People Are in the Universe, Wandering Until They Lose Contact

Tell us about your feelings Currently, I saw that I just landed on the Bailu and was fighting underground. Generally speaking, it is more to my liking. The space opera-style adventure, various cosmic wonders, and completely different civilizations blooming wantonly in the vast universe are all very attractive, but there are also some things that feel vaguely wrong I sorted out the wrong thoughts that came up while reading the book. There are two main points: The first is the problem of cheating. I feel that the protagonist and even the author have confused the cause and effect of risk and return. High returns are mostly accompanied by high risks, but high risks, that is, various sloppy behaviors bring not only high returns, but also many negative returns, and this negative return will probably not be prompted by the risk system. After all, the author also said that it would be a waste to act cautiously even if there are risk warnings. It can be deduced that the risk warnings will only remind you of hidden dangers that affect the protagonist's safety, but will not prompt you for actions that may lead to a reduction in profits. Similarly, the treasure hunting system's measurement of treasures will also take into account the external forces that the protagonist can use. For example, because the risk system does not prompt the protagonist, he speaks freely and offends others. As a result, he loses the friends he could have made. His power reputation changes from friendly to cold, and the people and things that could have been the protagonist's help are no longer the same. He makes many enemies and loses his friends. If there are too few friends, this situation will inevitably affect the benefits that the protagonist can obtain, and the scope of treasures that can be obtained according to the treasure hunting system will also be greatly reduced. In other words, the protagonist will do whatever he wants because of the risk system, and may waste the benefits that he could have obtained. However, the author consciously gave the protagonist the best result, that is, every time the protagonist made big talk and made big waves, it did not affect his huge profits. There was no case where he only escaped his life because of offending someone, but lost all the benefits. But readers are real people. Reason tells readers that this situation will not work even in fantasy works, which will make the reading experience a little awkward. The second and more awkward thing is the main plot issue, or the protagonist's movement. Many readers have reported this in the comments. The author used the example of One Piece to show that Luffy is just shouting one piece. In fact, the main plot of One Piece is very scattered. I haven't read much of One Piece, even though The author is right, but I feel that the author has taken the completely opposite path to what he calls pirates. That is, although the main line is clear, or the secret main line has been pushed forward, the main line of movement of the protagonist is basically invisible. I know that the protagonist wants to take risks and hunt for treasure, but what kind of risk is he taking and what treasure is he looking for? --Have no idea. I only know that the protagonist has been struggling in various incidents, grabbing miscellaneous things by pulling chestnuts out of the fire, but I also feel that this kind of plot can be written until the author wants to finish it, and there is no stage for the reader to look forward to. Even if the protagonist actively stirs up all kinds of muddy waters, readers still have the impression that the protagonist is not chasing the goal, but that events come to the protagonist and the protagonist responds passively. Readers don't know what the protagonist wants, so they don't know what the protagonist wants to do or what he will do, and they dare not have any expectations about the protagonist's behavior: for the protagonist who wants to be a man who wants to become the interstellar pirate king, readers will expect him to become stronger, gather his companions, become a person with kingly demeanor, and finally occupy a place in the sea; for the protagonist who wants to overthrow For the protagonist of the Empire, readers will expect him to become wise and ambitious, to unite the people of all ethnic groups oppressed by the Empire, and to change the color of the entire universe; even for the protagonist who wants to be a harem king, readers will expect him to encounter girls of all races and types, and after going through all kinds of experiences, he will earn money and get the girls on board, and live a life without shame. But when I see it now, I only vaguely feel that the protagonist just wants to be the garbage king, picking up garbage until the book is finished, but what should he do to pick up garbage? Have no idea. What does the protagonist do after achieving his goal? Have no idea. How far is the protagonist from his goal? Still don't know. This feeling of alienation and estrangement from the protagonist became stronger and stronger while reading the book. In the end, I had no choice but to express my displeasure and come to the book review area to express my feelings. A small personal complaint. I originally wanted to praise it, but I can't stop typing it. I see that the ratio of the praise in the front to the criticism in the back is exaggerated. I feel a little ashamed, but it is always my true feeling. Please forgive me.

Cough cough cough

From the first time I read it to the end, I felt like I was watching the fusion of Technician Han and the Pirate King. The setting is similar to that of Super Mechanic. The plot so far looks like a pirate with perspective turned on. The writing feels quite comfortable. Personally, I feel that this beginning should be regarded as the essence of mechanical novels.

I suddenly want to write a long review. This novel is really to my liking. Mainly I want to talk about science fiction. Besides treasure hunting, what else is worth writing about in the Xinghai environment?        ，，，，，，23，，， I have a very impressive plot. A high-level civilization discovered the relics of another higher-level civilization. There were many low-level civilizations competing for it nearby. They directly gave one of the low-level civilization's natives who were pleasing to the eye a grandfather. Instead of helping the civilization develop technology, they developed tactics and directly developed the status of this native into a military god and won the war. During this period, all the dragon kings and miraculous doctors who were against this native died in accidents. This is mainly because this advanced civilization needs a test line, a pathfinder. Then when an archaeologist discovers a magical civilization, it turns out that this magic is essentially a black technology. Digging out this black technology through archaeological research is also a kind of treasure hunt. Of course, the most famous and classic one in starry sky science fiction is Destroy You. What does it have to do with you? The plot is indispensable. A high-level civilization wants to destroy a low-level civilization, but the low-level civilization has tried various remedial measures to no avail. If you ask the other party why they want to destroy their own civilization, of course it may be because your type of appearance is not pleasing to the eye, or there is a precious resource on this planet. You can answer: Destroying you has nothing to do with you. Then there are various magical planes. For example, there is a plane that can cast various magical magics through spells, but in fact this plane is a conscious universe created by a high-level civilization. The meaning of the spell may be: artificial intelligence, I am ××× general, help me make it rain in this area, artificial intelligence, I am ××× Yuanshi, let the star field space in front collapse. The so-called mantra is actually the common language of an advanced civilization. There is also a two-dimensional world. Everything you watch in this world is like watching a two-dimensional cartoon. The style of this world determines success or failure. If you have a tough guy style of Fist of the North Star, you are very good at fighting. The funny style is the strongest, but it cannot kill people. The biggest difference between science fiction and fantasy is whether it can be mass-produced. After the technology reaches a certain level, fantasy takes more than ten years to reach a state. In science fiction, just one surgery is enough. A person who pays attention to personal greatness should be attributed to himself. Another emphasis on scientific and technological progress is when the entire civilization takes off.

The title of the book is terrible, and the introduction is useless. You have a good understanding of yourself

How about this mecha?

There are still a few chapters left, but I don't want to read it. Many books have good early and middle stages, but few have perfect endings. In most cases, the author just fills in the water when the results are good, and ends up being unfinished. After reading the remaining small parts, I always feel a sense of regret or feeling lost, especially if the author forces the ending like this. There are only a few chapters left to read, which leaves me with the thought that as long as I haven't finished reading, the book won't be over.

Nine times out of ten, life is unsatisfactory. It is a pity that the end of this book comes to an end in this way. Fortunately, this is not the first book I have encountered that I personally liked but ended hastily. The story of Gloria and Gray Crow ended dismally, but I wish the author Jun will finally have a new work that can support his dreams and life.

When are you waiting for the male protagonist to have sex with the female protagonists, kick me 😁

Ah? How did you end up raising it?

Every time I look at it in the list, I feel sad.

How about this armor?

At that time, I had read more than 360 chapters, and I thought that this grand and exciting galactic adventure comedy was slowly beginning to unfold. Another look, is Chapter 80 finished? What is the situation? Can you explain why it was so hasty?

I just found out that the author is still wearing his vest. . . . So what about the new book?

I have a new book out and give it a try, thank you

Why does it remind me of the writing style of the old pigeon "No Pigeon to Death"?

Will the new book be released tomorrow? , What time will it be sent? I can't wait😁

First impression: The protagonist's name is too ancient, hahaha

New book "Wandering around the world from the wedding night"! The previous airship adventure book is no longer available due to censorship issues. The introduction of the new book: [In troubled times, you encounter Liu Hongye, a female demon who is seriously injured and loses her magic power, hiding in the world. ] [Choice 1: Kill the female devil—the starting reward is five hundred taels of silver! [Option 2: Become the female devil's lackey, help her recover her mana, and cause harm to the world - the starting reward is 500 heads! ] [Choice 3: Marry the female devil, and use the warmth and love of the family to suppress the evil heart of the female devil - the starting reward is a god-level talent: fugue. ] "Three! I choose three!" [In troubled times, you encounter...] "No, you are still coming?"

I keep this book on my bookshelf to see if the author will one day restart the cosmic road novel or continue this story. Instead of being read again and again by new book advertisements (eunuch notices) every once in a while, which is an eyesore

Has there been only one extra episode in the group? Why don't you love Ligolia?

No. Why was the new book removed from the shelves?

{"TopicId":"1134215008248266752","TopicName":"Masterpiece Collection"}.

Quan Ding can only support this. Don't do pigeons and cut books

Alas, has the author's old book been taken off the shelves?