1892: Life in the American West

The author's writing style is okay and quite graphic, but this book is really hard to read. I don't think the protagonist's character is bad, nor do I think it's not fun enough without a golden finger. What makes me uncomfortable is that the theme you chose doesn't match the content you wrote. The reason I clicked on this book is because I am interested in the subject of the American West. What did the American West look like in the eyes of ordinary people at the end of the 19th century? It's violence, it's chaos, it's money, it's wealth. To put it bluntly, what I want to see is confrontation, conflict, fire and blood, and a big scene full of gunfire. It's a bit stereotypical, but this is the West I want to see. However, I did not expect that you chose farming. In an era of bloody violence, in a ferocious and barbaric environment, in a social background where Chinese are inferior to dogs and you are Chinese, you finally chose to rise through farming. Is this reasonable? Is this the West? If you want to write about farming and farming, and you place it in the mid-to-late 20th century, then I don't think there is anything wrong with what you wrote. But if you put it in the late 19th and early 20th centuries, it would be somewhat inconsistent. If you write about gangs, gun battles, violent conflicts, or armed confrontations, and add Chinese characters to make it easier for people to feel involved, this book will be very interesting. But you, who started out as a farmer, are a bit too "warm and affectionate" in the Western context. With your character setting, the west should be a theme of iron and blood. However, the conflict in your story is not intense enough, the plot is not tense and passionate enough, and the scenes are not grand and domineering enough. It can be another story, but it does not look like a story about the rise of the Chinese in the west. Your West is not the West I want to see. Of course, the above are purely personal feelings and purely subjective biases. I respect the author's opinions and the opinions of other readers. Don't criticize if you don't start a fight.

After reading more than twenty chapters, half of them were about being insulted, making silly jokes when I should be serious, and making silly jokes every day. Chapter 24: After the battle, when it was time to relax, he was discriminated against again. When he was discriminated against, the protagonist said a long speech, whether it was copied from the Internet. I can't stand it anymore. I wonder why you set up this plot so that the protagonist gets to know two people of high status and embrace each other? You still want to farm. Do you want to farm under the background of discrimination against Chinese people? If you want to farm, just write a Caucasian protagonist. From the beginning, he can successfully obtain a visa, board the train, kill the robbers, gain honors, and get land to start farming. Rather than being like a turtle boy who can't do anything, you can be insulted and discriminated against, but you have to fight back and win. Look at the events you wrote about. Which of them were accomplished? Apply for a visa at the beginning, and if you are blackmailed, you will be blackmailed. Either you give him the money and get it back later, or you design a plot where you are persuaded by the protagonist. The person next to Ma argued a lot and asked the protagonist to make a lot of remarks. In the end, he still had to give money and nodded and bowed. If you didn't have the ability, wouldn't it be over if you had just given money? Your mother's bracelet was sold by your adoptive father, and you were insulted and beaten by your adoptive father. You just left home in anger? You tried to get the bracelet back, but you were insulted, ambushed and beaten, so you just took some money and your bracelet and left? After going through life and death to kill a gang of robbers, you were insulted again. After being insulted, you said a lot of things to fight back. You couldn't convince others, and you were insulted again. You still had to rely on someone with status to speak up before you were let go. What I said here was that you were let go. I was right, otherwise you would be taken away for murder. Funny or not? Coward or not? What I saw was a turtle man who was always on the way to being insulted. Is this what we want to see when we watch Western themes? You write about a yellow protagonist who is still thinking about farming in the context of being discriminated against. What kind of farm do you want to farm? Or you are like the guy next door, the yellow protagonist. Although he is also discriminated against, he is highly skilled in martial arts and can kill decisively and can maintain his dignity. Or you can write a white protagonist who wants to farm, do what you should do, get what you should get, and gradually develop with the wave of western modernization. To put it simply, the story is well written, but not a good story. What's so interesting about Turtle Man's story?

In the third golden chapter, he successfully portrayed a protagonist who did not dare to break the rules, was submissive to discrimination, and compromised to various threats, and then also exaggerated that the protagonist was very powerful in the past. The reason is actually for a "Western" dream that comes from nowhere. 5-Year-old children all know that if they can't achieve their dreams, they should try another one.

Brother, are you kidding me? Around 1900, you set up a Chinese settlement in the United States. That's not how you were seeking death. You said independence in the United States was much better than this situation.

Chinese Americans in 1892? The author has no brains? Is this the same as the 1566 Angsa people who came to China and came to the landlords to give them away for free? The Han people even want to conquer Mongolia. In 1892, the United States except Onsa, Judea. Even white Italians are discriminated against.

I don't know if it was written in a hurry, but a lot of the logic didn't flow. I couldn't stand it after reading the first few chapters. I felt really lacking in intelligence. I was desperately short of money, and I planned to buy land to go to the chaotic West at that time. I needed money and weapons, but I ended up throwing it into the fire. You insist on asking for trouble, and you are still commenting that it is troublesome to hold a gun. I don't know where the trouble lies? You don't even dare to hold a revolver, why go to the West? I really don't know what I'm writing about. They killed people and set fires, but they didn't touch the corpses. The store owner must be richer than you, a wage earner. At least he has a few hundred dollars. But then he wrote that he was short of money to buy a bus ticket. It was true! Well!

May I ask if this person was the head child before? Is anyone convinced by my words? Do you have any proud achievements? No shit, why should anyone believe it?

Under the economic crisis, the West implemented the Chinese Exclusion Act, and all Chinese were repatriated or killed in large numbers. This happened more than once. This was not done by the United States, but was started by all Western countries. It seems that Canada did not want to mix in the West in 1890. Unless you have an armed force, otherwise you are a businessman. I don't see how you can survive. You first look at the Manchu students who were also deported and killed. There are not a few who were also deported and killed.,,,,

In fact, Goldfinger could be more powerful, less difficult, and give the Americans more extraordinary treatment. White people don't need sympathy anyway. In China, whether it is a modern city, history or fiction, whether it is a golden finger or a system, everyone is super powerful, and you will be scolded if you feel aggrieved. I wonder why so many of the protagonists Milligan are gone, but each of them seems to be careful to protect Milligan's life. The author doesn't even dare to open the golden finger a little wider. What kind of logic is it based on?

In the second chapter, I was persuaded to quit. What the hell? There was so much written and a lot of foreshadowing. I thought there was at least an explosion. After all, I had been cowardly for so long, and my mother's relics of key props were pawned. Didn't I kill or cripple this scumbag adoptive father? Are you still a normal person? How can you write a western novel without any blood? See how you use your love to influence this sinful land? Am I here to see a wimp conquer the West with his kindness and love? This is a sinful country that eats people without spitting out their bones. You are a descendant of the Yan and Huang descendants. Do you sympathize with your mother? Even if I don't become a world-destroying demon, I am considered well-educated. How can you get people to subscribe? Is it easy to make money? Do we read books to feel uncomfortable? I'm here to have fun! If you don't even know this, who will?