Reborn in Hong Kong: The Unlicensed Barrister

There is nothing wrong with you, the author, if you want to write a protagonist who is affectionate, righteous, and has a happy family, but you don't want the protagonist to become a master or a successful person. You have to know that according to the plot of the novel, every case the protagonist encounters must be won. Then his reputation and status will definitely increase, and his circle of contact will become wider and wider. But you are suppressing the protagonist, and when the time comes to encounter a major case, When the power at the top is suppressed, what do you rely on to investigate the case and how do you win? Also, if you win the case, you should improve your family's financial situation. Then you can find a way to get the license and fight an upright lawsuit to show us. (The most important thing in life is to be happy) is a good attitude towards life, but the premise is that this kind of people have no worries. Do you know who speaks the most in Guangdong? Charterer! What's the current status of the protagonist? I can't understand the plot, it's a complete mess.

Both Huo'er and Canghai push you, don't imitate them, otherwise you will all be three street kids, but both of them are my favorite. They push you, chase them.

Director: Deng Texi (No. 1 Royal Court, Masterful Hands and Benevolence) The male protagonist Chen Yanzu: Tao Dayu (although he is not the most handsome, but he is the first one I think of, he is so cute) The male protagonist's mother: Zhu Mimi The male protagonist's father: Hu Feng The male protagonist's sister: Tang Ning Yan Shaofen: Chen Huishan Policewoman Guan Zishan: Xuan Xuan Female lawyer Luo Leer: Teng Liming Female doctor: Cai Shaofen Zhuang Tianjiu: Wei Junjie He Weilun: Wu Qihua Tong Jiaxian: Chen Kaitai Ling Shengnan: Meng Jiahui Li Xia: Liu Jiang To Chi Fai: Wei Jiaxiong 🤓To be continued...

Because the old author has collected this book, and after reading the testimonials on the shelf, I suddenly wanted to say a few words. I collected this book because of its title. I thought it was a book about a litigant fighting in Hong Kong against the rich and powerful British capital, becoming famous, making a lot of money, and marrying his mother's concubines. I didn't read it, but I felt happy just thinking about it. After all, that period of history really matched the heroes. But after looking at about twenty pictures, I felt something was wrong. After reading the real person's acceptance speech again, I realized. No wonder it feels awkward when I look at it. I can only say that times have changed. Real people should be happy in life. Talking about love, friendship, and family relationships are really not suitable for themes. Urban and Hong Kong variety themes can be used as embellishments, but money, power, fame, and sex can sustain them. Living in a book, the protagonist of TVB is not suitable for Qidian. Users of Qidian, whether old or novice, to put it bluntly, read novels to have fun. Even if you write that the protagonist throws money in people's faces and says arrogantly, "I'm sorry, you can really do whatever you want if you have money." Or maybe arrange for the protagonist to say to Mrs. Zhou in the opening chapter, I'm sorry, madam, you don't want your daughter to be homeless. Coercing, nurturing, and training are heinous things. As long as a little bit of warmth is added, this kind of brainless plot and character design will achieve better results than creating an orthodox TVB protagonist. Believe me, the moral bottom line of Qidian users is more flexible than you think. In short, feelings cannot be eaten as food.

Who on earth likes to watch this kind of low-level harem story? Isn't it okay to just write about judicial cases around law? Why can't the insert in the middle be a more in-depth character description of the previous woman to better draw out the main plot? I have read chapter 430 so far. Can you tell me what to expect from these more and more women? In particular, this extramarital adventure between Ma and Ma is completely divorced from the TVB legal drama model and is a complete starting point for a refreshing plot. The charm of harem novels lies in the special charm of different female characters. After reading the previous story of this Zhang Lina character, apart from an unforgettable first love and the background behind her, what kind of character description is there? ? Then Zhang Lina fell in love with her to death, and then the male protagonist blocked the gun, stepped forward, and investigated the case, which made Zhang Lina willingly become a member of the harem. Does this plot develop logically? Zhang Lina's role in the plot overlaps with the existing female characters. We already have female police officers, and we already have rich girls. Actually, there is more than just this one character. I think this TVB workplace drama only has about three female protagonists, which is a lot. The author obviously can't control it anymore. The addition of these female characters' stories will make the story become more and more divorced from the law. Yan Shaojun is the absolute heroine, closely following the theme of "law and politics", and also providing emotional support. A Ling Shengnan acts as the protagonist and gives money to others. A Lisa, a cute, rich girl, provides background support. Don't be the lover of other female characters, resolutely refuse long-term development, and then fall in love to death for a one-night stand, can't you just let the story character exit naturally? Must the entire law firm be filled with the protagonist's woman? The problem now is how more and more female characters make the stories closer to more and more outrageous adventure and gunfight stories. The characters are becoming more and more facial-shaped, and the stories are becoming more and more routine. The most critical lawsuit in your entire story is fought slowly and understandably. Aren't these "outlaw hero" plots just like the plots of the boss of the Black Society? Who is reading this book because of the non-legal plots at the end? This "outlaw hero" story is so outrageous!

I should write a short one myself. I would like to recommend a shorter one 😐

The author likes to be a bitch for women in several books, and treats all women as treasures

In two days, I read 158 chapters, three units of stories. Seeing this, I finally understand why this book has average results. I don't know what subscription is like, but judging from the ranking of more than 200 monthly tickets, it is definitely not there. I enjoyed reading the story in the first unit, and the second unit was also pretty good overall. The visuals of the story are quite good. I feel that when I watch the TVB drama again, I am still wondering why this book is ranked so low. It is not said to be a masterpiece, but it is still a very good work. Okay, actually, a problem started to appear from the second unit. The author always wanted to create some reversals, but the plot was dragged out. Ling Shengnan, a character who was originally a very lovable character, turned out to be inconsistent. I think the author wanted to make the character more three-dimensional, so the writing was very complicated. However, the plot is a little less exciting, and there are more plot lines, so it seems to be unsettling... But I can barely watch it, and it is not unacceptable to accept Ling Shengnan. But by the third unit of the plot, I really vomited. For the sake of the original TVB style, the plot must be 100% restored, right? There are all kinds of witty plots and small bugs, which makes me feel really uncomfortable... I feel that the author is capable of writing a good story, but it seems that he is trying to replicate the style and taste of TVB Hong Kong dramas. I also like the twists and turns of the script, and the plot rhythm is very draggy, as if you are not clearing your urine. When the pace of the plot slows down, the sense of urgency disappears. Now think about why I found the first unit so enjoyable to watch. It was full of urgency and full of internal and external pressure. From the second to the third unit, it felt like a family ethics soap opera, without that tense and exciting feeling. There is also a very big poisonous point in the plot, which is also a characteristic of Hong Kong dramas. As the saying goes, "The most important thing in life is to be happy." It's okay for a law firm to open in a slum area, and it's okay to litigate and make no money. But you have the opportunity to make money but you don't? Are you sick? If you don't want to make money by buying stocks, you just want to be poor... Wouldn't it be possible to help more people if you have money? You said you wanted to write a neighborhood hero. There's nothing wrong with that. But does it have anything to do with the fact that the hero is a billionaire? Why can't rich people live in slums and hide in the city? I owe a lot of foreign debt, so I am happy if my life is tight. It is really the original TVB, and the mentally retarded part is the same... This book gave me a feeling of love and hate, as if I was eating a meal, eating half of the insect carcasses pulled out by Zhengxiang... It was really disgusting.

After watching the two units, I feel that there is no prioritization. The main plot is more like the women than the case. Most importantly, none of the female protagonists are likable. . . It didn't show that he had reformed. I personally felt that the ending of the second case was quite blunt. The murderer was acquitted due to mental illness. When I read the book, it felt more like the protagonist used mental illness to exonerate him. The murderer's mental illness was not shown much. In other words, this level of mental illness cannot convince me as a reader to accept his acquittal of murder. The whole case was about a detective who blackmailed the murderer. . . It's quite confusing to watch, a bit like the Japanese drama "The winner is the right". In order to win, he will do anything to win, but in the end he has a reformed character. . .

I discovered that the bad guys can be lawless, but the protagonist can only restrain his hands. I hope the author can write the protagonist's parents to death to strengthen the plot conflict.