I, a Woman, Rule the Ages Alone

The plot is a bit blurry. The author is a female writer, and the writing is indeed very delicate. However, many male readers do not like this. They prefer the kind of refreshing stories where the heroine quickly upgrades and then has various gratifications, or the Lily style. I have read about ten chapters of this book and the heroine has not started to practice. There is a lot of nonsense in the supporting characters, and the heroine often comes into contact with the male counterpart. If this is not a marriage change story, it will be a very poisonous point. If this book were to remove the transformation and show female videos, it would still be considered a high-quality book. But for male videos, I can only say that the author needs to work harder.

Chapter 47 is really difficult. The protagonist succeeded in building the foundation in less than a month. As a result, his meridians were damaged and it took ten years to recover from the injury. His cultivation has not improved at all, right? 😆 It's really disgusting, the fighting force is too fierce, the reason for the injury is even more ridiculous, the senior brother left early when he performed the task unreliably, so forget it. Later, when we encountered a fork in the road, people said we should take a shortcut, but the protagonist clearly sensed that there were traces of beasts, so he still took that road in the end. In the end, he encountered a monster and relied on the protagonist. Saved by a few-year-old child who revealed his potential, the sea of ​​Jingyuan directly changed from a snowfield and ice surface of at least a hundred feet thick to nothing, and was still trapped in the historical time of a river. The protagonist's master was of no use at all. After the protagonist was trapped by the river, he said something, since you have arrived, why didn't you come earlier? Try to save the protagonist! And he was trapped in a river for a year before he got out of trouble. You, the master, didn't help at all. You boasted a lot, and the Qingyun Sect's Dinghai Shenzhen belonged to the master. As a result, he couldn't pay attention to and protect his disciples at all times. Later, he couldn't help the protagonist when he was recovering from his injuries, so he threw the protagonist into a very effective healing place. The valley is over, and it takes 6 years to heal the injury with this valley. The next 3 years are used to absorb the essence of heaven and earth and restore the sea of essence. The result is that the cultivation level has not improved in 10 years. I can only say that this plot is too bloody, full of coincidences and unreasonableness 😆

Fantasy + Transformation + Eternal Arrogance If I want to read Lily Tietie, I think fantasy is more suitable in the city I think it is better to have no cp. You can have some like-minded friends who can walk together for a short period of time and bring growth to the protagonist. It is also best for the author to determine how to handle the process of character change for the protagonist. Since it has to be arbitrary for eternity, it must be one person in the end, and it will be more classic. Therefore, the character of the protagonist must also be determined. For example, you said in the article that the temperament changed because of the cold spring. Cold, and because the Plum Blossom Weapon chose a technique with cold attributes. With such a temperament, I think it should be more like the description of the Fairy of the Moon Palace, and not write some behaviors that are not in line with the temperament. Similarly, the protagonist who rarely communicates with others should also be the Fairy of the Moon Palace, so I think it may be better to have no CP, and have a sister who is not a close relative, but is dedicated to the Tao. It is not bad to think about it this way. In fact, it can be regarded as a little selfish. I prefer protagonists like Liu Shen, Yue Chan, Ruthless, Shi Hao and Fang Yuan. For example, if you want eternal life, then you can achieve it without violating your own heart. I am not talking about the unscrupulous method. After all, not everyone can get it. Why add it? Liu Shenyuechan also has a ruthless character. After all, this is a transformation story, and it's partial to the Fairy of the Moon Palace. I think this kind of character with strong strength and good temperament is a good reference. This is just a bit selfish. I really like this type of protagonist in transformation stories. If you want to read Lily Tietie, I think urban stories are more suitable, so I I think the fantasy genre is very suitable for non-CP. Of course, this is just my humble opinion. Just like Mr. Gu, also known as Sister Nan, has no CP from the Qin Dynasty to the present. So the author understands that a good story is one premise, and the protagonist is another. In the end, the tragedy is even more difficult to deal with, whether it is the dragon clan No matter, it's Shi Hao, or Gu Nan, or Shao Yang, these are the most frequently mentioned, and they are also very popular. Of course, it can be said that although readers don't like this, but you are the author, as long as you write well and can make everyone feel uncomfortable, it is enough. There is a premise for this, it is good writing Finally, we still need to write according to the outline, carve out the protagonist, and give the protagonist a good shape. The story can draw more lessons. As long as it is not too boring, we can also open a few more maps. The fighting scenes and character communication should also be well emphasized. We don't ask for the group portraits to be like those written by the princes in the Beacon Fire drama. Just have a few supporting characters that are memorable. We also don't ask for the protagonist to be as Feng Aotian or as Gu Nan. There is also some performance of the protagonist in Chen Dong's works. You can make the protagonist laugh, but it must be reasonable and reasonable. Don't slap someone in the face just for the sake of coolness. It is easy to get scolded. Moreover, the character is written as arbitrary. I hope that the protagonist can become an alternative female version of Shi Hao. Of course, it is a bit difficult for the author, so I am talking about some excellent qualities of the character, not that I write it after Shi Hao.

150,000 Words a month, which is quite satisfactory. It doesn't seem to be outstanding at the moment. A lot has been written about the training part, but there are no highlights. I feel that the protagonist's training depends entirely on golden fingers. There is only one battle part at the moment. There is a lot of description of the characters and their psychology, but it seems to have little effect on the plot. I spent a lot of words writing about a bunch of little brats, but by the time the scene changed, only one was left, and there was no impressive growth or change. Psychological descriptions abound. Is it really necessary to write so much psychology about the only battle? The protagonist has a high moral level and is capable of saving his life. In my opinion, there is no room for entanglement. Personally, I feel that it is necessary to balance the distribution of writing and ink between the protagonist and supporting characters and arrange the rhythm of the plot. I hope the author will keep writing~

I originally thought that this discussion conference would be a fun one, but after playing two games I dropped out of the competition😓 The outside world was full of rumors about the protagonist, and the author started writing about the little prince who inexplicably called the protagonist mother, and then the little prince was kidnapped and the protagonist rescued him, leading to the withdrawal. I didn't understand what I wanted to write? Is there a main plot?

Why choose Zhao to do things when you have money? He can do it as well as others. What are his characteristics? He can kick people because of his good legs and feet. Don't do anything like a good girl falling in love with a bad boy. That's too disgusting.

1. The psychological description of the passerby takes up too much space. Just write the plot clearly from the perspective of the passerby. The psychology can be mentioned but not immersed in the description for several chapters 2. The background of the sect country usually has a strong presence, but disappears at the critical moment. This is used to create a test for the protagonist every time. It is best to think of other methods. This is short now so it doesn't have that big of an impact. It will get boring if it appears too much.

It seems that the transfiguration text has come back to life again. The old man is very happy.

Now that I have read Chapter 40, I have a question. Has the author never seen a child? Not to mention the environment in ancient times, which still had extraordinary powers. Now, if you let a few children under ten years old go to another city without adults around to watch, are you sure you won't be a loser? Although I know that human life is not valuable in ancient times, it is not so worthless.

The leveling is a bit too much, and it feels like the protagonist has not grown.