Mantang Huacai

If historical novels give people the experience of being "elsewhere", then "The Brilliance of the Tang Dynasty" takes you to experience the feast of thousands of years ago. The first three chapters of the novel start from the unjust case during the Tianbao period, allowing the protagonist Xue Bai to face the crushing political struggle as soon as he wakes up. At the beginning of the chapter, the Du family fell into false accusations and became the victims of the competition between the two factions in the court. For the sake of caution, the East Palace quickly cut off Xue Bai's Du family. He had no choice but to meet Li Linfu as a tainted witness, but he became a bait for others to lure the society out... In the end, in Chang'an, where tigers and dragons dominate, Xue Bai relied on his insights from his previous life and borrowed his strength to survive the deadlock. While saving the fate of the Du family, he is also looking for a way to practice justice. The storyline is extremely dense and there is no procrastination. Each chapter is a narrative style full of live feeling. Use different characters' perspectives to lead readers into the crime scene - "Look, these are bullet holes, these are blood stains, let's go find the suspect" Exquisite white space skills. In terms of character creation, several supporting characters have grown significantly. Du Wulang went from crawling under the bed to assisting the protagonist. Of course, the positioning of the mascot has not changed. Second Sister Du is bold and ambitious, but she can adjust her mentality after a sudden change of identity and help the protagonist cooperate. Every dimension of society is depicted, including maids, housekeepers, and veterans. The novel uses their own language and tones to reflect the characteristics of different classes. The protagonist is all created through action description. He is bold and sharp, and even if he is "misled" at the beginning, he will not feel reckless. One plot that left a deep impression on me was when the protagonist killed Xin Twelve for the first time. Instead of describing the actual actions, he was reminded of Liu Shang, a maid who was killed by these cruel officials. He recalled that the girl took care of him and helped the store stack the bowls neatly. With a few flashbacks, the murderous intention jumped out of the screen. The emotional description is also outstanding. The emotions of Xue Bai and the Du sisters are as comfortable as a hot spring. Mrs. Guo Guo treated him completely differently. She knew clearly that Xue Bai was using her power, but she wanted to control it but couldn't control it. She was also very delicate in worrying about gains and losses. Moreover, my cousin's racing is comparable to that of an F1 player, and his cross-editing skills allow him to perform various tricks. In the past, when I read a book, I could read ten lines at a glance and skipping two chapters would not affect the coherence of the story. But I have to read this book carefully because there are many echoing clues and a lot of weird humor in the text. The text world inside the story has its own set of plots. There are also allusions and poems at your fingertips. Many years later, regardless of the layout of the book, the cross-editing technique and symbolic borrowing of allusions and poems will also become a reference for historical novels. {"TopicId":"804728532092780544","TopicName":"Book Famine Terminator"}{"TopicId":"575911170507276288","TopicName" ":"New book recommendations"}{"TopicId":"618432582647939072","TopicName":"Travel"}{"TopicId":"847870897565794304","TopicName":"Private collection of good books"}

After seeing the grace of the Tang Dynasty, I also contributed an original poem to my cousin. I didn't study the melodies and rhythms deliberately, but just took it for granted in Mandarin and rhymed it and pieced it together as follows: "Sleepless" The case of talking in a dream and waking up completely, The candlelight reflected the coldness of the snow and wine. I can see the moon of Chang'an, Looking forward to your return at night and wiping your makeup with tears?

Chapter 1-220: First Entering the Prosperous Tang Dynasty This should be recognized as the most exciting part of this book so far. It continues the characteristics of Brother 🦐's hell start in "The End of the Song Dynasty" and the author's writing style has been significantly improved. Xue Bai starts off as a slave and faces the struggle between the right prime minister of the Tang Dynasty, Li Linfu, and the prince, Li Heng. Chapter 221-272 Yanshi This part should be the first time book friends have disagreements. They feel that it becomes difficult to get to a place where Chang'an has taken advantage of both sides. Personally speaking, this part is as well written as the first part. It uses small and broad methods to win over differences, which well reflects the decline of the central government's control over local areas in the middle of the feudal dynasty, and the protagonist has initially established his own basic base. Chapter 273-342 Return to Chang'an This part is considered to be a relatively concentrated part of the small poisonous points, "wanting to assassinate Li Longji in Huashan", "climbing the science and technology tree and rubbing copper muskets", and "killing in the Tang Dynasty script". At the time, I personally felt that these were harmless except for the sudden desire to assassinate Li Longji. This part, taking advantage of Li Linfu's headache to assist Li Xiu as a hidden figure, should be the peak of the protagonist's strength as of the time of posting. Chapter 343-361 Ping Nanzhao Changed the historical development and reduced the losses of the Tang army and successfully recovered Nanzhao. Wang Zhongsi's old troops stayed in Shu and captured the Tubo princess. The war scenes are pretty decent. Although the author is not good at it, the writing is still readable. Chapter 362-401 Second Return to Chang'an Li Linfu died of illness and Yang Guozhong came to power, and his family was liquidated. The protagonist rescued the Li family and arranged for Li Xiu to win over the northwest frontier general, and Yang Qixuan went undercover to An Lushan. The protagonist realized that he would not be a direct minister but an official. Then there are a few cool points in the book so far. He changed his throne by throwing dirt on Li Heng, and the new crown prince Li Cong came to the throne. 402- Go to Taiyuan to kick off the Anshi Rebellion Because Yang Guozhong's intervention and the protagonist's declining favor in front of Li Longji failed to affect Taiyuan Yin's appointment, he could only go to Taiyuan in person, and then a great point was to reject An Lushan and cripple An Lushan's elite troops outside Taiyuan City, followed by 410 and fake surrender. The current plot trend should be an upgrade based on Yan Zhenqing's method in the official history, disrupting An Lushan's rear and blocking An Lushan's attack on Heluo. The biggest problem in this book at present is the contradiction between the protagonist's purpose and reality. The author's introduction and the protagonist's goal after time travel both want to make the Tang Dynasty not Huacai. To achieve this goal, Li Longji must abdicate to prevent and reduce the impact of the Anshi Rebellion. However, the two are contradictory. The impact of the Anshi Rebellion is small, but it cannot destroy Li Longji's Mingjun myth. If the Anshi Rebellion breaks out or is greater in history, it is contrary to the introduction's "without losing the splendor". The impact at the end of Chapter 410 is also caused by this contradiction. The introduction and the foreshadowing of these four hundred chapters were found to be almost useless later. What was supposed to be a major plot turning point now gives people a clear sense of fragmentation. A lot of pen and ink was spent previously to describe the protagonist's operations to prevent and weaken the Anshi Rebellion, but it had almost no effect at the critical moment, making the previous plot feel like watering down. The small territory previously occupied in Yanshi (which may be filled when Anlu Mountain reaches Luoyang), Wang Zhongsi's old troops who stayed in Shu after Nanzhao was pacified, and the author's favorite Tubo... When I chased the protagonist to Yanshi, I thought he was about to start farming. When I chased the protagonist and stole part of the power when Li Linfu fell ill, I thought I was finally going to start to show off my grand ambitions. After Ding Nanzhao, I thought it was paving the way for kidnapping Li Longji. When I chased Li Cong to the throne, I thought it was paving the way for the protagonist to rise to the throne. When I chased him outside Taiyuan City and defeated An Lushan, I thought Shuangwen was about to start having fun. Now my expectation is that I don't know how many chapters I have to wait before I can see some of the author's more naughty moves that all old book friends know.

It's a good book, but not an enjoyable book. Striving for survival through hardship, flattery, extreme flattery, swallowing one's humiliation, and making concessions. Of course it can be said to be very true and very wise. It's a good book, but not a good book.

The first fully ordered book was fed to me💩. Later, the water was ignored and it was still very poisonous.

After the author finished the book and ended the Song Dynasty, he started this book without a long break. In fact, the Anshi Rebellion was not that easy to write about. In the original history, as long as the two emperors were a little normal, it would be easy to vindicate them. So I will stop here now, because if we respect historical facts, the current routine is equivalent to the previous one where the protagonist's character has collapsed, and the one that does not follow history has been rejected by the author. Now it is equivalent to falling into a trap that he dug for himself, because the protagonist knows that the Anshi Rebellion is going to happen, but what the protagonist does is not so decisive. For example, it was clear that Li Longji was going to be blown up and he had lost hope in Li Longji, but various subsequent operations still relied on Li Longji to wake up, which gave rise to the problem of the protagonist's character. Likewise, even though An Lushan was already known to be overthrown, he still engaged in such a death-seeking operation. According to the description in the book, An Lushan here was too much and was forced to rebel by the protagonist. Personally, I think the reason for this is that I didn't grasp the general direction when I started the book outline. I just started writing after thinking a few things. I personally think that the author should take some time off to carefully conceive the overall outline of the second half and try to correct this situation. Otherwise, writing like this will easily lead to bad writing. There was a wave of public opinion when Li Longji was bombed in Huashan. The previous poem fight with Li Bai had a very deliberate feel. This was obviously due to problems with the outline and the plot was not smooth. The chapter review there has already said that it is probably a matter of outline.

Author! ! ! Do you know how much I loved watching Zhong Song in the past, but now I want to shoot you to death. The book Man Tang Huacai was treated as a book of fairy grass until I went to the Master, but it has been declining since then! ! ! In the end, I persisted until it seemed to be Huaqing Pool, Golden Sword Prophecy, and Bomb Emperor, and finally I couldn't stand the poison and died! ! ! After that, I subscribed and read intermittently. I can only say that it got worse and worse🤮🤮🤮🤮🤮 After reading novels for so many years, this book really made me confused. Every now and then, I would curse when I think about it.

It was okay up front, but there has been no plot climax for a long time recently. This will not retain readers, and many of us old readers have abandoned the book.

Why don't you just say that Li Qian escaped with her life from the beginning, and there are pure off-duty professional soldiers recruited from the border towns who are very capable of fighting. Chang'an City is too big, and you can't defend it even if thousands of miscellaneous soldiers can't stand at the top of the city. Fan Yangping and Lu's war horses numbered more than 100,000. The terrain in Henan and Hebei is such that even your scouts can't run a few miles. You're like a blind man and you can run wherever you want. A day's march usually only lasts 40 to 60 miles, so you move to the north and south in two or three days and treat your brothers as fools?

Personally, I think "The Huacai of the Tang Dynasty" is not as well written as "The End of the Song Dynasty". At least from my personal reading experience, it is obvious that "The End of the Song Dynasty" is smoother, more refreshing, and more passionate! Sometimes I even wonder if the author had written "The Brilliance of the Tang Dynasty" instead of "The End of the Song Dynasty", would he still have so many fans? ! The biggest problem of "Man Tang Huacai" is the male protagonist. Xue Bai is far less popular than Li 🦐. Personally, I think it is mainly because: there is no emotion. I feel that most people except Du Wulang are taking advantage of him (maybe Wulang is more innocent). Especially the female protagonist, I feel that she only has desire. There is no love. The Du sisters pushed her not long after they met. It felt quite cool when I first saw it here, but it was still quite awkward when I thought about it carefully. Not to mention Yang Yuyao. They pushed her purely to climb up. They even deliberately hung her up to prevent her from losing her novelty. They approached her purely for the purpose of taking advantage of her. Du Jin has been with the male protagonist for more than ten years, but in the end he is still guarding her, which is very annoying. In comparison, the male protagonist 🦐Brother in "The End of the Song Dynasty" can be said to be very affectionate and righteous, with rich emotions, and the emotional scenes are also very delicate and atmospheric. For example, after Li 🦐 and Zhang Wenjing parted by the stream, they did not leave immediately , but saw the Zhang family guards with their own eyes. After finding her completely safe, he left alone in silence. This part is simply amazing. I hope the author will write more sincere feelings in the next book. It is not limited to male-female love, but also brotherly love and comrade-in-arms love. There will be less twists and turns, and less betrayal and use.

I'm so angry that the dust has settled and I'm about to ascend the throne. Just take over the Li family's stick and keep going. Is identity important? Isn't it enough for you to govern the country well? I really can't understand why Xue Bai wants to show his independent thinking as a modern man and has to tell the world that he is Xue Bai and that Li Qian is fake. She is Wang Mang and usurps the throne while he is alive. This plot setting does no harm at all, it's like a thorn in the side, and it's so awkward.

The first half of Man Tang Huacai is very well written, with ups and downs of the storyline, but the second half is written by a different person. The narrative is as straightforward as a running account, the characters are flat, and the story is one-line. It feels like the author is trying to make up the word count instead of telling everyone a story, so he can only give up! Extremely disappointed!

If the author wanted to pave the way at a slow pace, then he would add two more chapters. There is no shortage of this money. The pace from An Lushan's rebellion to Xue Bai's army to counter the rebellion was fast but not abrupt. On the contrary, Chang'an was repeated for a long time, mostly describing the behavior of the characters. The march process was extremely slow and even the arrangement of Xue Bai's private army was not described much. Even how Xue Bai planned to take power was not explained. He only focused on describing the characters of each party. I was called a clown because of this. After a while, the protagonist quickly gained power. As a result, the slow-paced foreshadowing started again in the final stage of the war. It's not that it's not good, but it's just inappropriate. It was nearing the end of the rebellion and we were waiting for the outcome of the mutiny. However, the author used a large number of pens to describe the reactions of all the characters. The foreshadowing was to reach a climax in the ending. All aspects fell into place. Near the end of the rebellion, he began to write a large chapter on the reactions and attitudes of the characters from all parties. The progress of the war and the follow-up arrangements of the protagonist were only briefly mentioned. The protagonist changed repeatedly from the original preparation to directly plot rebellion to the later support of the crown prince to protect himself. The protagonist could not see the idea of ​​directly ascending to the throne. In this way, it is not clear why the protagonist arranged that identity for himself. Instead, he put himself in danger. He was indecisive and changed repeatedly. What was the foreshadowing? It was the climax stage, and the foreshadowing began again. Interrupting the climax was too putting the cart before the horse.

The poison is on, or don't plagiarize. When you write a poem or an article, just say who wrote it. Are the others fools?

The writing of Mantang Huacai is really awesome. I read it all night long. Although I don't have much money, I will try to book it all in the future. Come on, cousin.

I turned the book to the end with mixed emotions and some indescribable feelings. The plot before the Anshi Rebellion in this book is amazing. The power struggles with Li Longji and Li Linfu, and the emotional entanglements with Yang Yuyao, Teng Kongzi, etc. Are intertwined and lead people into the prosperous Kaiyuan era, and they get to know legendary poets such as Li Bai and Du Fu in this book. The plot after the Anshi Rebellion broke out is slightly obscure and complicated. At that time, I didn't understand what Xue Bai's attitude changes in the names Li Qian and Xue Bai meant, nor did I understand what his attitude towards the clan was. But I still feel that the author's handling of this part is not good enough. He blindly repeats Xue Bai's identity changes, the time when the Anshi Rebellion broke out, and the change in attitude towards the Li Tang clan. I really didn't understand what it meant at the time. The most enjoyable part of watching this episode was when I was with Yang Yuhuan. The story after becoming emperor is a bit sad. There are many stories about women that I want to see but I haven't seen them yet. For example, as a reflection of the prosperous age of the Tang Dynasty, the most beautiful Yang Yuhuan and Xue Bai did not have much plot after they were really together. I really want to see how they get along in private. And towards the end, the secret fight between Li Mi and Du Jin was really hard to watch. . . And unlike Wang Xiao, I did not see the detailed development after stabilization. This book took me to see the prosperous Tang Dynasty and get to know the characters who occupied a lot of space in history. Many people say that the market started high and then moved low. I don't think it is considered a low move, but it certainly did not meet my initial psychological expectations. The Tang Dynasty in history is colorful, but Xue Bai's Tang Dynasty, well, maybe colorful.

Only then did I realize that after reading 200 chapters, I didn't see anything interesting. Hundreds of thousands of words had no quality of life at all, and all of them revolved around my own life experience. I still haven't found out why. For the first time in more than ten years of reading, I felt that my IQ was insulted, so I gave up.

The first part was very good, many characters stood up, and in the middle, they started to pull their hips; now it seems that the author is better at writing conspiracy and women, but the Anshi Rebellion war and governance part is very important. This article is anticlimactic, the first part is good, but the second part is terrible. I don't know if the latter part is ghostwritten. If not, the author will write frivolous things, and there has been no progress. This article only recommends reading the first 30%

From the end of the Song Dynasty to the first half of the Tang Dynasty, my cousin's writing power is clearly visible. I hope the next book will not disappoint.

{"TopicId":"575911170507276288","TopicName":"New book recommendations"}{"TopicId":"847870897565794304","TopicName":"Private collection of good books"}{ "TopicId":"847871037156360192","TopicName":"New Book Planting"}{"TopicId":"804728532092780544","TopicName":"Book Shortage Terminator"}  Monster's new book, if you keep writing it well, it will be another magical book.        ， The novel begins with a small story in a history book, lifting a heavy curtain from an inconspicuous corner of history, revealing the entire prosperous Tang Dynasty to the reader's sight. It is very ambitious and very effective. Whether it is possible to see the big from the small, the author still needs to prove his skill with his pen. The first ten chapters of the novel are fast-paced and very eye-catching. It can be seen that a lot of effort has been put into the design, and the foreshadowing is either overt or covert, giving it the appearance of a masterpiece. The climaxes and twists come one after another, making you hooked. The lack of historical records does not mean that the story is not exciting, as many short stories by Ma Boyong have already proved. The author's ability to tell the story well has been demonstrated. The wise and calm protagonist complements the exciting plot. With Chang'an's twelve o'clock pearls in front, Xue Bai's story should not be too bad. But how to get from one story to the next should be one of the keys to whether the novel can transform from a masterpiece to a masterpiece. Finally, after reading the first twelve chapters, I think this is a rare masterpiece among new history books this year. The story is remarkable, the background is not bad, and it is quite innovative. It's worth encouraging, supporting and taking a look. I hope the author will continue to work hard and look forward to the next article.

The first half was okay, but the middle and second parts, starting with the sealing of King Dongping, became more and more awkward as it was written. It was really unnecessary to have all the plots of being defeated and then being overthrown by various eunuchs. All in all, it's really annoying. I don't mean it has to be fun, but at least you should feel comfortable after reading it, and don't spend money to read and suffer.

Xue Bai relied on Li Qian's identity to become the emperor step by step. After he ascended the throne, why did he pretend to be innocent? He also wanted to correct the chaos in terms of identity, saying that he was not a descendant of Li Tang. Then you would have wiped out all the dividends when you came to the throne? If you also kill all the ministers who oppose the reform, aren't you afraid that if you die, the government will cease, and everyone close to you will be lit up by others? What kind of outline can write such a plot? Now I can only use one word to describe it: awkward!

I feel like the plot of this book is that everything doesn't go as planned. Every time something is solved, new emergencies arise, and things don't always go as planned. Nothing goes smoothly.

Fortunately, I gave up the book as soon as I smelled it after 400 chapters. Now I think of reading the book review, but it's me who noticed in advance that the book was broken and avoided it💩

If you don't know how to write about war, don't write about it. Concentrate on government affairs and love, and write about battles in one stroke. Similarly, when writing historical articles, Shamo knows that he is not good at writing about wars, so he just brushes it off in one stroke. If you insist on writing more about wars, go and see what Xifengqing writes. It is also about usurping the throne through history, each battle is enjoyable from beginning to end, and the logic is clear. It's a waste of time. How can you write such a good writing style 😒

Don't read after chapter 400, it's poisonous, extremely poisonous

The first 220 chapters are highly recommended, but is there something missing in chapter 243? How to capture Gao Chong, an elite soldier in full armor, and no information was gleaned from him. I couldn't understand it. I felt that this paragraph was a bit too hasty, and the emotions and background were a bit out of touch. Then I felt that the author was a little too concerned about the identity of the protagonist. Whether it was Li Qian or the adopted son of the Xue family, as long as they took over the military power, they could hold the emperor and order the princes. Identity is only written by the winner. I wanted to rebel, and there was a legitimate rebellion. It felt completely unnecessary. But the writing of the first 220 chapters is indeed very exciting. The battle of wits and the battle for favor are all very interesting. It may be that the first part is too good, which makes the later part a bit disappointing.

When I read it in the early stage, I felt pleasantly surprised. I felt like, wow, there is such a good novel and I missed it. Then when I saw the protagonist for the first time as a county captain, I felt that I didn't have the desire to continue reading. If the protagonist hadn't been given a halo by the author, he would have died several times. But I persisted in reading it, thinking that if the author's writing was just a little bad in this paragraph, it would be better later on. Finally, when I wrote about Li Linfu's death, I confirmed that I really couldn't stand it anymore. I think this book was written in such a way that I felt very inconsistent and uncomfortable as soon as I saw it. It was Li Tengkong who couldn't help but skip it. I don't care about the protagonist having a harem, having sex in person, or being innocent, but towards Li Tengkong and the protagonist, I just feel that there are various kinds of awkwardness, and I can't explain why. In short, I really can't watch it anymore, so I just want to complain about it.

I've finished reading it, conclusion: half a good book. The plot of Machiavellianism and the little people is really well written. I heard from a book friend that the writing was broken later on, but I still didn't believe it, so I subscribed to all the chapters. I read "The End of the Song Dynasty" a few years ago, and I was catching up on "Five Dynasties" some time ago. My cousin's writing is getting better and better, and I saw that there was also a copy of "Man Tang" in the middle, so I took a look and read the reviews of book friends. They said that the second half was not good, so I still believed my cousin and subscribed to the whole book. But it is really a waste of money. The plot after the Anshi Rebellion is really a mess, such as the plot of the escape from Baoji, Hollywood's journey through the Qinling Mountains, and the reforms after ascending to the throne. The protagonist's rebirth is mainly to solve the problem of the aristocratic family's land annexation and the collapse of the feudal dynasty. But you raised the sword, but it ended abruptly. This was a coup, but what happened later was that there was no way to deal with the officers and soldiers who forced the palace to rebel, and there was no follow-up land reform. The soldiers who died in the conflict were really not worth it. Then it went through the old routine of the industrial revolution, hot weapons, and navigation, and it ended in a hurry.

After studying at the Lu Xun Institute of Literature, the language and plot setting of the novel are still very good, but some plots are still very abrupt and boring. The conflicts in the content can make people read it, and the plot is compact and uninterrupted. These are very important for a work. The large number of character descriptions and action descriptions of the protagonist also make readers feel more involved in reading. Too many works nowadays only care about the narrative of the plot, which leads to the work being soulless and just a simple narrative.