Tampering with History Is Good Business

The protagonist is the life-saver of many gods, possessing irreplaceable abilities, and everyone can look at the protagonist's face, and can make some moves in this big world. From the beginning to the end, one of the benefits is that he was caught and committed suicide and stuffed into the protagonist's body, and there is also the fate that has been calculated for the protagonist and then jumps into the protagonist's body. Many gods have been toyed with and applauded from the beginning to the end by a few gods who hide in the sewers and cannot stand on the stage. God is also a fw. He knows there is a problem. He stares at the protagonist and can be covered by a half-dead god who blocks the world and then stuffs himself into the protagonist's body. The protagonist knows who has the problem but doesn't say it. A god who is basically the weakest in Kuaishou wants to take advantage of the protagonist, control and win over the protagonist, and constantly obstructs the plan to save the world. The protagonist knows the name but doesn't say it, saying that he is afraid of being responsible. Although the protagonist is an indispensable and irreplaceable candidate for the salvation plan, if he mentions that god, he will be surrounded, but he just doesn't say it. Author, I probably understand your logic in writing a book. I can already vaguely guess the plot behind it after reading dozens of chapters: Jupiter and his gang make trouble→The big world plan is destroyed, and the gods ask the protagonist to save the situation→The protagonist goes in, and the gods provide all help except actual actions→The protagonist follows the plot and confronts a certain god, and the god blocks the sight of all gods outside→After talking about it, stuff something into the protagonist's body, saying it is good for the protagonist→God and other gods know it, and say they can't do anything The method was revealed and suggestions were made. The protagonist used the things that were inserted under a little control → He just didn't say who he met, just to avoid trouble → The plot of Harry Potter was pretending to be cool, and by the way, he contacted some characters who had been modified in the previous world to see the follow-up → When he came into contact with Jupiter's group or that group, he was responsible for the destruction of the world, and the protagonist went to wipe his butt. Generally speaking, the rest of the plot is probably like this. In the end, it is probably the fate of the protagonist after being filled with things in his body. Although the protagonist can control his own destiny, by the way, the author said in this chapter that he has been giving spoilers. Kratos will have a big twist in the middle. It seems that he will not be depressed until the end. As long as he reads a few hundred chapters, the protagonist will still be able to support himself once or twice.

This pig's foot is like a stupid b. He was treated like a dog the whole time, and he has a monopoly and doesn't know how to fight back.

What type of world will you mainly write about later? I hope there will be some worlds with contradictory settings, or different versions of the same story, as well as multiverses such as Marvel and Xingyue. The conflict of settings, the conflict of story definition rights, the entanglement of interests between the general world and the single story world, and what kind of sparks will collide between the protagonists of the previous world after the fusion, these are all very interesting. I hope the author can grasp the rhythm of the story well, otherwise you will not know what is being said

See Chapter 30, the Extraordinary System of the Great World The Magic of the Harry Potter Series (Main Power) Saint Seiya Small Universe (Silence)

As a Zhutianliu novel, it can be said that the protagonist has not grown much so far. First of all, the protagonist has no idea of ​​improving his strength. Secondly, the protagonist has no channels to obtain information by himself. This is the most annoying thing. All the information I know now is told to the protagonist by the gods. From the plot point of view, the respect of the gods for the protagonist has always been superficial. It is only now that the irreplaceability of the protagonist makes the gods still respect him. In fact, they only regard him as a tool. What he should really do is to watch this game of the gods with cold eyes, and then try his best to improve himself until he has the ability to leave the chessboard directly or overturn it. Instead of relying on your own importance and not being harmed at any level as mentioned by the author, join this chessboard and be a referee.

The development of the Great World Plan depends on the basic agreement of the interests of all the major pantheons, which is the so-called balance. Only when a certain balance is reached in the power structure and distribution of interests, can the gods with richer psychological activities than anyone else carry out construction peacefully. Similarly, when adding such a key role as the writer, the author must also consider such a balance issue - the writer is important, but cannot be said to be the same. If you want to watch the plot of Long Aotian, where the protagonist kills the indigenous gods, you can go out and turn left and walk away, but please don't feel aggrieved in the comment area. After all, the protagonist is just a wage earner found by the gods under forced circumstances. However, the conditions for this wage earner are very high. Currently, only the protagonist meets the requirements. The protagonist understands this, so he must maintain a certain respect for the gods. In essence, this is not a cool article at all, so I suggest you not read this article with a cool article mentality, otherwise you will only become more and more frustrated.

A good idea and a good beginning, and then a crappy character plot. Inexplicably, a housekeeper who I have known for less than a year can decide for Pigfoot whether to add a sister to the family; Pigfoot clamors to enjoy life day by day, and then he is like a tool man who can command and assassinate anyone, and has to hold back his anger🤮

The protagonist is being stalked throughout the whole process. Although the opponent is a god who has lived for thousands of years, you can't do nothing at all. No one really likes a protagonist who has no subjective initiative and is completely passive.

It is better for you to write a system than to write a God

The more I write, the more boring I become. Looking at the author's introduction, it seems that it was good to write about the fusion of various worlds 😅, but in the end, all the pen and ink were used on these messy bird gods.

This one doesn't look like a god, but more like a bunch of feudal bureaucrats

The plot is not exciting, and the small number of people makes sense

Personally, I feel that the writing is okay, but except for gods and ghosts, there is too little ink at other times, which gives me the feeling that I have written something and yet nothing. There is no plot interaction.

It seems that everything has been written, and it seems that nothing has been written. There is no power system. Little Red Riding Hood can be written. The center should be around the protagonist and not the gods.

Athena is not called Kido Saori, it feels less flavorful

Although the author's constant dealing with the troubles of the gods encountered in the fused world was interesting at first sight, but now I can't help but feel irritated, because this main line of "detection" cannot be the main exciting point... The more traditional upgrading and strengthening of online novels, as well as the elegance of experiencing different worlds in Zhutianwen, changing the existing plot, and even making fun of the indigenous people, are the exciting points that can attract readers. The current cycle of contradictions between gods - being trapped - investigating cases - is very boring.

Now it's a question of how long readers can endure it. The plot has not progressed for a long time, and the settings are over and over again. Readers are not here to see the settings.

How long will we continue to fight among demons? I really don't know how to write it.

In fact, the protagonist's current situation is very unsafe. Life and death are actually controlled by others. Isn't it possible to directly control the protagonist with physical methods? Directly shutting down a dark room, or physical hypnosis, there are too many methods. In this completely unequal situation, the protagonist still wants to enjoy life and has a weird part-time job. Of course it is unrealistic to think about how powerful the gods are. It is best to find a way to die together, such as killing ourselves and directly ending this big world plan.

Did the author ever consider American Gods? There just happen to be a bunch of down-and-out gods from various pantheons trapped in the United States who can be used as cannon fodder.

The protagonist's real-world identity in the big world can completely promote the establishment of the Global Occult Coalition (GOC) in this world, and then we can wait for the foundation to welcome Master Wang.

To be honest, I was a little disappointed. I wanted to see the protagonist gradually strengthen himself through various methods and finally unify the world. What can I say, my expectations were too high and I was a bit deceived.

Assassin's Creed?😁

It's hard to be a dojo in a shell. This article cannot just throw the author out of the water. He has to find opportunities while moving around. It's hard to read and hard to write.

It's really abstract, and the Lord of the Rings chapters are written more deeply than many serious Lord of the Rings fans.

If Kamen Rider is fused later, which one will be stronger, the knight or the armor? Or who holds the power? But if Kamen Rider is melted, it is estimated that the Black God will launch a purge and reshape mankind as soon as he comes in

What's going on

I want to write a masterpiece so much that it is not qualified as a cool novel. Originally, the concept was a good basis for a refreshing article, but the author pursued a higher standard and paid too much attention to relatively complex themes such as interest disputes and internal struggles, which turned the main line of the text into a repetitive process of organizational discovery of problems, personal in-depth exploration, and later struggle resolution, leading to a trend more like an official detective story. However, the setting is mixed with superpowers and superpowers like gods that completely ignore the rules. The protagonist is also deeply controlled by the organization. Even if you were a professional detective writer, you would be able to defeat nine out of ten, let alone a half-hearted author like this. And there are actually very few detective stories like this book where every time a case is solved or a problem is solved, there is almost no profit. The organization always only solves the problem, and the protagonist always just helps the organization wipe the butt. The biggest gain is reducing losses, and the sense of gain is really low. The idea is really good. According to the style of the first twenty chapters, it should be easy to make a high-quality novel by honestly following the cool way of integrating the world and making profits for yourself. Or it can talk about the intersection of the world and deduce the changes in the world. It is also very interesting. Now I can only say that it is a pity. The second half of the book was a complete waste of my entire subscription money.

The true identity of the only true god of the Abrahamic religions is an existence formed from the appearance that represented the source of ignorance, blindness, and chaos at the beginning of the universe! He is also the ancestor of many evil gods in the so-called "Cthulhu Mythos"! The incarnation that Azathoth transformed into when he was awake for a moment when he accepted the prayer of a mortal on Earth!

Will D&D, Cthulhu, Dark Tower, Magic: The Gathering and Foundation be added later? Do you understand?