I Save Spiritual Roots for the Next Life

Let me mention it here. My thoughts on robust flow. I hope the author can take some time to read it. 1. The advantage of steady flow is that the protagonist does not need to participate in conflicts or resolve conflicts. Because the protagonist is easily drawn into the reader. If the way you handle things is not in line with readers' values, you will offend readers, be scolded, and have your book abandoned. And if you do more, you will make more mistakes, if you do less, you will make fewer mistakes, and if you do less, it will be better. You can detect dangers early and avoid them in time. There will be nothing that offends readers. You've done a good job on this, I hope you don't go against your original intention. 2. Since the protagonist cannot promote conflicts, the contradictions that promote the plot fall on the supporting characters. No matter you write the supporting characters as bad, righteous, sinister, or strong. Neither will offend readers. So you can let go. You don't do this enough. So far, only Ye Jingyu is relatively lively, and the other supporting characters look like they are reading newspapers instead of novels. 3. If you want readers to enjoy the supporting characters better, you have to give the protagonist a more convenient viewing angle. The reason why the book "I will live forever in the world of cultivating immortals" was successful is because as a jailer, he can get in touch with enough big shots and he is also the law enforcer of the palace. Therefore, some of his supporting characters can easily make readers immersed in them even if they are only written briefly. Let the protagonist be very close to these major events and have enough contact with relevant people, so that we can have a more comprehensive understanding of the matter. Currently, only Ye Jingyu has done this. Although Miss Yu has also done a part, what she did is too far away from the protagonist, and it is inconvenient to take advantage of it. There are still many seats suitable for eating melons. Such as taverns, theaters, and even romantic places. In these places, you can usually come into contact with various characters and listen to their bragging and spanking. You can also learn about the major events here and the overall situation of the world without going deep into the situation. When the matter is over, and then talk about the past with the people in the game in the same tavern or the same hotel with a calm mind, the story will be perfect and the character will be developed. If the supporting actor involved in this matter dies, other people involved in the matter must also talk about it here. Now your protagonist has only talked about the incident with Ye Jingyu. Like other people, they avoid talking about the incident, which is not conducive to readers' enjoyment at all. 4. One last thing, don't change settings casually. Since you want to write a stable flow, your plug-in must live long enough as a necessary condition. Rather than being necessary. Otherwise, there is no need to fear death at all. The kind of novels that frequently fight life and death, and die if you disagree is no longer in line with today's values, because the current social background is no longer an era where you can make money if you are bold. People's thoughts are more or less affected by social background. I will no longer worship those fanatics who like to gamble their lives as much as before. Your protagonist may not be liked by readers, but he must not be disliked by readers. You'd better not give up this advantage. Because whenever the protagonist participates in a fight, he must succeed. Under this premise, if the difference in strength is not big, then the supporting characters must be outwitted. The fact that a group of guys who have been calculating for hundreds of years is outwitted is only acceptable in comedy novels. It's okay if you can write something funny, but if you can't, don't try. If there is a big gap in strength, both invincible style and pretending to be a pig and eating a tiger have their advantages. But your setting of the protagonist is too detailed, which makes it inconvenient for the protagonist to play freely at critical moments. After all, villains are not stupid either. When they do things, they often do everything possible. Therefore, the characteristic of invincible flow and pretending to be a pig and eating a tiger is that you can increase the protagonist's ability at any time, and then let the villain who does not have comprehensive information eat ashes. So I don't recommend that your protagonist gets too involved in resolving conflicts. Here is a counter-example. I couldn't read the book next door called "People in Xianwu, There Are Mini Games" after less than 100 chapters. Because such crazy characters are often losers in reality. So why is he successful in the novel? Just because the big shots are stupid, they eagerly give him a chance? It is best not to do this kind of screening of readers. You have already experienced how difficult it is to carve up readers.

The more I write after the third life, the more I fall apart, especially the last two chapters. I dare not think that this article was written from the starting point. No matter how you think about Foundation Establishment's instant kill of Divine Transformation, there is no rigor at all. In the second life, the gap between small realms was so huge. Did you change people?

When I got to the island, I couldn't read this book. It cost 50,000 at every turn, Foundation Establishment Monk. The protagonist himself was still a Foundation Establishment Monk, Jin Dan Zhenren, who attacked the island and was consumed by 50,000 Foundation Establishment Monk in turn until he died. I just couldn't figure it out. He couldn't run away 🙂

At first, I thought that I would increase my foundation throughout my life and become a blockbuster. However, when I left home, I mastered the mysterious tree demon skill, ate the craftsmanship of my previous life, and came out with a middle-grade spiritual root! What kind of spiritual roots can I save? Is there a better start than this in the Mortal stream of peaking right out of the gate? This can be practiced to the end of the world It is an immortal person with endless reincarnation. What can you do if you live for so long and be so stable? Don't save your spiritual roots. Forget about that broken system.

Chapter 5 is poisonous and you want to go to Fairy Town Fairy City as soon as possible. With the experience of the previous life as a foundation, the easiest way is not to concentrate on practicing to the later stage as soon as possible (you have experience in the previous life, the bottleneck of cultivation before the golden elixir is almost non-existent), and at the same time practice the spells of attack, running and defense? Even if you really lack resources to practice, shouldn't your first consideration be whether you have enough spiritual stone and spiritual sand to buy an elixir furnace or a talisman pen? You haven't even explained the start-up funds! Wouldn't it be more reasonable to see the contents of the storage bag first and then decide to make the talisman? Then you give up the reason for not making alchemy first. You know that after learning Changchun Gong, it will be a waste of time to learn the second skill to condense the alchemy fire in a short period of time, and you don't have the spell to convert mana. Then why did you learn Changchun Gong so hastily? You didn't even think about how to get out of trouble at the moment, so you practiced Changchun Gong just to extend your life. Then the reason for deciding to make a talisman is not sufficient. Even if the Changchun Gong you have hastily practiced is suitable for making talismans, how do you know how talented you are? Don't you consider the possibility of poor talisman-making qualifications? Later, Talisman Master Lin said, "The improvement of talisman-making skills is related to the soul." This sentence appears after the protagonist decides to make a talisman. Doesn't that mean that the protagonist didn't know much about making talismans in his previous life and this life, but he still went about making talismans. If the protagonist said, "The alchemy talisman array, the threshold for making talismans is relatively easy. My soul is strong and I have the advantage, so I will try the water first." This would be acceptable. As a result, the protagonist jumped in to make the talisman without knowing anything about it. So the protagonist doesn't know anything about making talismans, and Uncle Lin is an acquaintance, so he can't inquire first before making a decision? When he sees the storage bag, wouldn't it be more reasonable to inquire carefully before deciding to make a talisman? It is obvious that the foundation building was perfect in the previous life, and he behaves like a novice. Of course, if the protagonist was so reckless in his previous life that he achieved perfect foundation building, just think what I said above is nonsense.

Why don't you copy it and revise it? The plots are too similar, so why don't you come up with some of your own creativity? After reading a hundred chapters, I feel that it is a third-rate novel, not as good as other novels. The protagonist is very strange. He is not a womanizer, but he likes to write stories about women to highlight the protagonist's lack of womanhood. It is too deliberate and can only be said to be very abstract. It looks weird, so the score of this book is just like that.

Author, why can't you use the golden finger you set for the protagonist? You don't need any luck or anything like that. You can write less of these to save spiritual roots for the next life. Then he must die. 300 Cards will not die at once, which is not consistent with the title. Isn't this kind of fun just accumulated bit by bit? Then we reached the top level. If the protagonist is very stubborn, then you can let him fall into an unreasonable disaster, and then finally get something to hide, and then die. Wouldn't that be enough? And your map is easy to expand. You said that after rebirth, you may not be in this country, or even in this region or this continent. It is equivalent to writing dungeons one by one and starting from scratch. As your talents increase, your status will increase, and you can learn more and more things. Why haven't you let him die?

Is this fucking sick? I think that when the dog was still weak, I would save people without any benefit. I know that saving people will be troublesome, but I still want to save them? So damn sick

Author, since the protagonist can reincarnate in the next life and establish a sect when he is successful in cultivation, every time the protagonist starts the next life, he can go to the sect established by the protagonist to practice, and can his sect become more and more powerful?

Immortal grass, but the name can be changed. This name is not very good. You can keep it in the next life and change it to something like you will wait in the next life. What do you say about saving spiritual roots? It's a bit of a no-brainer, right?

My suggestion is to let the protagonist die immediately when the problem is stuck and start a new plot in the next life.

Using a talisman requires a lot of spiritual power. Is it still necessary for this talisman to exist? There is no cost-effectiveness at all. Talismans exist because of their convenience and auxiliary properties. Talismans consume too much spiritual energy and there is a great danger in combat. It is better to cast spells yourself. Although casting spells is slower, it does not cost spiritual stones. Talisman is not cheap in the first place. Who would buy it if it is so worthless?

The entry-level concentration talisman of the first-level entry-level, I hope everyone has some ideas after seeing this

I said that the later stage was white and watery, so I deleted my comment, but I still ordered them all, bah

The prediction emperor can appear again. For all newbies, it's easy to write in the beginning. In the next month, I'll write a chapter every day, and then I'll finish one chapter every two or three days. It's actually a eunuch. Let's wait and see.

I found this book yesterday and read the latest version today. I feel that the writing is too confusing. The background of magic and corpse-raising has never been explained clearly, and I think it is too involved. An early map now involves all the forces in the middle and later stages of the map. How many words are there? After the foundation is established, the map is cut too fast and too frequently. There are hammers here and there, plus puppets and various incarnations. The vest, I read it even more fragmented. I think the part from the mountain to the foundation building is very interesting. The plot after the foundation building is a mess. As of the latest chapter, I feel that the only advantage of this book is that it is not over-leveled. I will give up now and read it later if I have the chance.

I really can't stand Chapter 4. Why do you want to save that woman? If there is no woman, you won't be able to write it? After being saved, you still have an affair with the protagonist. Your protagonist is not in his first life, right? That's it? Read it for a while, if it still looks like this in the next few chapters, say goodbye!

Not at all, it smells like evergreen. It's disgusting to watch. Seeing similar plots will only make people disgusted.

I was barely able to watch it in the early stage, but I couldn't stand it anymore after seeing it. There are one big island plus 7 small islands, and there are 50,000 foundation-building monks. Do you know what 50,000 foundation-building monks are? The small Jindan sects and families only have a dozen foundation-building monks, the large ones only have forty or fifty, the small Nascent Soul sect has two to three hundred, and the large one has seven to eight hundred. Even the Huashen Sect only has two to three thousand or three to five thousand. Your 50,000 foundation building number is equivalent to the number of foundation building periods of 10 Huashen Sects. Even the foundation building period of a partial sect is still a foundation building period. Moreover, if the monks in the Golden Core Stage, Nascent Soul Stage, and Divine Transformation Stage in the interior knew about it, would they have any idea? Who can guarantee that all his disciples can cultivate to the golden elixir stage? 50,000 And 50,000 are too much.

It's not too toxic at the moment, and the plot isn't too abrupt. If you don't get sick later, it can be regarded as a good book.

That's it? How can you take a break and not get up to update?

Change the map. I'm going to dig my own grave.

Okay, okay, from the fairy seedlings at the beginning to the bad ending at the end, I don't know what to say. All I can say is that the author wrote the outline well and keep working hard.

Last year I predicted that she would be a eunuch, so I still said something tough. B Most of the netizens have already figured it out, and they must read eunuch j's book

The biggest failure is that the third life has changed from a mortal to a brainless novel, which directly affects the basic base.

Except for a few moments of saving people at the beginning... Everything else is pretty good. But you have to watch it when you are calm. You can watch it when you are anxious.

It's well detailed, and it's obvious that the author has put a lot of effort into the plot. I just saw Return to Liang Guo and ordered it all. Come on!

The more I read it, the more it looks like another book. Why do they all like to follow the same path?

It's very appetizing. To practice, you must first cultivate your mind. It's rare to see books with this kind of mentality. Come on!

Please stay here for a while