Myriad Worlds: Becoming a Great God Through Journey to the West

You can see, it would be better if Tang San died this time, after all, it is really disgusting to see a piece of shit jumping repeatedly.

The world view of Journey to the West is barely stellar. If it's crazy, I didn't say it.

I've read more than ninety chapters and I can't say it's not good. It's just my personal feeling. The author is Journey to the West, especially Monkey Blowing. This is why I can't stand it. If you don't care about Monkey Blowing, you can still read it. Okay, I'm going to run away.

Those who say Monkey King is bad are those who have never read the original work, right? Could these people have been brainwashed because of prehistoric times? Although Sun Wukong cannot be said to be the strongest, he can be said to be in the first echelon. In addition, Journey to the West does not have the realm of saints (saints are just created by the prehistoric times. In fact, I don't like this realm. For me, saints have never been a realm, but a contribution to the world.) When it comes to combat power in the original Journey to the West, there are actually three types: force (martial arts, combat abilities, etc.) And magical powers. Magic Weapon The novel's force, in terms of the period of Uprising in Heaven, Sun Wukong was evaluated by many gods as having very high force and being invincible. The only one who could tie with him was Yang Jian. (One thing to say here is that force cannot be cultivated by anyone. There are more gods who are proficient in magical powers and spells, followed by gods with functional magic weapons. Apart from Yang Jian, it should be difficult for more people to have top-notch martial arts. The important point here is that this is not the prehistoric era, and the journey to the west in the prehistoric era is chaos. Magical transformation, because of the magic transformation, many people are inexplicably stronger than Yang Jian in terms of force) (One more thing to mention here is that Tathagata defeated Sun Wukong with great magical powers, not force, Tathagata has top-level magical powers.) Back to the Havoc in Heaven, at this stage, only Yang Jian can equal Sun Wukong in terms of military power. (If there is one, there should be a second immortal fighting with Sun Wukong.) As for magical powers, Sun Wukong should not have practiced specialization at this time, so magical powers and spells are considered to be at an above-average level and are prone to flaws. Needless to say, the magic weapon has too low functionality. There is no problem with being an elite bastard, but when faced with a strong person of the same level, its function is of no use. At most, it can be used as a stick to beat. In the Eighty-One Difficulties, Sun Wukong's strength has not declined, and it is still top-notch. He can fight Sun Wukong for dozens of rounds, and only those who are defeated after hundreds of rounds are monsters with good strength. As for the monsters that are tied, there are almost no monsters. (It can be said that Sun Wukong's force is a good test of the monster's force. Being able to fight dozens of rounds is a good force, and being able to fight hundreds of rounds is a superior force. Unless he is as talented as Yang Jian, he can be on an equal footing with Sun Wukong.) The troublesome part in the Eighty-One Dilemma has always been magical powers and magic weapons. Sun Wukong's magical powers and spells are much stronger than before. There were too many flaws when fighting the gods before. Now he is obviously more proficient, but he is not at the top level yet. In addition, monsters weaker than Sun Wukong can defeat Sun Wukong because the magical powers and spells restrain Sun Wukong's weakness. There is really no way to do this. (Journey to the West is different from other novels. In other novels, if the protagonist has a weakness, it is as if there is no one at all. The protagonist determines the weakness and destroys the enemy, and is very speechless. There are even protagonists who inexplicably leapfrog and kill the enemy. They don't even look for the enemy's weakness and only attack the enemy's strongest place to leapfrog and kill the enemy.) As for the magic weapon, Sun Wukong has not changed. The magic weapon in the monster's hand has many functions and is strong in restraint. It will definitely defeat Sun Wukong 100%. This weakness cannot be helped. (It can give Sun Wukong a magic weapon with good functions) In the original work of Journey to the West, different characters, whether Buddha, Heaven, Earthly Immortal, Monster, etc., All have corresponding strengths Some strengths are magical powers, some are magic weapons, and some are strong in force. (There should be no top-notch ones in all three. This is more reasonable. Modern novels are always the strongest in all aspects, but I personally think it is too exaggerated. To be able to reach the heights of others in thousands of years in just a few years and decades, and still be top-notch in all aspects, is too much.) (I am I feel that it is enough for everyone to be specialized. In addition, war is never about the savior, but about everyone. Everyone's specialized abilities can be used in some way, just like parts to run the whole machine. ) It is indeed a big mistake to comment on Sun Wukong from the perspective of a novel.

Let's talk about the advantages first. The author's writing style is still very good. There are no big problems with the story structure and power system. It can be said that the problem of Zhutianliu's world view and combat power has not been wrongly written. Let's talk about the shortcomings. The first problem is the protagonist's cultivation, and Tang San's handling is too poor. I feel like writing this is just to screen readers and add to the trouble. Obviously the protagonist has learned so much from Patriarch Bodhi, and he can still practice deformity. Patriarch Bodhi, as a great magical power user in the three realms, as a master, has given the protagonist all the basic knowledge. Although he only learned it for more than a month, when watching this plot, there is always a feeling of being forced. There is also the emotional line of the protagonist, which is simply written. It doesn't look like a modern person. If you are writing about an ancient indigenous person, that would be normal, but writing about a protagonist who travels through modern times feels particularly inconsistent. I feel that the emotional line with the dragon girl is a failure. You might as well keep the protagonist alone. The recent love lines in the male and female direction are simply too embarrassing. They are like innocent junior high school students. No, it should be said that the junior high school students in the current school that I have come into contact with are more mature than the protagonist in his own feelings.

I didn't want to read any of Tang San's unofficial stories. It was actually so disgusting that I felt like vomiting when being promoted by Douluo at that time. It was because I felt sick when I saw Douluo characters appearing, so I quit decisively.

The Westward Journey system you wrote is not suitable for chat group competitions. The system of Journey to the West itself is not related to combat effectiveness. With the protagonist's useless qualifications, I advise you to go to the eternal world and eat Fang Han's leftovers. Fang Han will naturally be able to directly promote you to the Immortal King in a few decades. What kind of Heavenly Immortal Technique is he practicing? That was practiced by a top figure like Sun Houhou. What is the level of the protagonist?

I feel like writing about Tang San is completely unnecessary, right? I don't like Tang San myself, and I don't even read books about Tang San. This book has Tang San as the villain, but it has no effect at all except disgusting the readers, right? Douluo itself is like a floor tile, and the so-called strong ones in it can even be injured by hidden weapons, which is quite outrageous. I understand the author's idea of ​​​​creating a villain, which can bring a lot of fun, but the problem is that it is also good to see the protagonist and the group of friends cooperate. The addition of Tang San feels like a mouse droppings ruining the pot of porridge.

The structure of the worldview is not very good. Those who are truly detached and those who are pseudo-detached are divided into first, second and third levels. They have no convincing or expressive power. They simply talk about detached cause and effect and laws. Especially detached people will be bound to the realm of true detachment. See I'm speechless. It's all over the world. The world is infinite. Beyond infinity there is infinity. The infinite world is restricted by a shabby chat group. It made me laugh. These detached people have the beauty of children arguing over each other. They are so pure.

I'm convinced by a bunch of authors who wrote about Journey to the West. No matter where they go, they can have a relationship with the Dragon Girl. The main character is a monkey. The Dragon Girl of the East China Sea arranges it. Just go to the wilderness and there are rivers, lakes, seas and wells with the Dragon Girl. It's outrageous.