My Hong Kong Crime Dramas Can’t Possibly Be This Wholesome

Andy Wah, the young and Dangerous boy, and Wei Jixiang, the 12th Young Master, are the kind of gangsters who look like they have great loyalty, but in fact they are ordinary people who are not ruthless or ambitious enough and cannot be protected by anyone. Being in the world, but not having the heart of the world

Delan

Fang Xiaoling

Apple

Agree with book friends! It's a good start, the pace is good, and the writing is also good! But the biggest shortcoming is obscurity, which is commonly known as literary youth disease! The biggest features of online novels are fast pace and excitement, but it's a pity that they are neither, it's completely the same way of writing books in the past! The protagonist grows up slowly, but at first glance he is a capable and capable guy (not to mention a level leader, at least a hall leader)! But after watching it for a long time, it turned out that he was just like the Twelve Young Masters, and anyone could step on him! There are only three types of people who can stand out in the gang, those who have their own power, those who rely on power, and those who are ruthless. None of them play the main role. Looking at the back, it makes people feel that they are strong on the outside but strong on the inside! With the current ability shown by the protagonist, if you are not good at martial arts, then you are not suitable for messing around. It is better to drive screws! (Text: Wisdom, Wu: Kung Fu) If it is a book by a great master, many people may read it, but it is easy for novices to read it!

Now the protagonist feels like a passer-by to me. He seems to be integrated into the world of Hong Kong dramas, but he is outside. There are so many ruthless protagonists in Hong Kong dramas, but it is a situation where anyone can step on them. , It is good to follow the rules when doing things, but the plot of burning incense is enough to watch once or twice. The main character who does not bury people is not good in Hong Kong. The Flower Buddha on Bolan Street makes people feel aggrieved when they look at it. It can clearly solve the problem directly, but it looks like it cherishes the feathers. In the end, didn't you use the method you least wanted to use? Of course, that part is also the most refreshing part for me. You need to be strong to make iron. It doesn't matter if you have more money and a younger brother. If Lao Wang is kidnapped, it doesn't mean he can't come back. Lao Li paid one billion to redeem his son. If he offends him, he will be beaten to death with a stick. The author should think about it, and don't try to create people from two worlds when something happens. Doesn't the protagonist, as a time traveler, have a lower status than other people? Take the younger brother's case as an example. If the protagonist goes to ask for help, it's like burning incense. If that doesn't work, he can only ask the girl's family to accompany him.

Discussion: How can a character like the protagonist, who has no face, use the fruit of face?

Ruan Lingyu

After reading Chapter 60, I feel that the protagonist has always been a doormat, soft and soft. After reaching 50, he became a little bit harder. There is no golden finger. He is just an ordinary time-traveler, a bit like a virgin, and not likeable.

If the Hong Kong Sect doesn't move up, he can only be an ant and can be trampled to death at any time.