The Heavenly Khan of Shu Han

History is really unbearable to read. Just a few words in the author's novel about farm slaves giving birth to wives made me feel depressed. Cao Cao's various atrocities made my blood pressure soar. I remembered a sentence I had seen before. The Twenty-Four Histories of China are all the family histories of emperors and generals. There is never a place for common people in history books. The occasional appearance is only accompanied by words such as great famine and cannibalism. When later generations read history, they often put themselves into the perspective of emperors, generals, and ministers, but they did not realize that in their current status, they were just countless people who died of hunger in history. Before I didn't understand history, I only thought that China was brilliant and glorious for five thousand years and had a long history. After understanding a little bit of history, I understood why Mr. Lu Xun had to say that sentence with two words written all over the book: cannibalism. In five thousand years of history, what are the common people? They are slaves, cattle and horses, grass, fuel, tools, and cannon fodder, but they are not human beings. The more I read, the more desperate I become. So, is it more cruel to eat people in a physical sense, or is it more cruel to treat people as slaves and eat them for the rest of their lives?

The protagonist of this book corresponds to the two periods in the book (big boo)

Killed by Empress Lu and Xiao He, and then the three clans were destroyed

Author, what we are asking is, can we stop chanting scriptures all the time... A few lines of dialogue between characters can contain tens of thousands of words of narration. Are you writing a book or doing science popularization? I can skip chapters when reading novels, but I can't skip chapters when listening to novels. The plot doesn't advance much but you keep chanting scriptures... You... Make people's scalp numb...

Stacking armor, don't spray if you don't like it I still haven't figured out whether this article is positioned as a fun novel or a serious history. Now it seems that the fun part is all in the early Hanzhong period. The protagonist is extremely talented and survives adversity. Zhang Fei and Zhao Yun come to the rescue in a desperate situation. At this time, the distribution of pen and ink is very balanced, which can not only introduce the protagonist a little, but also better shape the character of Ji Han that book fans love. After all, the new and old book titles have already determined the target audience of fans of Ji Han. In this case, when reading the book, one is to see how the author writes about the conventional subject of the Three Kingdoms, and the other is to see the author's fictional characters in the Three Kingdoms that fans like, and their behaviors that match their personalities. Under the historical development affected by the protagonist, the fate of historical figures changes, etc. I accept the deconstruction, but I also want to see the author praise the points that the audience likes. For example, he cannot always tell the real leader of Zhuge Liang's faction and emphasize the struggle without constructing a plot to describe his abilities and moral character. For example, I am a fan of the Prime Minister. I definitely want to see plots in the book that reflect the Prime Minister's outstanding abilities and outstanding personal ethics. However, the image of the Prime Minister as the leader of the Jingzhou faction has been emphasized, and there is almost no text in the Southern Expedition. So what do I get from the book? In addition to the satisfaction of bringing in a protagonist who I know will definitely not exist, what else can I get? For another example, when looking at fans of Ji Han, are you Lu Meng and Jiang Qin interested in how you are loyal to the country, how you can't help yourself, how you work hard? What I want to see is humiliating Lu Meng, I want to see him get frustrated when his plan fails, and I want to see Prime Minister Cao who appeared before and was incompetent and furious. So, the first part was still too cool, but when I started to go in a serious direction in the middle, my perception had changed.

Serving as a soldier for Liu Shengzhi and not allowed to burn, kill, loot, or pillage is unrealistic for morale and loyalty to remain so high.

It is necessary to ensure that readers can experience the thrill of the protagonist's victory, but also to prevent the collapse of his combat power. Therefore, he constantly describes Cao Wei's fault tolerance and potential, emphasizing the capabilities of Wei's generals and weakening the capabilities and role of the protagonist. This is understandable, but it seems very frustrating and I don't know if it will improve in the future. After all, all readers of this book are fans of Ji Han, and not many people want to see Prime Minister Yun Mei playing soy sauce all the time. How to continue to ensure the coolness, I hope the author will take good control. From a personal point of view, I don't like to deal with small wars after large-scale wars. A typical example is that after defeating Xiahou, I have to spend more space writing about the war with the barbarians. The same goes for this paragraph. After killing Cao Zhang, it is estimated that the Ping family will be in chaos. I will continue to support you in the future, and I hope the author can work hard.

There are a lot of stories about aristocratic families, but the content of the war is simpler than before. Doesn't this look good?

If you don't use your brain, it's still very beautiful.

I used to think Cao Cao was a traitor, but now in my eyes he hardly deserves to be called a human being.