
Immortality Through Lunar Form Refinement
从太阴炼形开始长生
- Status
- Completed
- Length
- 388k Words
- Genre
- Xianxia
- Subgenre
- Mythic Cultivation
- Updated
- 1y ago
- Source
- Qidian
Synopsis
164Chapters
0Votes
7.8kRecs
36kFans
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Reader comments 25
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It is undeniable that there is still a lot of useful information. But the plot is too frustrating, and the protagonist seems to have the IQ of a three-year-old child. Practicing taiyin in seclusion, knowing that there will be a disaster, but the protagonist just doesn't prepare anything, and doesn't use all kinds of protection methods, just waiting for someone to come and kill him. I thought the protagonist had a chivalrous heart, but after catching up with the bad guy who took the gem from him, he found that the bad guy would die if the gem was taken away, and then he stopped taking it, and was finally destroyed by the demon. Don't you always take care of yourself first before helping others? You don't seek to benefit yourself at the expense of others, but the protagonist cannot be a bad person who harms himself and benefits others. After reading Chapter 40, the gem was destroyed in the end. The protagonist had many opportunities to get it back, but it was destroyed because of his abnormal brain. The words are rough and the reasoning is rough. There is indeed something wrong with the author's writing in this paragraph.
When I saw Chapter 10, I didn't quite understand it. The tiger had been guarding Huang Jing for 200 years. Because of his good deeds to save people, he was targeted for tiger bones and treasures. However, the protagonist told the tiger that it was like this because it had no fate with the medicine and asked it to give up.
One thing to mention, this book has no female protagonist, no female protagonist, only a female supporting character. The first author can't write emotional dramas, and the second protagonist's identity is a Taoist monk who mainly focuses on cultivating immortals. So don't abandon the book just because the author spent some ink on the female supporting character. It will be useful later, thank you very much! 😆😆😆
First, Taiyin refining is not a secret method. Second, Laozi Xiang'er's Notes, the founding scripture of the Celestial Master, contains the content of Taiyin refining "Taiyin" has three meanings in the fragments of "Laozi Xiang'er's Notes", namely, in a cosmological sense, it is the place where the "Tao essence" that biochemically transforms all things originates and gathers, the kidneys where the "essence" is stored in the human body, and the "Palace of training". The "Taiyin" in "Laozi Xianger Zhu" as the "Palace of Training" is a theologically transformed place of rebirth based on the "Taiyin" that contains the "Tao essence" in the cosmological sense. It does not refer to a tomb; "passing through Taiyin" emphasizes the return of the body to the source of creation, that is, the return to the undifferentiated state of "Tao". This is actually the theological inheritance of the "reverse (return)" concept of "Laozi" based on the original theory of "Tao". "Taiyin training" in "Laozi Xianger Zhu" is the development of corpse dissection techniques since the Warring States Period in the Han Dynasty. It is essentially a Taoist technique for resurrecting the body from the dead. "Taoists" and "sages" are the main subjects of this technique. Observing Taoist precepts, accumulating good and eliminating evil are important prerequisites for this technique. Not only that, "Taiyin training" is also an important self-protection technique in troubled times. In the Taoist literature of the Wei, Jin and Six Dynasties, "Taiyin training" has been further developed, and the meaning of "Taiyin" and the form of "Taiyin training" have also changed. The fragments of the Taoist classic "Laozi Xiang'er Zhu" in the late Han Dynasty mention a kind of "Taiyin training" as an immortal technique. This is the earliest record that we can see that mentions "Taiyin training". Jiang Sheng believes that the four corners of the tomb of the Yongning Year 2 Tomb of the Western Jin Dynasty in Jinpenling, Changsha, Hunan, excavated in 1958, have a flat brick protruding from the wall for a section 1.54 Meters from the bottom of the tomb, indicating that the shape of the tomb is a simulation of the Big Dipper, symbolizing that the entire tomb is a "palace of refining" where the deceased practiced lying down and practicing to become an immortal. Forty exquisite artifacts such as pottery figurines unearthed from the tomb are arranged in different sections. Among them, the "duplicate figurine" should be the "Si Ming Si Lu figurine", whose three strokes symbolize the "three lives" of the owner of the tomb written by Siming God. We can also identify the "True Official Figurine Chanting Sutras", "Ghost Official Beidou Figurine", etc. Different groups of artifacts constitute different functional areas, representing different stages of the tomb owner's underground cultivation process. The objects in the tomb have their own internal symbolic logic, expressing the tomb owner's ultimate ideal of "refining the shape of the twelfth yin" and ascending to immortality. The refining rituals represented by the "Tai Shang Dong Xuan Ling Bao Five Refining the Living Corpse Miao Jing" can be seen as the evolution and use of Taiyin refining. "The dead soul is refining, and the immortal is transformed into a human being. The living body is refining, and the calamity lasts forever." The chapter "The Chapter of Destruction, Refining the Corpse and Ascension to Immortality" in the Taoist Classic of the Tang Dynasty, "Tai Shang Ji Du Zhang Amnesty" says: "It is also allowed to destroy the five refined living corpses, and the jade characters of the Bao Sutra can be used to stabilize the five directions, protect their spiritual consciousness, practice auspiciousness, move the corpse, and take the form of the local officials."
It's a bit too focused on cause and effect. Every step must have a cause and effect. There are too many constraints. The protagonist is like a puppet. Everything is arranged by others.
Most of the mortal style and dark Taoist style are darker. The protagonist of this book is a cultivator who upholds moral values. But I always feel that the protagonist is a moral and pedantic person, rather than a moral and capable person. It may be due to different understandings of morality. Morality is a spiritual state, doing things with a kind heart. And you can't do things without resorting to means. Morality, mortal stream, and dark Taoist stream are basically white, gray, and black in cultivating immortals. Analogy to reality, no matter which way you adhere to, you must have the means to stand out.
What I wrote was really frustrating, because I had been inking on this gemstone for several days, but the gemstone was destroyed. If I had killed the killer earlier, it would have been nothing.
After watching it for a while, I still want to complain, why did you, a Lingbao Taoist priest, go to practice swordsmanship later? What kind of swordsmanship did you become? If the author of the article on cultivating immortals doesn't write about swords, why can't he write about it? Then there is a swordsman system, how many swordsmen are there, and the system of Qi training and incarnation in the early stage is gone again. It feels like a mess.
I don't know whether it's because the author's writing skills are limited, or because the immortals in the author's works are just like this, but in short, this immortal is too far-reaching.
My husband violently assaulted me when I was three months pregnant, my mother-in-law sneered at me, and my best friend actually seduced my husband at my house. My countless attempts at patience and forgiveness have only made things worse. There is no need to endure it anymore, the author only needs to update 10 more chapters to listen to my revenge plan😠😠