Cyberpunk: Bring Your A-Game to Night City

The new book issue is updated twice every day at 12 noon. If there is no update, I will be disturbed and fainted.

Kassandra's emotional line is actually not very well written, and it's still being pulled. Brother, your background is cyberpunk, not Japanese high school light novels. You, the male protagonist, have been hanging out in Night City for half a year. Why do you still look like a Japanese Asashi male protagonist in terms of relationships?

It looks like it was cut. Fortunately, I didn't chase it to the end or it would have been a waste of money.

I feel like it's a bit too original. It's not even cybernetic, it's almost fantasy.

The writing is good, it does more things, big things, fills in all the difficulties in the game, and makes V come back so shocked that he doubts his life. When I went to fish for Jack, I felt like I could easily fish Johnny back.

I haven't read it yet. Is there any Shen Nong? In 2078, the plot is all over, and it is basically completely original. I'm a little hesitant whether to watch it or not.

Playing with your pure love in Night City? Did I walk into the animation studio? More than 200 chapters, buddy, more than 200 chapters!

The white hair is the best! ! !

Your emotional line is too abstract. If you really want to write about pulling and pulling, you should give more scenes. Your main point of view is always on the protagonist. The interactions between the female characters are basically only the protagonist and v, v and Rachel. What about the interaction between the protagonist and Rachel? Really stuck? Pull, pull, you have to pull and pull! You are so stuck that you barely even have daily interactions. There has been no progress for so long, and it has even regressed. At least I touched my head and chin in the front, but the back is completely gone, and I am all playing with v. You can write something to let Rachel go to the next stage, but you must have a daily routine before entering the incident, and you must lay out the emotional line! As for what is good, if you can't post it after you write it, just don't write it. Just leave it in one stroke. Knowing this, you can't post it now and you just don't write it. If you want to write about trouble, you should write less about emotional pull. It just means that it is interesting. A little plot like this can be used as a relaxation of the plot and relax the rhythm; If you want to write about love, you should even out the emotional scenes of the two heroines. It is not the same, but it is really too different. Even if Rachel's emotional line is stuck and there is no progress, at least the daily interactions with the protagonist can be arranged.

This emotional drama is so outrageous, I don't even know what I'm pulling on. Are you afraid that the review will conflict with the initiative and decisiveness of both parties? I thought this was an urban romance.