Back to the Modern Day: The Empress and I Are Both Out of Work

"Lin Luo, I want to go for a walk," Jiang Li said to the man watching videos on the recliner. Lin Luo seemed intrigued and sat up straight. "Alright, you've been in this world for three years now. You can't always stay at home. It's good to go out and broaden your horizons. Where shall we go? How about I take you to see the Qin Great Wall? Uh, to be precise, it should be the Ming Great Wall---"

As for the existing 37 chapters, the quality is quite good. Anyone who is passing by can click in and take a look. Don't miss it. Anyway, there are only a few dozen chapters, so it won't waste much of your time. Well, it seems everyone is quite concerned about why the police entrusted the female lead to the male lead so readily without checking her ID or anything. Well, opinions vary.

As Jiang Li gradually integrates into modern society, Lin Luo's career suffers repeated setbacks. Under the pressure of work and life, frustration and confusion permeate his mind, as if fate is playing a cruel joke. Even after years of planning and scheming, limited by his education, opportunities, and background, his unwillingness to settle for mediocrity is met with a harsh reality.

This is an absurd romance novel. The female lead, an ancient empress, is completely oblivious to the modern world, while the male lead treats her like a total simp. Wasn't 30 years of being a eunuch in her past life enough for her to fawn over? Articles like this: Jiang He, My Wife is from a Thousand Years Ago. Autumn is boundless, and the female protagonist emerges from the book.

It's a pretty lighthearted romance novel. I've seen a lot of people say that the protagonist is sleazy and greasy, but in my opinion, it's just a matter of how well you can relate to the story. As a lifelong single and innocent virgin, when I see the male protagonist never missing an opportunity to pursue and flirt with girls, and always trying to be attentive, I instinctively think he's a…

The premise was quite appealing, and the male and female leads were well-developed. However, to be honest, the author's skill seemed to fall short; they couldn't quite pull it off. Firstly, the male lead is supposed to be the female lead's powerful eunuch, wielding immense influence, offering advice on governance, and leading troops in battle.

Hey, that's pretty funny. I looked at four. I feel like you'll survive on the King of Hell's list until you're actually listed.

His Majesty

The male lead's emotions are portrayed with great subtlety, while the female lead's aloofness makes the male lead seem like a subservient sycophant. The female lead's identity hardly undergoes any transformation, which is partly due to the presence of a servant. No major events occur later in the plot; the empress is, after all, the empress, and that cannot be changed.

Let me give a unified response here. I write slice-of-life stories. Slice-of-life stories are different from other genres. They don't have a story. They don't have a story. They don't have a story. At least in my opinion, slice-of-life stories don't have a plot; they simply depict the relationship between the male and female protagonists through everyday life.