Pastor's Tantra

1. Disappearing attribute values First of all, it is a very inconspicuous setting, but perhaps it is a setting that Miao realized during the long-term serialization and therefore specifically discarded it - "Shepherd Tantra" has no specific attribute values. This may be something that many game novels fail to realize. To put it bluntly, novels are the art of imagination. The author uses words that are easier for readers to imagine to express the content, which naturally makes them more immersive. As for the attribute values, to be honest, readers are actually not sensitive to them. "A normal person's strength usually only has 5 points, but his strength is as high as 15 points" and "He punched a rock half a man tall in half." Both of these describe a person with supernormal strength, but the latter is obviously more graphic. Small details are the "margin of imagination", which allows readers to understand in a vague way at a pace more suitable for them, thus increasing the sense of immersion. From the ability values ​​in "Mercury Blood" to decimal points, to integers in "Player Super Justice", to the non-visualization of abilities in "Shepherd Tantra", this may be a manifestation of Qi Miao's step-by-step pursuit of a better sense of immersion. 2. More upgrade methods The second is the modification of experience acquisition. In this world view, the proportion of experience acquisition through non-combat methods has increased, which greatly expands the possible development direction of the plot in "Shepherd Tantra". Game novels often preemptively incorporate the settings of our real-life games, so killing is used as the main means of gaining experience. However, in order to allow the protagonist to keep up with version iterations through the killing experience method, it is naturally necessary to add battle-related plots, and this undoubtedly limits the author's creation invisibly. In order to gain reasonable experience, the miscellaneous soldiers cannot always be bypassed, but just like our cloud games usually have cloud plots and cloud boss battles, but the enjoyment of repeated leveling is obviously far worse than the former, let alone this is a novel. By adding non-combat upgrade methods, the number of battles can be streamlined, and the content can be more focused on boss battles and dungeon decryption. It also has the function of allowing the protagonist to integrate into the world view and increasing the number of ways to shape the protagonist's image. 3. The addition of rituals and nightmares This is undoubtedly the product of Qi Miao after he finished writing "Player Super Justice". In the upper part, Qi Miao has already shown his excellent imagination and presented it with various rituals and secrets. Nightmare: Gallery is a classic among classics. It's a pity that the previous film "The Overturned Tower" was limited by its subject matter and was unable to take advantage of Qi Miao's strengths. In "Shepherd Tantra", these two settings return again, which can be said to be back within the scope of Qi Miao's expertise. These two settings can also be seen as an extension of the second point. 4. Summary——Game, but not just a game Qi Miao said in "Player Super Justice" that the reason for increasing the player settings is to increase the sense of distance, but now what "Shepherd Tantra" does is to reduce the game settings to reduce the sense of distance. Whether it is invisible ability values, complicated ritual knowledge, or advanced nightmares that were castrated during the game, when we review it, we will find that these settings are actually not "games". This may be the most suitable style that Qi Miao has found after serializing many works. The game-like part ensures its readability, while the non-game part can expand more of Qi Miao's ideas. It can be said to be a masterpiece that combines the advantages of the previous works. Games, but not just games, this may be the route that Qi Miao has found that best suits his style

The pace of this book's original take-off is now like this. If we continue to explore such things as "divided self", "reasons for time travel", "conspiracy of pillar gods", "past and present lives", we will die even more miserably I'm not sure why the author wants to write these things. Is it because he has a literary illness or is the target customer just a niche audience? When I followed this book, there was another game about another world, with the same world view and complete setting. The same protagonist enters the game, and the same protagonist has personal charm. The reason why the performance of these two books declined and why I didn't read them is basically the same "The original omniscient protagonist of the main plot will suddenly encounter an enemy that he doesn't know about at all, and then the author starts to write crazy content about this." The protagonist's control over the plot is gone, and the protagonist's new abilities are not written. The daily routine is gone, and the emotional drama is gone. The existence of the Night Demon is not even 1% of the Shadow Demon, and the combat power does not show the pressure of the sixth level. I have forgotten that the Night Demon has other fighting methods besides blood rain. Or the author may have written it this way. Apart from using human bodies as sacrifices to cast curses, demonologists seem to have no choice but to summon demons and then act as cheerleaders. If there had not been a shadow demon as a big daddy from the beginning, the protagonist would most likely not have any fighting ability before changing jobs at the fourth level and contracting the first phantom demon. Why did Xiong Tiansi write it? He was branded inexplicably at the beginning of the second volume. The giant prince was killed in cooperation with Merlin, and it was even the ritual of Weizhe. Did he dare not move or didn't know, so he just stared at the protagonist? Then he was used as bait, and he completed a copy perfectly to watch the Crown Master kill Xiong Tiansi. Then you were branded before. What's the meaning of the seal? Just to draw out the plot of Crown Lord killing Xiong Tiansi, Lord of Scales and Feathers develops warriors? Even if the protagonist keeps playing soy sauce, it must be written? The Theocracy is too outrageous. I wrote a long paragraph where the protagonist turns out to be a chess piece, a remnant that was split, and then became a chess piece. The protagonist is fully capable only when he knows the main plot. When his adoptive father reveals something new, when Pillar God Tiansi reveals something new, the protagonist immediately believes it and then becomes at a loss. If someone offers an olive branch, he immediately accepts it and becomes a pawn. What about the protagonist's charm? It turns out that the sudden appearance of teammates is not because of the protagonist's personality charm, but because the protagonist himself is a fragment of Tiansi that will stir up the fate of others? What is the ultimate plan? Is the protagonist just an imbecile who is completely uncontrollable except for the main line he knows? Where is the dedication? Where is the transcendence? You should not write about "who am I", "where do I come from" and "where am I going to go"? You should write It is: What are the advantages of the Enlightener? What is the fighting method? Why is the Sin Scholar so strong that the protagonist sets the goal of ascending early? Where is the next big beast and when will it be harvested? What is the sacred module behind the Book of Law? Then use these things to fight Tiansi What is the Bull and Horse Ring Tiansi? What is the Bull and Horse Foster Father? What is the Bull and Horse Pillar God? In the end, it still depends on strength?

Early stage. The main character's charisma starts out great, but weakens significantly midway through. In the Avalon chapter, the protagonist has superior intelligence and is in control of everything. He changes the tragedy and becomes stronger bit by bit, which is full of charm. The image of a strong man who transcends himself and transcends the established future is great. However, in the Theocracy, the two roles of adoptive father and grandfather, and their plans, caused the protagonist's image to begin to collapse. The reader has a God's perspective. From the reader's perspective, the protagonist becomes a clown who can be played with by anyone, and anyone can do anything to you. There are too many conspiracies, which leads to the beginning of nesting dolls, but no violent means are used, which makes me feel frustrated. Logic is important, but what is more important is the excitement of the story and the creation of the characters. Xiong Tiansi's plot is not good. It seems that the protagonist is involved, but he is the same without him. It would be much more satisfying if the plot of the story were changed to the protagonist recruiting people to do Xiong Tiansi himself, instead of relying on the charity of the Lord of Linyu. The protagonist is a transcendent person. This may be due to the early shaping, which makes people think that the protagonist should be handsome and strong. Obviously it is the road to transcendence, the promotion of the scholar of sin, but the story does not have the flavor of transcendence, but is soy sauce. The rationality is enough, but the story is not exciting anymore. I feel that transcendence should be a madman and a tyrant. In the Star Staircase chapter, the novel depicts the protagonist, his inner weaknesses, etc. The impression is poor. There is no problem with logic. Protagonists are human and indeed vulnerable. But maybe the story of the monster is more attractive, because the posture of the strong makes people yearn for it.

I read more than 150 chapters, and I really couldn't stand it anymore. It's not that the writing is terrible, but it just doesn't have any features that attract me to keep reading. It's not up to par with the airwaves. Works similar to this novel are Japanese light novels that are willing to stack settings, such as "Magic Forbidden". It just highlights that the setting is complicated and the plot progress is slow. The basis of the story is an amber flow, which is to travel to the game world with the game panel. The basis of the character is a high-IQ, sickly, beautiful boy + old Yin B, the basis of the aesthetic style is the Esoteric Cult simulator + PF rules, and the basis of the scene setting is the medieval aristocratic civilization + European war. It looks brilliant at first glance, but in fact almost every idea is poorly written, and even this patchwork is not original. As for the plot, is there any plot in this book? I would like to ask those readers who are following the book, are there any twists or surprises? Is there any foreshadowing that I didn't expect? Are there ups and downs? Anyway, I haven't seen it until chapter 150. All the foreshadowings can be guessed by a fool, and the whole story is told in a straight line. The most important epic feeling of Amber Flow is incredible. Just mention a few books from the past few years, "Lord of Mysteries", "Warlock's Manual", and "On High", they can all write good stories based on novel and grand settings. As a result, the recent books "Player's Super Justice" and this "Shepherd's Tantra" are all pure Biao settings. Sometimes after a whole chapter, a world view setting is added and then never used again. It's like making a game. In the game, you pick up an apple at random. There is a background story of thousands of words attached to the apple, but the only function of this apple is to eat it. Is this interesting? Readers who like this book, I suggest you play Genshin Impact or Star Iron. At least the item setting text of Genshin Impact is free, and sometimes the background stories are quite interesting to read. It costs money to read a book, so why bother?

Fuqi Juxian is my favorite author. I have read all four books from beginning to end. My personal evaluation is The Shepherd's Tantra > The Player's Super Justice > The Blood of Mercury > The Overturning Tower. At the same time, the author is also an author with particularly distinctive writing characteristics. Typical characteristics include but are not limited to an extremely explosive amount of information in the early stage, a large number of settings, a strong sense of fate, etc. Therefore, I think the Pastoral Tantra is a work in which the author has continued his own style and developed it to a very profound level. It can be said to be a writing model with multiple works. For authors who already have very successful works, there are often many ways to write new works: 1. The new works have basically nothing to do with the old works. To me, it is a squid, but obviously not everyone is a squid, or even a squid, for this 2. The new works are almost the same as the old works, including but not limited to the subject matter, core and even the plot. I will not name them. This may be easier for the author, but it is definitely not what the readers want to see. And I want Fuqi Shixian to tell us in this book how to retain our own style but write something new. In this book, the retained style has 1 a large number of settings. This is of course both an advantage and a disadvantage. The advantage is that the word count (bushi) can actually quickly attract the reader's interest, and output a large amount of boring information used to build a worldview in a way that can arouse the reader's interest. The shortcomings are also obvious, that is, many redundant settings have no effect. For example, in many game languages, data such as penetration, immunity, and +1, I can understand the way of connecting the world with the game, reflecting the so-called "falseness" of the world in the early stage, and then "negating" it in the later stage. However, these settings themselves are not actually used. The protagonist is either numerically crushed or killed by the player who is numerically crushed. It can be said that there have been few battles with a 50-50 or even a 46-match ratio from beginning to end. Obviously, so many and detailed settings have not been fully utilized. 2 The early stage has a tight rhythm and an explosion of information. This of course also has advantages and disadvantages. The advantage is that readers can keep reading without abandoning the book early on. To be honest, this point is extremely important. If the rhythm in the early stage is not tight enough, no matter how good you write in the later stage, it will be in vain. The particularly comfortable rhythm of this book in the early stages lies in the ingenious combination of the "promotion ceremony" and reality. The information in the promotion ceremony is immediately reflected in the main plot line that follows. After the main plot line ends, a new round of promotion rituals begins, which can be said to be interlocking. And due to the protagonist's memory and "system", the amount of information in the early stage is particularly large. It can be said that this is actually the same as the author's previous books but better. The shortcomings are also obvious, that is, I have said everything that needs to be said in the early stage, and the world view is very large. In the later stage, the main line will be taken, and it is still too early to finish the world view as big as mine. Putting it in Tower of Overturn became the biggest problem. The early writing of Tower of Overturn was particularly good, definitely better than Players' Super Justice and Mercury Blood. However, the amount of the main plot in the later period could not control the huge world view at all. Once all the information was released, the plot would be over, and the performance of the world view was still far behind. As a result, in the later period, the world view could only be viewed briefly, and all the advantages in the early stage were ruined. I think the Shepherd's Tantra has done a good job in comparison. On the one hand, it enhances the meaning of the main line and increases the amount of main line information, resulting in information output from beginning to end. On the other hand, it has narrowed the world view and not enlarged the world view too much like the Overturned Tower. Perhaps the only regret is that the promotion ceremony was not continued from beginning to end. 3Write supporting roles, but focus on the protagonist. This may be considered a pure drawback by some, but I don't write this in an entirely derogatory sense. In the author's book, the supporting characters can be said to be real "supporting characters" and exist as tools. I'm not very satisfied with this point when it comes to players being super-just. The writing of these players doesn't make much sense, and it can be said that it has little connection with the protagonist's main plot. The Shepherd Tantra also has certain characteristics like this. Taking Shylock as an example, what role does the writing of Shylock play? 1. Teammates and plot promoters in the early stage 2. Writing Mithras through professional work 3. The plot of being rescued later extends to the Box of Nothingness, etc. It can be said that it is moved where it is useful, but there is no meaning in writing Shylock. Why do I say this is not entirely a shortcoming? Because focusing on the protagonist is also very important to attract readers to read. To write a supporting character vividly often requires a lot of writing and ink, and may even overshadow the main character. It is very likely that the gain outweighs the loss. It can be said to be a matter of choice. In the Shepherd Tantra, the author is very clever in connecting many supporting characters with the protagonist through "rituals", such as Haina, Yulia, and even Yuan Tiansi, etc. This is very clever, connecting the non-main plot characters with the main plot. 4 There are a lot of coincidences, and there is always something controlling it. This point has been continued in these works, and the author is also aware of this, so he uses settings to round it off, saying that there is a reason for the coincidence and that someone is indeed manipulating it. The advantage of this is of course that it can maximize the instrumentality of the supporting characters. But for me personally it's pretty cool. Of course there are many more. In the "style" part, I actually talked about a lot of shortcomings, but I want to say that "style" is like this, including both shortcomings and advantages. Without these styles, you would not know who wrote this book. In fact, the author of this book has done a good job of reducing the disadvantageous parts of the "style" and continuing the advantageous parts. This is the good thing about this book. The "new developments" of this book include: 1. The great enrichment of philosophical ideas and the ingenious combination with the main line and plot. The author writes in the summary at the end of the volume that the idea of ​​"The Player's Super Justice" mainly comes from "Thus Spoke Zarathustra". But as a reader, I didn't read it specifically. I only knew that I was the Sky Train, I wanted to rise, I wanted to save the world, and I wanted to defeat the dusk. However, the philosophical basis of meaning is not read. This is probably because the author simply uses philosophical ideas instead of integrating them into the entire plot. In the Shepherd's Tantra, the author writes very clearly about eternal reincarnation, nothingness, and existentialism, and the metaphors are particularly clear. This also makes the entire plot line particularly rich, and the creation of the Nine Pillars is particularly excellent. 2 The emotional level is particularly rich. Not only the emotions of Aiwass and Isabella, Huan Tiansi and Amber, Aiwass and Alex, but also the love of Nine Pillars God and Ai Shiping for the world and civilization. It also includes the self-sacrifice of Xi Tiansi, Xue Tiansi, etc. And so on. The author's emotional narration can be said to have made great progress. 3 The sense of immersion of the protagonist has been significantly improved. The protagonists of the author's books are basically all superior, which greatly reduces the sense of substitution, because no one can achieve this in reality, just like a "perfect person" cannot achieve it. But in the book of the Shepherd's Tantra, Aivas is of course also high above, just like the sun. But it is also very down-to-earth, because he sets up an "imaginary savior" for us. It can be said that the savior in people's hearts is Aiwass (not Russell). Aiwass's three views and ideas are completely in line with ordinary people's imagination of the savior. This is an excellent substitute idea. Finally, let me make a quick mention. In fact, the title of a book is still very important. You said "The Ring of Fate", the fate may be a little bit, but the ring can be said to be basically not reflected at all except at the beginning. It cannot be said that the title of this book is "Pastor's Tantra", because "Pastor" does appear throughout. However, it is obvious that "Pastor" in the book does not mean the same thing as the pastor in the general sense, so it is a bit regretful to use "Pastor's Tantra" as the title of the book. On the contrary, "The Coupling Ring" can be said to be completely consistent with this book. This book is obviously more worthy of the word "Zhouhuan" than "Suhuan" (can this be said?) It can only be said to be a pity.

I have been following this book for a while when it first came out. Then I didn't have time to read the novel due to various things. I recently picked up some more, but I really can't read the rest. The first two-thirds of the first volume are very well written, but various problems gradually begin to be exposed later. In fact, I personally think the world view setting of this book is the best among all the books written by the author, and the Amber Style itself has a high degree of freedom in writing, or in other words, it can be more relaxed. To fill in the content, you can travel with an excellent world view and a sophisticated story, but I never thought that I would not be able to read anymore. I have been reading online books for at least ten years, and there are only two books that I have read intermittently, and they are both recent ones, one is The Apocalypse of Fengyue Gege, and the other is The Shepherd. When I read Apocalypse, I was more mentally tired. The long series of narrations + environment was really a headache sometimes, but when I read Shepherd, I was more mentally tired. I will briefly share my views below. I will mention whatever comes to my mind. There may be some omissions. First of all, the author limits the world to a small garden. That is to say, we tell you what countries and races will appear in the book at the beginning, and the perspective is always locked on the protagonist, which makes other characters completely NPC. The protagonist runs around the map with the plot, and activates NPCs in one place when he goes to a place. I am not on Glass Island, so all the NPCs on Glass Island are basically on standby. Even the passage of time on Glass Island is suspended, and it starts to flow again when the protagonist comes back. Therefore, this book is very "rigid", with a rigid perspective, rigid background, and rigid clues. Second, the protagonist's reasoning. This should be the author's writing habit - the protagonist accumulates a lot of clues during exploration, and then suddenly understands the enemy's intentions. This writing method actually has quite a big problem. First of all, there are no staged thinking results, and apart from the long speech to the conclusion, the protagonist's other thinking processes are invisible. The second is that there is no foreshadowing. The result of the first point is that the reader needs to be in tune with the author's brainwaves to understand it, because only the protagonist's thinking in the paragraph that reaches the conclusion is visible to the reader, and that paragraph almost analyzes all the clues from the previous dozens of chapters. This is true It is a bit exciting, which leads to the second point: the lack of foreshadowing, because all the hidden lines are used as clues, resulting in the lack of foreshadowing that echoes the truth, and most of the clues themselves are too obscure, so the excitement when the truth is revealed is greatly reduced. Third, useless metaphor. The author adds a lot of useless metaphors to this book. What is a metaphor? When something is difficult to describe directly, metaphors can be used to get twice the result with half the effort, but the author has many strange metaphors. Let me give you an example. For example, if I am carefully checking a work document and I am afraid of making mistakes, the author will add a metaphor here: "It's like a college student sending a confession to his crush." ​​There is a saying. This metaphor cannot be said to be wrong, but if I can reflect my caution through direct description, why add a metaphor with unclear meaning? On the contrary, this will destroy the atmosphere created above, and the gain will not be worth the loss. Fourth, supporting roles. Supporting characters need to grow, so the author arranges growth content for the supporting characters. For example, Isabel insisted on running several floors in the Inception space, or Sherlock's struggle to change his path. These are all growth of supporting characters. However, the author only grows for the sake of growth. The plot of growth is meaningless in the entire book. Let me give you an example: Take Isabel. When the author originally designed this character, the first scene was a love scene with the protagonist, and then the character's motherhood, strength, and sensitivity were followed. Okay, a character is generally determined, so how to make her obtain these qualities, and how to make her and the protagonist fall in love? I wrote some growth scenes and emotional scenes in a flash. However, these growth scenes are too light and too abrupt. They are not smooth with the subsequent growth. They even seem to be too utilitarian. Even Isabel's love feels abrupt and cheap to me. I think the author carefully designed a pair of lovers, but not how the lovers get together. Fifth, the character of the protagonist. This is the key point that I can't stand. I feel that what the author wants to express is that the character Aiwass was set up as a "high-dimensional character" before falling in love. He treats others gently and has emotions. But in fact, in his eyes, others are the species "human" and he is the species "me". In other words, in his eyes, others are like small animals, but he will also respect the small animals. In his opinion, small animals are equal to himself. In other words, this character has a kind of benign, unconscious arrogance, and at the same time his humanity and this arrogance make this character very charming. However, however, however, in order to express these characteristics of the protagonist, the description used by the author caused this character to be lowered to a lower level, causing this character to become "Hikigaya Hachiman". The dead otaku felt that I was just a cashier who didn't want to socialize, and Hikigaya Hachiman was the dead otaku's ideal self. And Aiwass's setting is like the ideal self of a person who doesn't like to socialize, longs for a soul mate, but is unwilling to devote time and sincerity. The reason for this problem is the description of the character Aiwass. Here is just one example, which is the many "buddy interactions" between Aiwass and Sherlock. For example, Aiwass hit Sherlock with his right hand on the shoulder and asked, "What are you doing?" Then he teased Sherlock again, and Sherlock retorted back. I don't know the purpose of the author writing this. I think it may be to reflect Aiwass's " "Youthful", which creates a strong contrast between the youthful feeling and the deep thinking, making this character feel unusual. However, this description is really awkward. Boys do have some such behaviors. However, the author's description gives me the feeling of "a pseudonym's observation diary of a male high school student". It is obviously an action that does not need to be emphasized too much. It is more effective to write it in an essay, which gives people a sense of violation. In addition, a series of descriptions of the protagonist's feelings about love, friendship, etc., Lead to a very strange positioning of this character.

This book is incredible. I have read Chapter 276 Theoretically, it should be the middle of the book. There is no sign of weakness, disinterest, or major bugs. It's even better than the beginning With an unexpected mystery, the characters begin to exert their charm. There is not even an additional new map. The scariest thing is that after reading this, I discovered that the clues sold at the beginning of the book exploded here I was surprised that it has been a long time since I saw a few people who wrote books seriously, and it has been a long time since I saw someone who took the book so seriously If you really have not read this book, I can only tell you that you are lucky to be able to read so many chapters in one breath. It's been so long that the character labels haven't shifted, I don't feel divided after so long, I can even remember the wonderful plots before Awesome, worth watching

A summary of the characteristics of Cat's writing I have read 2.5 Cat books (including this one). Let me summarize the characteristics of Cat's writing. In Mao's book, details are described a lot and even occupy a dominant position, which can be roughly divided into three types: The first type of details is used to deduce the final result or the superficial result. In other words, cats like to use the first type of detailed description to promote plot development. This method is very similar to the plot development method of detective novels, in which details are used to infer guilt. The way this kind of detail works is to promote the character's behavior and story development through the protagonist's inner monologue and dialogue. A specific example is the psychological analysis before the fight with Xiao Zi.         ，，，， A specific example is Mao's post-mortem analysis of the role of the outfit and venue layout when he first met Havina, allowing readers to deeply understand Aiwass' PUA behavior.                                                                                                         The third kind of detailed description is mainly the description of the characters, environment and clothing. Its main function is to allow readers to experience the environment of the other world in a more three-dimensional way, understand the background of the story, and experience the atmosphere of the story, thereby creating a sense of substitution and intimacy, such as the description of plate armor and systems. I won't go into details on this. This description method, which mainly describes details, certainly has its advantages. This treatment will make the plot easier to understand, more logical, and easier for readers to accept. The first and second descriptions make the story line very clear and clear. As long as you open the cat book, you can more or less read it, but those little kids who only want to have fun every day will never be able to read it. I personally think this is an advantage (laughs). Of course, the disadvantage is also obvious: the description method of cats is too single. Most of the psychological descriptions and language descriptions serve to illustrate details or are details themselves. Most of the descriptions of appearance and actions are short and few, and can also be regarded as part of the details.         ，，，，At the end of the plot, a large section of description before or after the plot takes up most of the chapter. The lack of large sections of action description and other descriptions makes the plot too bland and lacks explosive power and tension. If it is not fattened but caught up on time, there will always be a feeling of too little, not enough and not shocking enough. In the final analysis, it is because there is too little plot that really happened and too much explanation. It was because of this that I raised my last book several times.                                                                                                                                                               being asked to give some suggestions to Cat, I hope that Cat can gradually improve himself and challenge other writing methods, just like a squid, adjusting slowly, not to cater to readers or the market, but simply to create better works. More specifically, cats can try to write more fighting scenes and multiplayer games, and delete some details appropriately, or accumulate and explode the details. For details, you can refer to the squid, (to be honest, I have a squid that is an enhanced version of Qi Meow🤔). Too complicated settings will dazzle people, so just mention them at key positions. I hope Maomao can read my book review! Hope my advice is useful to you! The above only represents my personal opinion. We welcome discussion, but please don't comment if you don't like it.

0. The tribute elements of this book cover a wide range of fields, with strong colors of "Tan Cult Simulator" and card games. Those who are sensitive to related fields should be cautious; 1. The world view and copy mechanism settings of this book are very grand, so be mentally prepared to patiently study the settings and use your brain to understand the rules; 2. The plot of this book begins slowly and gathers momentum for a long time. Refer to the early rhythm of "The Lord of Mysteries" and be mentally prepared to wait for the flowers to bloom: 3. The female characters in this book have extremely rich and complex feelings for the male protagonist. Currently, there is only one female protagonist, but there are more female characters with single arrows, so harem party activists should be cautious; 4. This book has a single female protagonist. The emotional line of the book is full of twists and turns, chaotic and strange, and may involve sexual intercourse, narcissus, four loves, multiple role-playing, etc. In the later stage. People with mental hysteria should be careful; 5. The book circle is extremely offensive, so be careful when making comments: Personally, I think it is a rare masterpiece of Western fantasy, with a bold style and a rare chance to be seen in a century, but it has a niche label and is prone to controversy. I would like to use this comment as a reminder to prevent the situation where the plot development cannot be accepted at the end of the order and affects the reading experience of other readers. The above.

After reading a little more than 50% of the book, I still gave up. The advantage of this book is that the setting is really good and complete, the occult rituals are very exciting, and the characteristics of the path are very unique so far. I personally don't like it very much, but I won't abandon the book because of this. The point of the book is that the charm of the protagonist and the creation of small animals are sometimes a bit overwhelming. It seems that the protagonist relies on charm rather than anything else to get through the plot. When writing about a protagonist who is like a fox, it should be described sideways by describing cunning and other things, instead of constantly using words to directly describe being like a fox. But the hard shortcomings are the writing style and plot rhythm. It's not impossible for me to accept that the protagonist has psychological descriptions/background settings are supplemented when the protagonist advances the plot, but each chapter is filled with a large number of settings, and there are also many settings that are not used at all. For example, there are often past life memories of how the player defeated the boss, and then there is no more. At the same time, there are often repetitions in psychological descriptions. In the most extreme chapter (I don't remember exactly which chapter it is), almost the same words appear twice and are demonstrated twice. It's like an argument is presented over and over again when there are not enough words to write. I started reading it after it was finished, so as I read it, I would often repeat similar psychological thoughts every few chapters. To sum up, each paragraph only has one or two paragraphs that really promote the plot. If you glance at ten lines, you will easily miss the real plot advancement and it will be very tiring to read. I have read the author's "Player Super Justice" before, and I don't remember ever having this repetitive feeling.

Broadly speaking, purification can be said to be the act of deliberately publishing content that forces some people to leave because of disgust, knowing that certain actions are inappropriate. From a definition point of view, it is indeed a bit like "the author publishes a chapter that only some people like". Therefore, some readers say "I don't like it, you are purifying, you are actually purifying" seems to be a phenomenon in line with the current Internet thinking. But if it is such a broad definition - then no one in the world can write, because all works will only be liked by some people, and you will never find a work that will be liked by everyone in the world. So there must be a boundary between the two. A rough look: Subjectively, it can be called "malicious" and "manipulation." That is to say, I know that what I want to say will definitely anger some people, and my purpose is to do this, rather than inevitably writing works that only some people like in other creations. Objectively speaking, it can be called "useless", that is, the content published does not have much creative power. Instead, focus your attention and direction on the extreme reinforcement of specific viewpoints in order to most accurately screen out different customer groups. So, at this point, the conclusion is already relatively clear. You cannot call biased artistic creation purification, otherwise you are just forcing all works in the world to try to be written in a smooth and smooth manner like official government documents and diplomatic rhetoric from various countries.

[Personal feelings]: The Kohaku-ryu novel has a strong esoteric style. From the beginning, you can experience the majestic and mysterious world view and the author's gorgeous writing. The protagonist of the story has the opposing professions of priest and devil. I wonder what will happen to the original destiny when sublimation and degradation embrace each other? Book title: "Intensive Shepherds" Author: Fuqi Shixian Tags: game alien world, system flow, time travel Status: serialized 36w Recommendation index: ★ ★ ★ ★ ☆ [Brief Description]: A dump truck sent the protagonist Aiwass to the game world run by his own game studio. His identity at the beginning was pretty good. He was the adopted son of the version of the villain BOSS and the second-generation villain with a well-established background. But under such a good situation, you have a heart that wants to rebel? You want to put on a big show of a loving father and a filial son, right? Better and Better: The settings of this book are directly full, including the Department of Corruption, Occultism and Nine Pillars, Nine Paths and related career settings, etc. It is created on the basis of the settings of many large-scale games such as Pioneer, Esoteric Cult Simulator, Deep Blue Fantasy, etc. These rigorous and shocking settings are well transformed and added to the story. The difficulty is not ordinary. It can be seen that the author has also spent a lot of effort in this aspect. The author's writing style is to advance the plot while laying out the world setting. However, the large introduction to the world setting and the numerous settings in the early stage affect the reading experience and make it a bit confusing. In addition, it raises the reading threshold to a certain extent. Readers who have not been exposed to related types of games will find it difficult to continue reading. [Reason for Recommendation]: The Amber style novel has a grand and exciting setting and a strong Esoteric style. Coupled with the author's gorgeous writing style, it looks very touching. Especially for book friends who have been exposed to games such as Esoteric, it is a rare resource. It is highly recommended!

I couldn't sleep at night, so I got up and posted a post If I don't want to read it, just skip to the end. This book review is just for my own entertainment At first, I read the latest chapter of "Embers of the Deep": I can't understand the state of the creature in front of me, I can't understand why it's alive, I can't understand every breath it takes, and why its heartbeat is maintained in such a fragile and unstable balance but still alive. (Here I only recount the vague impression I had after reading it for the first time) It reminds me of my daily habit of reading novels. Just as a recreational activity, it has entrusted a large part of my heart, and at the same time, I have become interested in the author behind each of my favorite works. I want to know what kind of person would write such a work, and what experiences would make the text itself full of emotion? I did not try to investigate the author himself, hoping to outline an image of the author that I understood through just the few "author's words" in each book. Among them, the image of praying cats is particularly prominent (thanks to the large amount of content in this chapter and a lot of self-summaries), which also gave me some imaginations that may be illusions. I cannot understand how these beings living behind the works live, nor can I understand how things beyond the works affect them. Sometimes it is due to environmental influences, sometimes it is due to my own physical condition, or the book is discontinued or stopped. In short, it no longer appears in my field of vision... Perhaps every reader who has read for a long time will experience it more or less. The pain of the sudden stop of a work that I originally liked is the same for me. Therefore, I only start from the most selfish point of view, just to extend my reading time, read more and better books, and see a more perfect ending. I sincerely wish every author a long and healthy life, without illness or disaster. As for the reason why I posted these words in the book review area, it is naturally because Qi Mao's body is really worrying! ! ! (Everyone understands) Of course, the most important thing is to ensure your own health. In any case, a longer life is the root of pursuing everything, let alone the pursuit of the last. I hope Qimao can sleep well, eat well, rest well, and then work a lot! (There may be some contradictions, but no matter~) Wish you good health. (zzz～)

These are just some of my personal opinions. From the perspective of a female reader, I feel that the emotional scenes in this book are indeed unnatural... When I saw a post saying that Fuqi Jugen is a male author, I understood that he was writing Isabella's (emotional) reaction from a male perspective. And this kind of reaction and emotional development made me feel stuck in my throat, feeling embarrassed and needing to skip a chapter... (I hope I didn't miss an important plot because of this) I often felt regretful when reading, thinking that it would be better if this book had no cp, and it would be better if the female characters around the protagonist did not make up the majority. In this way, while applauding the book's settings, important plot developments, wonderful descriptions of battles and wits, the thrilling promotion ceremony and dreams, I would not always be caught off guard by the female character's strange expression of love for the protagonist (at least for me personally) and the somewhat abrupt development of the emotional line... Finally, I think I'd better make another patch. I do not mean to deny this book, nor do I mean to blame the author or ask the author to correct it. I think the point I pointed out is almost flawless but cannot be ignored. I am just writing my own staged evaluation here, without any intention of starting a fight. There are a thousand Hamlets in the eyes of a thousand readers. Peace and love.

First of all, this is an invincible novel disguised as a battle of wits. The advantage is that the description of the supporting characters is excellent, the three-dimensional character creation, the Tao, the apostles, the Tiansi, the gods, and the constant reinterpretation of the connotation of the Tao are all novel. But the shortcomings are also obvious. The first one is that the protagonist upgrades too quickly and fights across levels every day, which makes a large number of character and setting descriptions seem useless. For example, the character Sherlock was indeed interesting at first sight, but after the first book, he felt that he was useless at all. He couldn't help with wits, and he couldn't get involved in fights. He only served as a bickering character. Haina and her sister also devoted a lot of ink to their descriptions, but in fact they have little significance to the main plot. Maybe the description of the heroine should be interesting and the character growth should be obvious. The second one is that fighting basically relies on talking. A lot of effort has been put into describing the equipment, attributes, skills, resistances, and characteristic combinations that are basically useless in practice. During fights, you either rely on shaking people or demons or relying on gods. Except for a Book of Laws that has a certain appearance rate, the other equipment that appears will basically only be introduced in detail when you get it, and you will not see any effect at all later. The third one is the unreasonableness of the promotion ceremony. Every time you go beyond and get promoted, you rely on the devil to push all the way, and there will be a lot of bugs when you get promoted through dedication. Especially when Avalon destroyed the country, the male and female protagonists directly played themselves, and they could also directly control fifth-level thugs such as the butler and the great guardian. To put it bluntly, they just let these two people kill everyone else, and they could win no matter how hard they were left. The fourth one is that the battle of wits is too crude, and the description of tactics is messy. There is no trace of IQ crushing. It is just relying on the devil to kill hard and looking at the strategy to predict the future. It is like playing Werewolf. The protagonist can use the identity of a witch and unlimited poison. Listen to the speech? Looking at the ticket type? What doesn't exist is blindly poisoning werewolves one by one every night. In the eyes of others, it certainly seems to have superior intelligence, but when readers look at it, it feels quite outrageous. The fifth thing is that the upgrade is too fast. In the book, less than half a year has passed. The protagonist is already chatting and laughing with the Pillar God, and has become the Pope. He has a bunch of fifth-level subordinates. The original big boss, Fallen Sky Division, feels like it has become a joke. Star Antimony, who put a lot of pressure on Avalon at the beginning, after chatting with the goblin for a few words, the protagonist is convinced that it will be disintegrated due to the economic crisis. It seems to be an invincible and refreshing novel. The sixth one is to talk about governing the country inexplicably. For example, the changes in the knights and merchants of Avalon, the overproduction and insufficient export of star antimony, and the economic crisis. It can be seen that the author wanted to write something profound, but his political and sociological skills were not enough at the beginning, and the result was an anticlimax. As for other poisonous points, such as sexual transformation or Moon Child, I personally feel that it is not bad. It may be that the author's xp is weird. Overall, this is an average online book, and it's not bad to read as a casual read. In fact, if it is written as a traditional adventure novel, Avalon is destroyed, a small team is formed to escape, helps the trolls to fight the goblins, the Dovetail Flower kills the Son of the Moon, the Star Antimony kills the demon scholar, the decisive battle against the Fallen Division, and then returns to Avalon to fight the giants who want to restore the country, and helps the White Dragon to kill the high heaven again, and Avalon restores the country. Finally, there is a very clear story about the Pillar God, and you can upgrade and change equipment along the way to add points and find teammates. It can perfectly fit the characteristics of excellent settings and vivid character descriptions, and it will be an excellent novel.

This book belongs to the amber style + esoteric style. It tells the story of the protagonist who travels through time and becomes an NPC in the game world. He is in a key position in the plot, changes the plot and destiny, and points his sword at the original adoptive father (the villain BOSS) to save the world. It can be said that after the foreshadowing of the previous books, this book has made great progress in the structure of the world view. The information is solid, the setting is rigorous, and it appears to be realistic. The evolution of the background plot also has a certain epic feel. The power system is divided into nine paths, with many details and a strong fantasy flavor. It can be said to be a reference to the Lord of Mysteries to a certain extent, but I prefer to call it the style of the secret cult. Generally speaking, this book is in the style of a light novel and has a certain otaku feel. For example, in terms of plot elements, each promotion requires a dungeon, and it is a dungeon in which people of the same path play the werewolf killing mode together; for example, the protagonist is a male vixen, various charming female characters, etc. In short, to a certain extent, readers still need to have a brain wave to easily get the pleasure of reading. Another reason is that because the protagonist is a highly intelligent character, the writing contains a lot of psychological activities such as analysis and guessing of others. In addition, the setting is also complicated, and details are introduced from time to time, which will give people the feeling of complicated writing. In the end, it is a pity that the plot is smooth and smooth, and there is not enough plot pressure on the protagonist. In terms of overcoming difficulties and obstacles, it naturally lacks plot highlights and is slightly dull. In short, the audience suitable for this book is mainly fantasy lovers or online game ashes or setting party people.

I have a habit of developing new books until the end. I have only read the public chapters, and I don't know what to review yet. Let's just write down my thoughts after reading Qi Miao's old book "Player Super Justice". …… Annan was originally a game planner for a popular mobile game. When he clicked on the APP "Misty Continent" that suddenly appeared on his mobile phone, he was instantly recruited and traveled to the Misty Continent to become an NPC with a player panel. Then, Annan got a treasure that could actually summon players from another world. As a result, the professional habits from game planning once again showed their power, directly fabricating plots and tasks, and issuing favorability points and other unfounded means to command players. The above is the basic world view background of "Player Super Justice". When I first watched it, I thought it would be a game like "Super Mechanic". Only later did I discover that the player roles were just embellishments. Several players were not summoned. They were basically tools to help the protagonist and explore the field of vision. The overall plot mainly revolves around the exploration and survival of the protagonist. In the main plot and the nightmare copy, various battles of wits and courage are gradually revealed, and the secrets of the worldview are gradually revealed. But what stood out to me the most was that the power system in the old book was not simply magic and fighting spirit, but was based on nightmares and curses. It was a strange and fantasy system, with good gods and evil gods, which was even more interesting. Coupled with the author's habitual display of psychological knowledge, for example, the turning points in the plot are often based on psychological descriptions, which makes the writing style unique and highly recognizable. As long as you can get Qi Miao's brainwaves and hold on to the writing style, it will be quite interesting to read. I don't think of it as an ordinary fantasy novel, but it is said to be a fantasy novel, but in the end, it actually reads the same as a fantasy novel, without any special features.

{"TopicId":"847235287436099584","TopicName":"New Book Trial Reading"} Work: "Shepherd's Tantra" Author: Don't Pray for Ten Strings Status: Serial Tags: Native fantasy, game world, steampunk, time travel, system, magic, card, BOSS flow Introduction: As an outstanding intern who is hastily sent to investigate a case, you will always have to take some detours and suffer some hardships when you first enter the society. Just like Haina, she was temporarily assigned a task by her boss and went to the owner's house where the case was to be investigated. She was first scolded by the other party's housekeeper, and then was disturbed by the words of the protagonist of the case. Everything that was originally prepared was disrupted one by one. Aiwass was a man who lost his rationality and lacked keen observation and insight into related cases. As the person involved in the case, Aiwass used virtual images and true and false words to avoid the questioning of the inspector Haina, and took the lead, making the other party's thoughts follow his own. It is estimated that with the increase of experience, Haina will discover the loopholes in this case sooner or later. Um, that's too far. Let's talk about the current situation first. As a participant in the demonic ritual, Aiwass has not made a contract with the shadow demon, so he was sitting in a wheelchair when he learned of Haina's visit, giving him a preconceived visual illusion. The soft-hearted Haina did handle the case emotionally, so she missed many details: the book burned in the fireplace, Aiwass's words, especially his sister's words, which almost exposed the illusion of her brother's wheelchair. It's a pity that they were all ignored and missed by Haina. People who investigate and handle cases like this really make people anxious. They judge people by their appearance and their intentions. When will the case be solved? ! Don't worry, Brother Qi will use his consistent style to update and follow up. The protagonists and supporting characters fly together, and various spirits and positions gather together, like a feast of group portraits. This game still has a long way to go to clear up its time-travel stories and villains. The author is a full-time veteran author with stable updates, so book lovers can feel free to enter. Note: The picture comes from Book Friends Circle

I've already written so much, so why not post it for discussion? The word limit for chapters is too painful for Diao Nao! (Actually, it is a record after finishing a bb with a friend, so it may be a bit strange) What I understand is more about the separation of certain inner tendencies, such as the issue of "should people identify with themselves caused by trauma" discussed a long time ago. The male part of the male protagonist is completely moving towards a superego; the female part is the ego part. In fact, it has been subconsciously hoping to erase itself. It feels that the male part is the real self, but it also hopes to be seen. I feel loved only when I am seen. As I have written before about a similar dialogue between self and superego, "You are too right, you can't understand my incorrectness, but I yearn for you very much." The ego has a very sensitive, contradictory emotion that is mixed with self-loathing, disapproval of oneself, and the desire to be seen and recognized. However, the superego is never able to understand and identify with itself because it is correct, because the superego is inherently a critical energy to itself. The superego is too pure to understand the impurity of the self. What's more, the superego itself will not appreciate the self, because "I" hate that part. Because of the metaphorically distorted relationship between the internal self and the superego, the self would rather identify the superego as the real "me", but it also longs for its own existence, "Don't forget me, don't erase me." That's why when the heroine recognizes that she is a part of the hero, she will be moved, because a deep-seated need is satisfied. Even the ugly self that is not recognized by oneself will be appreciated and loved, and it has even been seen long before she is divided. So I thought the play of a female body falling in love with a male body was inexplicable before, but when I saw this, I suddenly felt relieved and understood what the author wanted to say. Including the sudden thought of an interesting point, that is, jealousy is caused by loneliness. Alai's jealousy is due to her self-denial, a certain dark feeling: everyone, even myself, loves my superficial superego self, the "me that I identify with" rather than the "part of me that I don't identify with." This jealousy stems from something about oneself not being seen, not being loved. When this part is recognized, the deep loneliness disappears. So it is said that "it exists because of jealousy" and "it exists because of loneliness". When this pain is soothed, the sense of subject division disappears. Pain brings abnormal desires. Actually, "Empty Stomach" also comes to mind. If you continue to express the beautiful side on the outside and gain the love of others, you will keep eating and eating, but the ugly side on the inside will never be fed, so you will still feel hungry when eating. I feel like some people fall deeply into this trap when they manage their own image to gain love. "Exist with intensity, exist with intolerance, and exist with dissatisfaction. I feel jealous because I have nothing, and letting go means a kind of overflow." Speaking of Xiao Jiang's "brain circuit is always so simple" expression in Wen Jiang's narrative ( The pair I wrote (a metaphor for the relationship between self and superego) are surprisingly close to Alai's view of Aiwass: Anyway, that person is pure devotion, and it is easy to think of what he will do. Because the superego is just a model, there is a falseness and brightness deep in the personality of the superego.

The author updates too slowly, so I read his last book It was okay at the beginning and the plot was smooth, but it became more and more exciting as it went on. I felt like I couldn't stop. Maybe it's because the author's world view in this book hasn't been fully opened yet. I even thought the previous book was better. The protagonist's personality is so charming that I really like the show, and the supporting characters are also very interesting. The most important thing is that the author has a good grasp of the plot, with climaxes coming one after another, and some foreshadowing, which is great!

This book sometimes makes people want to keep reading to see the follow-up, and sometimes makes people want to stop reading after two pages. The main reason is that I think the protagonist's goal is set too early, or the author spoils it too early. For example, at the beginning of the article, he proposed to defeat Fallen Tiansi, and he kept mentioning it in between. It makes people feel that the defeat of Tiansi is a recent event, the beginning of a series of big events. But in fact, the article defeated Tiansi after more than 70% of the progress. This kind of reading experience makes people's expectations always come to nothing. You can have long-term goals, but don't be so specific, otherwise it will make people feel that the recent stories are insignificant, and even hinder the rapid progress of the story.

I saved a copy and read it in one go, which was great 😍. Aiwass and Isabel are simply my ideal love, trusting each other, complementing each other, giving to each other, and supporting each other.

I watched it from the player. I watched the game several times, and I also liked the story quite a lot (I probably watched it twice). Find out that it's finished and look forward to watching it. As a result, I read the beginning of this book several times and struggled to find it on the shelf. I ordered a hundred chapters and still couldn't finish it. I thought the promotion ceremony sequence at the beginning was good-looking, but I think it was a pacing problem. The daily parts were not interesting enough and contributed little to the plot. There were a lot of settings that had no practical significance. I don't want to watch chatting with various beautiful girls, I'm not interested in campus lectures, and I don't want to watch various stories caused by the setting of the protagonist being handsome. I came to see magic and mystery, to see a world full of puzzles, unknowns, and conflicts, so I liked the atmosphere of conspiracy, acting, and mystery in the promotion. Then I found that I still prefer the setting of player's curse + nightmare. Although the rituals in this book have the feeling of nightmare, the content is a bit less. So I went to read hundreds of chapters to the players, and I found that the shepherd's story was not powerful enough. Although the setting repeatedly said "many disasters are coming," there was a sense of relaxation and unhurriedness in daily life. This sense of relaxation conflicts with my expectations and makes it difficult to watch. Let me give you an example: "The World of Monsters I Designed" also has the protagonist traveling into the game world of his own company. Disasters are imminent in various versions. This book is written with a sense of urgency (although I only read a few hundred chapters because it is too Riddler).

The following is just a brief introduction. I have read Chapter 135 so far. The writing is above the standard, but it is not very interesting and lacks some novel ideas. The part about social change is somewhat different from my idea. It focuses on the Noble Red, Round Table, and Lloyd's. It can be seen that the British framework is referenced. However, unlike Britain's repeated dynasty changes, foreign intervention, and the fall of royal power, the kingdom in the article is a stable one. A four-hundred-year-old feudal country, I think more than Britain, this should become the framework of the Austrian Habsburg dynasty. However, 60% of the new bourgeois aristocrats in the Round Table joined Lloyd's to promote change, and the conservative forces of the traditional land-based old aristocrats, which should have been more numerous, were not seen. Of course, when watching this type of Western fantasy related to change, there is always a sense of drama. For example, the Xma Empire and Kingdom Bloodline are not so rigorous in social structure. I find the design of Nightmare in Players Super Justice very interesting, especially the copy of Skeleton King, which explores the secrets of the past. Unfortunately, it is not fully used in this book. The advancements of Full Moon and New Moon that I have seen so far are more like a battle royale, focusing on combat. Then there are some long and lengthy settings. A large section of the setting is told through the mouth of the character, which gives a feeling of "Can this person really talk so much?" Of course, overall it is still a good Western fantasy work, but it is not suitable for a veteran like me. Now I want to see some thoughtful works.

The world view of your book is very well described, the system is logically self-consistent, the writing style is also very good, and the xp is also very relevant. I am so late to meet you 😌

Romantic narrative with mythological temperament Innovative setting Stable writing level

😡😡😡

The extraordinary path that means "acting" is named Tao in this world. However, no one is perfect, and even saints are not without faults. Extraordinary people who are supposed to follow the core principles of the path they are on may gradually forget their original intentions as time goes by. Any extraordinary person with dual-path adaptability has a level of mind and spirit that is far superior to ordinary people. Extraordinary talent, keen insight, and emotional intelligence that cannot be underestimated, this is the high praise that "Fox" Aiwass Moriarty and "Detective" Sherlock Hermes gave each other when they first met. Although Sherlock did not know the identity of the other party when they first met, as the saying goes, birds of a feather flock together, and being familiar with the character and habits of the other party also means that the reveal of the identity is a certainty. It is this recognition that makes two people whose life trajectories did not intersect much become partners who join forces to face ups and downs and challenges. When the relationship between each other goes beyond ordinary friendship, it is not an exaggeration to call it "bond". ………… In the mansion, after solving the problem of Shadow Demon, Aiwass no longer needs to rely on a wheelchair to solve daily travel problems. Sitting on the reception chair, he asked with a hint of surprise the purpose of this rare visitor in front of him, "Mr. Sherlock, you and I. It has not been two months since we parted ways in the dream world. I wonder why you came here this time? " As far as Aiwass knows, some of the information and conjectures he provided to Sherlock in the dream world have been submitted to Queen Sophia, the current highest authority in the Kingdom of Avalon, after being integrated by the other party. Her Majesty the Queen, who is over fifty years old, obviously did not underestimate this seemingly insignificant intelligence. Under her authorization, all the resources of the Inspectorate of Glass Island were handed over to Sherlock for his continued investigation. Logically speaking, Sherlock should still be immersed in the office reading files. Could it be that the other party has made a new discovery? "Don't worry, Mr. Aiwass. The current investigation work is still progressing in an orderly manner according to my original plan. I think we will get the results reported by them in a few days. I came here to invite you to go to the countryside together." Sherlock chuckled, picked up the coffee in front of him and took a sip, "Moriah The Ti family is indeed the unshakable founding family. This cup of coffee tastes much better than the bulk goods stocked by the Supervisory Bureau. " Aiwass waved his hand, "Just now the old butler informed me that you were coming to visit, so I asked him to bring out a portion of the coffee that my father had prepared for the distinguished guests." As he spoke, he raised his eyebrows at Sherlock, "You are one of the few. Young people who can be recognized by the steward must have this kind of etiquette. As for going to the countryside, you might as well elaborate. " Sherlock responded with a smile, "It seems that you are also very interested in my invitation just now. A secret report arrived a few days ago, and there are signs of "transcendence" roads in the countryside on the border of the kingdom. Considering that the border has been closed in recent days. The situation is tense, and the transcendent stationed there are not in a position to take action, so they plan to invite you to accompany them and treat it as a sightseeing trip." Aiwass nodded thoughtfully. The "transcendence" path has always been regarded as a taboo area in the Kingdom of Avalon. It is not a small matter to leave traces. He has recently recovered his ability to travel, so he will go with Sherlock. Aiwass snapped his fingers, "It is my duty as a member of the founding family to protect the safety of the kingdom. You can set a time." "Since you agreed, then prepare well in the past few days. We will set off in three days!" Xia Locke stood up and said goodbye, "Time is a little tight. I have to go back and speed up the investigation. The people in the Supervision Bureau are still not experienced enough." After declining Aiwass's offer to see him off, Sherlock followed the Oswald housekeeper who was waiting outside the door and left the Moriarty Mansion. After watching Sherlock disappear, Aiwass returned to his bedroom and planned the challenges he might encounter during his trip based on his current abilities revealed in the system. After all, he was going to the border to investigate forbidden things. Even though he and Sherlock were both dual-path extraordinary beings, he still couldn't afford to be cautious. ………… Three days later, Aiwass said goodbye to Julia and the housekeeper Oswald, and asked the old housekeeper that if his father happened to return during this period, he would inform him of the matter so that he would not have to worry. Although Aiwass knew that the big things his adoptive father was currently doing made it difficult for him to escape, out of some special feelings, Aiwass decided to inform the old butler. "Let's go." Sherlock looked at Aiwass, who was walking towards him, and then glanced slightly sideways at Yulia and the old housekeeper who were still standing at the door of the mansion. "It seems that having relatives around you is also a big help to extraordinary people. No wonder you even Inheriting the profession of a pastor, I am based on the dual path of dedication and transcendence, and I have not forgotten my original intention. " "I am used to being alone, and my family and I get together less and less. Fortunately, it does not hinder the path." Sherlock said with a smile. "Emm, what are you talking about?" Aiwass glanced at him, "You live alone, how should you explain me as a friend? You used to treat me as a tool every day, right!" (Annoyed) "Hiss" Sherlock's face suddenly became a little uneasy, he smiled awkwardly and said, "My, my, this just touched the scene. Don't worry about it. Come on, let me tell you some of the results of my investigation in the past three days. " If the people in the Supervision Bureau saw this scene, they would be stunned. In their eyes, Sherlock has always been an unruly but extremely talented person, which is really difficult to get close to, let alone have a close relationship with. It can only be said that people who can be recognized by Sherlock are masters in both person and work. Because of this, although he and Aiwas are several years apart in age, they can still treat each other as equals and work together. The two came to the borderland, and first personally investigated all the locations mentioned in the secret report. In an abandoned warehouse, Aiwass noticed the aura of the "transcendence" path that had not yet dissipated in the surrounding environment. After careful inspection, a silver knife with dried blood stains appeared in front of them. "Finally found this trace, it's time to find someone to help locate the other person's location." Sherlock breathed a sigh of relief. Being a "transcendence" transcendent with a higher energy level than Aiwass is no longer a trivial matter. Although Sherlock and Aiwass did not hold any real positions of power in the Kingdom of Avalon, so they could not call for local assistance in their own names, but the royal token that Sherlock had prepared in advance and carried with him happened to be of great use in such a situation. As a token given by Her Majesty the Queen, the holder's status is equivalent to that of a member of the Avalon royal family. This is not only a reward for his talents in solving the kingdom, but also means the Queen's own recognition of Shylock. After seeing the token, the local area also sent a powerful transcendent with great care. After locating it with a knife, he led Aiwass and Sherlock to kill him in a very hidden place before the other party realized that he had been exposed. Adhering to respect for their identities, the transcendent person also politely gave them all the other party's legacy, and said that these items had not been explored. Having solved the problem, Aiwass felt relieved and participated in the farewell banquet prepared for them by the locals with Sherlock. The next day, he and Sherlock returned to the Glass Island. In front of Moriarty's mansion, Sherlock said goodbye to Aiwass, saying that when he went to the border this time, the Inspectorate also received a new batch of matters that needed to be dealt with, and he had better solve them as soon as possible. Sherlock also said seriously, "I will come to you after I analyze the final results of this investigation, and I will wait for a while. In any case, I have to thank Aiwass for accompanying me." "Since we are friends, there is no need to say more thanks," Aiwass smiled and waved his hand. Sherlock understood and said no more. He turned and left. Watching Sherlock drift away, Aiwass also turned back home. He didn't know how Yulia and his eldest brother were doing during the past few days when he was not in the mansion. When like-minded people put aside their usual solitary lives, they can create a unique bond between them through win-win cooperation and create a new life that they have never had before!

Suddenly, Aiwass and Lily seemed to feel something. But they didn't know what was going on. At this moment, the silver Pegasus at the feet of Aiwass and Lily stopped. Aiwass raised his head and looked in front of him. On the top of the floating island is a magnificent palace. On the outer wall of the palace, there are countless huge magic circles. They shone with light blue light, shining all the way to the center of the floating island, which was the main entrance of the palace. And in this location is a castle made of gold bricks. The castle is covered with red gems. Although it is daytime, it shines under the sunlight. At the four corners of the castle, there are rows of neat walls and towering buildings. The floating island where Aiwass and Lily are standing is on a high platform next to the main entrance of the castle. There are ten passages on the left and right sides of the high platform, and these ten passages are all closed by tall spires. In the center of these ten passages is a metal gate. The gate is three meters high and about three meters wide. On both sides of the door stood ten towering iron pillars, all of which were about one and a half meters high. The top of each pillar is also inlaid with a huge gem. Aiwass and Lily focused their attention on the metal door. At this moment, a gem suddenly appeared from above the metal gate, activating the teleportation array at Aiwass' feet, taking them to an unknown place. After teleportation, Aiwass and Lily finally reached their destination. This is a place full of mystery. In this mysterious space, there are many fairies, wearing gorgeous clothes and holding various instruments. They sit, lie down, lie down, stand, or crawl on the ground. Some fairies are dancing gorgeously on the ground; some are soaring and rolling in the sky; some are flying in mid-air; some are chasing and playing in the woods; some are walking around on the ground; and some are flying in the sky... This is the fairy kingdom. And Aiwass and Lily are now standing on an altar in the square. There is a huge magic circle in the middle of the altar. "Welcome to the Fairy Kingdom!" This is the voice of Fairy Queen Titania. Aiwass followed the sound and looked towards the sky. A fairy was floating above the altar. She was wearing a white dress and lying lazily on a cloud. There was a rope-like thing tied to her wings. These ropes were made of rubies and were very beautiful. "Children, I am very surprised by your arrival!" She greeted Aiwass and Lily softly: "Please allow me to introduce myself first. My name is Titania, and I am the queen of the Fairy Kingdom." As she said that, Titania stretched out her jade-white right hand: "I have heard about you from other children. Thank you for your help to the fairies. I am glad to meet you. I hope we can become friends. " Aiwass stroked his chest and saluted: "May the twin mirrors protect you, Her Majesty the Queen." The salutes of Aiwass and Lily meant that they had accepted the invitation of the fairies and became good friends with them. Titania smiled and shook her head: "Child, your experience is really missed." The goblins are all leaders in the path of beauty. The goblin queen is very knowledgeable in the path of beauty, so she naturally knows what happened before they came. "Then let's start the game?" Titania's tone suddenly changed: "In the game, you must try your best to ensure your own safety, otherwise you will be punished~" After saying this, Titania disappeared from the high platform. "Ah - familiar cutscene." Aiwass thought to himself. In his previous life, he often came to the Fairy Kingdom, a casual dungeon, with the girls on the list. He would not encounter danger, and he could have fun with the beautiful girls. No, Aiwass actually liked the atmosphere of the Fairy Kingdom dungeon, and it had nothing to do with whether there were girls or not.

Never believe netizens! Especially netizens who you think are friends, but are actually not familiar with them at all. Recently, two netizens who have been exchanging occult knowledge with me for many years came to the Royal Capital and wanted to meet me. Since we have known each other for two years, I agreed to have sex in the bar without hesitation or caution. On that day, we had a great time chatting and drinking. The more we chatted, the more excited we became. We talked about a lot of taboo knowledge about occultism, and we continued chatting until late at night. At about ten o'clock in the evening, just when I wanted to go home, the bald male netizen said mysteriously: "It will take about an hour to set up the ceremony. It's already this o'clock. Do you want to come and try it in person?" In person? As soon as I heard this, I felt a little excited. As a talkative king on paper, although I am very curious about the taboo knowledge of occultism, I have never had the experience to experience it myself. It's rare to meet a true transcendent who is willing to let me participate in a real occult ceremony. I quickly agreed with excitement. However, after working for more than an hour, I finally realized something belatedly. This ritual seems to be a ritual to summon demons. To summon demons, you definitely need expensive materials as sacrifices. I didn't see the sacrifice at first, so I didn't realize anything was wrong. But as luck would have it, I, who had personally arranged the ceremony stage, seemed to have become a "voluntary sacrifice." Particularly, I am still a student at Wangli Law University's seminary and can become a priest before graduation. Even as a sacrifice, I am a high-quality sacrifice with extremely high standards. But... I don't want to be a sacrifice! When the ritual was activated and I was sacrificed at the critical moment of life and death, I finally awakened the memory of my past life, and was the first to recognize the species of the devil, and cut off the devil's contractual sovereignty. I controlled the demon and successfully killed the bald netizen who deceived me in a sneak attack. However, my situation did not become safer. Because summoning demons is a serious crime. Once the Royal Capital Supervisory Bureau discovers that the summoned demon has been contracted by me, even if I am the victim at the beginning, it is tantamount to committing a crime. Unless I am willing to terminate the contract and give up the devil. However, after awakening the memory of my past life, I know that this world is extremely dangerous, and only if I am strong enough can I ensure safety. Since the devil has been contracted by me, how can I give up? Therefore, I need to hide the fact that I contracted a devil from the Supervisory Bureau. Fortunately, because of my father's unusual status, the Supervision Bureau did not dare to go online. In the end, they just sent a senior internship student to investigate me. I checked the senior's information in advance and learned that the senior was from a commoner background. Although she was the chief of the academy, she had a straightforward personality and did not understand the twists and turns in society. Such people start to run into obstacles in society during their internship and become confused easily, so they are suitable for CPU. I asked a maid to put makeup on myself in advance, creating a face that seemed weak and pale due to blood loss. I sat in a wheelchair and read a book, pretending to be a weak and helpless little cat, to inspire my senior's protective desire and take care of her hidden inner sensitive inferiority complex. A "weak", "injured" and "handsome" superior will be completely under her control during the investigation. This will make the senior sister's subconscious no longer target me, who has an extraordinary background. When I awakened the memory of my past life, I laughed wildly in my heart: "Sister, let me teach you a truth - never believe netizens, and never believe my classmates." When the late senior finally came to investigate me, poor, weak and helpless, I took the initiative to retreat and politely asked: "Hello, this is the first time we meet." " ——Excuse me, are you here to arrest me? " ————{"TopicId":"995701360950116352","TopicName":"Amway Name Scene"}{"TopicId":"939131942267125760","TopicName":"Shepherd's Tantra"}