lily in the past was skipped by the Crimson King in plots that had nothing to do with her, and came directly from the past chapters to the present.

What is the use of that female supporting role? Being a retainer is incompetent, being a maid is disloyal, even being an Israeli servant is not qualified, she is a completely redundant role

What the hell is going on in Sanjiang these days?

There won't be any more of her in the future! Brothers, help me, can you tell me if there is her behind? This plot makes me so scared

Very pretty. The plot is quite interesting and not immoral.

Now I have become a genuine victim🙄🙄🙄

I don't understand how this kind of book can be on the monthly popular list. . . Hiring that little fairy named Lily, the Phoenix girl, as a life assistant is simply extremely poisonous. Although this is very realistic, if it is written in a novel, wouldn't it just disgust readers? . . I will give a brief summary of this woman, to test the poison for subsequent book friends To put it simply, she is a tall and pretty village girl. She thinks about the days when the knight on the list visited the mistress every day. After discovering the male protagonist, she started to lick her hard. After that, the male protagonist directly agreed to this woman to be a life assistant around her. Everyone should understand the "pure" boss-subordinate relationship. . . Anyway, I was completely poisoned to death after reading Chapter 16. Book friends may have different opinions. . .

I read this book on Sanjiang, and after reading twenty chapters, the article was surprisingly good. Except for the fact that some concepts about the duke are not clear enough, the second son has many restrictions. The ratio of gold, silver and copper is one hundred to one, and there are some minor issues such as price level flaws. In fact, I feel that the shaping of the Middle Ages is quite consistent with my superficial understanding. But the character creation of Lily is actually too problematic! The author completely transformed the village chief's daughter and the protagonist of the pioneer knight into men and women falling in love in modern society? It is true that the character creation of the people around me does not have to be a maid who is proficient in etiquette (the so-called format) I don't have any ill intentions towards the so-called little girl! But the author writes about medieval development and a magical background. The character Lily has a Weibo flavor when she appears. (Imagining watermelon strips) It's very dramatic, but also very redundant, because this role has too much space! So the criticism was not because of the motivation behind the creation of this character, but because when I wrote this character, it felt like a female channel giving birth to eight children at once, a strange smell. Somewhat difficult to bear. By the way, I would like to ask if this kind of female channel will have a lot of space? This kind of romance development feels like it should be a little later, and it doesn't have to be the same person. Also Are there any readers who read Western fantasy? Are there other works that I can benefit from?

The author asked me not to wait any longer. He said that writing books doesn't make any money at all. He is going to Thailand to try his luck.

Sure enough, he is a eunuch, luckily he can run fast

In the future, I will read the author's previous works before reading a book. Both books were finished at 20,000 to 300,000 words. It's hard to say that this won't happen again with new books in the future. After all, it's easier to give up than persist.

Book friends, you have to wait for a while. I am a friend of the author. He was out exploring a few days ago. He was arrested because of Operation Spring Breeze and it will take some time to come out. I just visited him yesterday and he asked me to share it.

Are all these data cut? . . . . .

Another dead book, hey, I'm speechless

The writing was pretty good, but it just disappeared? Holy shit!

If you're not dead, give me a kick and I'll quit for now. 😐

Has the author entered the palace😥😥😥