
Tokyo: Drawing Manga, Starting with Dao Gui
东京:画漫画从道诡开始
- Status
- Completed
- Length
- 378k Words
- Genre
- Light Novel
- Subgenre
- Original ACG Fantasy
- Updated
- 2y ago
- Source
- Qidian
Synopsis
164Chapters
0Votes
871Recs
14.4kFans
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In booklists 1
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Reader comments 30
Translated by Google Translate





, Author, when you write, you can actually think more from a Japanese perspective. For example, if the Tao Weird Fairy is drawn into a comic, what editors should pay most attention to is not simply its excitement and heavy taste, but a new comic style. Should it be called "Chinese horror"? Although the actual Chinese horror is not the same as the Tao Weird Fairy. Then there's the setting. Li Huowang's name is obviously Chinese, Zuo Wang's attributes are obviously that of Zhuangzi, and his obsession with becoming an immortal is unique to Chinese fantasy. These are all points worth pointing out. ,, Some obviously unique and excellent styles, settings, cultural differences and attributes are also refreshing. Some things that may be taken for granted in online articles may be a kind of collision and inspiration when placed in Japan. Well, a little suggestion, I hope you can see it.
It's not bad, but it may arouse the disgust of people who are not very interested in the book. It should be moderate, and then the protagonist's own understanding should be added, as well as the optimization of various aspects. After all, the times have been progressing.
As an author with a complete three-dimensional perspective, I traveled to another world. I'm not saying that integrating into another society is not good. I just looked at it and felt that the protagonist was a little Japanese devil with Chinese memories. The transition was a bit weird. In my mind, it was like reading a Japanese chuuni manga, and then when the characters in the book interacted, it was inexplicably a bit like the emotional ups and downs missing in Japanese TV dramas in Japanese life. It's awkward anyway
The setting is quite good. I have also conceived similar ideas, but replaced the suspense with martial arts I have a few suggestions 1 is Shikigami. Is there any foreshadowing behind this? I think it is best not to have anything too supernatural in comic themes. If you focus on the description, it will lead to Separated from the main plot To put it lightly, I feel that it is a bit useless, so I don't understand why it is written that Shikigami is the golden finger of the protagonist, but I think being able to remember the suspense novels of later generations is already a good golden finger, and other things are not necessary 2 I feel that the timeline is a bit early, around 00 Around 20 years, the advantage of this time is that the probability of the work becoming a migrant manga increases, and most anime teams prefer to update weekly The disadvantage is that the quality of animation production is far inferior to that of 20 years later Like Dead Fire Sea, due to the production level and production cycle, it is far inferior to that of Demon Slayer: Kimetsu no Yaiba. The production quality such as the Giant's Spell Return Both the animation expression and the picture quality The protagonist's suspenseful monster requires extremely strong drawing tension to be expressed, otherwise the animation will end up being far inferior to the comics Refer to Slam Dunk
It's hard for you to think of some ridiculous names like Suzuki Huowang Hinata Reimiao. I think it would be better to just keep the original name of the other world. The Japaneseization only involves the real side of Huozi. After all, it's easy to explain. It's normal for people in other worlds to have names that are not Japanese. And how can the names of Cao Cao, Gao Zhijian, Da Liang, Da Qi Tian and Chen be translated into Japanese?
The words are quite passionate, human? No comment. As a supporting character, Miu Hashimoto, why not give her a hand and create comics together with her? From the introduction, the protagonist is bound to follow the evil path of the comic. Wouldn't it be a pity to put the righteous comic there? Of course, the author must let her leave, then there is no other way.
I feel like the protagonist is too passionate and the author's image of Dao Wei Xian should at least be more stable and profound.
It feels average, and the image of the protagonist quickly fades into middle school as a reader in the book circle said. At the same time, for me, the daily part is a bit bland, and it is a pity to discard it if it is tasteless, but it can still be read, and it can be used as food.
Want to see: Brother Huozi's shock to early audiences, industry response, plot developments related to cartoonists, conflicts Don't want to see: Love affairs in the fourth grade of elementary school
After drawing Daogui, you can draw Secret 😏