Narrow's Box of Spells

It's quite outrageous. For a long time, I watched Guang put pressure on the protagonist. It was one constraint and another constraint. It was not strengthened at all. When restraint suppresses one aspect, it will strengthen the other. For example, the body of the robot is extremely fragile, but the output range of the spell is extremely large. As a result, the protagonist's incredible light pressure output did nothing else. The essence is just to be lazy. In fact, the protagonist enters the plot early, and does not want to change the plot. If he follows the plot, the combat power will be suppressed so much that he cannot participate at all.

If you write something like this and you want to tease the protagonist, but you feel like you can't hold it in, then don't write it from the beginning, and it will make the impression better.

I just read the first few chapters, and I feel like it's another book that deliberately suppresses the protagonist's strength. It's basically a book that relies on suppressing the protagonist.

I opened the gauntlet of plundering other people's spell power and devouring spell spirits to increase the mantra power, but it limited the amount of acquisition 😥. I'm speechless. The pig's trotter is equivalent to swallowing 1000 units of other people's energy. I can only get 0.0001 Energy (and I can't devour and plunder objects with higher spell power than my own). Moreover, the pig's trotter is also a waste of ultimate spell power. It has the disadvantage of weakening the curse of Tianyu but without its advantages. So what is the use of this gauntlet for the protagonist, like opening it? Moreover, this hangup has several limitations which are extremely explosive.

There is no fighting power or strength to control, and he is full of inexplicable confidence. I just don't understand why the protagonist, who according to the author's setting is technically incompetent and an ordinary person with all his abilities, dares to get involved in all kinds of things? Level 3 in 10 years means basically no talent

It was boring to watch, and it didn't feel like it was open after I opened it. I haven't solved my problem for eleven years. I still don't believe in my master. I even have the courage to commit suicide, but I still don't have the courage to talk to the person who saved my life in a sense. In summary, the protagonist is just a weakling who is an ordinary ordinary person who does not become arrogant but becomes more timid after gaining power.

I saw 60 pictures, but I only saw the main character acting like a licking dog. He is licking the protagonist group like he has no brains. 99 Oil machine, but as an adopter, we have been together day and night for several years and have not gained trust. Just give it to a classmate who has only known him for a few days? , The plot has been 60 chapters and I haven't seen any changes at all. Apart from hesitatingly telling the protagonists about the plot you had seen, you did nothing. In terms of strength, I have something that can open up areas. Strength and then install a third-level spell. Do you want to play pretend to be a pig and eat the tiger? The seriousness of the descriptions in previous years has become a joke. I don't see any benefit of following the protagonist group at all. You might as well let 99 Mail take you to increase your strength. There is no need to worry about this or that, or worry about classmates worrying about auxiliary supervision and surveillance. , The key point is that there are 60 cards, and the main line is not open. Just be careful when writing about the protagonist, and everyone will know the result. Being careful in the past few years was like a joke. You can either write a story where the protagonist is invincible, or you can write something original and forget about the plot, borrowing some settings. Either write about the mastermind behind the scenes, and change the big things little by little through the community. 60 Zhang did nothing except tell the protagonist the original information.

It's not bad. In fact, the discussion about the protagonist seems to me to be a more enjoyable issue. When reading the book, there are three types of information about the protagonist: the understanding of the supporting character, the understanding of the protagonist, and the author's understanding. From the perspective of our readers, the protagonist: seems to be very strong, but I can't tell, and there are some constraints; the supporting character: this protagonist seems to be very strong; the author: the protagonist will be very strong, and the explanation is a mess. But for readers, the point of enjoyment is too vague, and plot development always hovers between the feeling of enjoyment and displeasure. How can the author stop it? In my opinion, there is no conflict between daily enjoyment and your preparation for plot points. Show us something new and interesting!

Regarding the issue of leveling, I will reply in a unified way. How can I say it at the beginning? I really wrote the whole story with an idea in my head. I must have thought about signing a contract, but I didn't expect that I could actually sign it. However, I haven't studied online articles too deeply, and I didn't expect that some people would not like the so-called level restrictions. But it's right to think about it, because life is fast-paced now, and many people also like to read fast-paced and exciting articles But I still have to say a few more words. Regarding the protagonist's golden fingers, I can only say that what I saw in the first two chapters is not all of his golden fingers, and this This superficial golden flaw is also the only obstacle I designed for the protagonist, and I tried my best to design it in line with the "balance" that is often mentioned in the world of magic. Just like the sky and the curse, if you gain huge magic power, your body will be crippled, and if your body is strong, you will lose the power of the magic. Also like Gojo Satoru, who has everything, but what he wants most is not left behind. The actual performance is not very impressive in hindsight. If the final ending is really so dead, it will be really a clown. Well, since many people also agree in the comments that the protagonist's magic is very strong, then I feel that my design is not a big problem in the world of magic. And after subsequent brainstorming, I have strengthened this cheat in disguise, which can be regarded as weakening this obstacle Of course, I did not bring everything up at the beginning. It is indeed my problem, and like the comments I have replied to before, if I have the opportunity to open a new book next time, I will try to pay attention to this at the beginning.

When it comes to spell fanfics, the protagonist must and can only be an invincible type, otherwise it will either be a mixed-up plot that looks different than you, or a useless person with no abilities who talks about this and that every day and thinks he is awesome. Because the gap between the upper and lower limits of character combat power in the spell is too big. The lower limit of an awesome character is the upper limit that a trash character will never be able to reach in his life. The human camp characters who have a role in the plot are only qualified to be walk-ons if they are not a level one. A higher level means that they can beat you. If you write a character who grows up slowly, it means that you have to hang out with garbage characters at the beginning. How can you be happy? This is not a matter of what the author thinks, how the protagonist can grow, or the conflict between the information set by the author and the information known to the readers. If you set restrictions on the protagonist at the beginning, it does not mean that you have controlled the standard of combat power. It means that your combat power will collapse at the beginning. The strength of the battle only revolves around the situation of the protagonist. After Dragon Ball, there are all super games, but do you think the performance will be worse? Readers and viewers, aren't you happy?

Stop being a eunuch and keep writing. I think it's pretty good.

I read a lot of comments saying that it is not good to suppress the protagonist's strength, but I think that adding restrictions to a very strong ability is a good way to prevent the expansion of combat power. Many fan fictions I have read are because they were not restrained at the beginning, causing the protagonist to hang up and be unable to stop. When the protagonist is already invincible, when I look back, I find that the plot is only halfway developed or even less. There is no way to continue writing it and then just eunuch. The original work of Magic Return was sealed because Gojo Satoru was too difficult to deal with. When he was released later, he had to give Su Nuo a nonsensical trick like dimensional slaying in order to overcome it. Torako is not allowed to grow at all. When Gojo Satoru dies, he will only be able to use the Black Flash Genting Fist. To put it bluntly, he is not sure of his combat power.

Keep the hood? Even after using it, he burned it without saying goodbye.

Wow, it's rare to find a good-looking curse fic. It doesn't matter how powerful it is, but it's been filled with otome stories and an indigenous protagonist who doesn't know the plot. I'm speechless.

Chapter 3: To persuade someone to quit, it would be better to make the protagonist weaker at the beginning...

Let me summarize the problem. The comments section is all one-sided. The book is not as bad as they imagined. To put it bluntly, the protagonist's spell is to restrain all spells + the growth of spell power can only be restricted by the additional spell effects. It's just that the pace in the early stage was a bit slow and there was no clear explanation, which led many people to think that the protagonist was inexplicably suppressed in combat power. In fact, the protagonist in Chapter 62 has been able to fight back and forth with wtw. There is no lower limit to what can be broken, and it is ineffective. The other issues are reasonable except for being a little bit uncomfortable with 99, but they will be resolved later. The disadvantage is that the pace is slow and the explanations are not good. The advantage is that the technique is creative.

I have always had doubts about the worldview of Spell Return. Why there are no such curse spirits as "Heaven" and "God". Aren't "Swear to Heaven", "Emperor Heaven is Above", "Long Sky" and "Heaven Strikes with Thunder" all curses? I haven't read the manga, I've only watched the first season of the anime, but from the fandom I thought the spells seemed pretty powerful.