The Wizard from the End of the World

Very wizard~٩( •̀㉨•́ )و get!

The story of the protagonist's body is really average, and it's not enough for the mastermind behind the scenes. Fortunately, the story of the clone in the later period is well written. Please support it

After reading Chapter 20, I really can't stand it anymore. There is a big problem with the character of the protagonist. No matter whether he is decisive in killing or ruthless, there must be a basic bottom line, right? You can use any means against your enemies, but is it mentally ill to attack your own people or unrelated people without warning? Or is the protagonist just a villain? Even villains should have their shining points, right? But after reading 20+ chapters, I can't find anything worth watching about this protagonist. Except that his personal strength is higher than others, there is no redeeming feature. Goodbye!

It's a very orthodox wizarding novel, and the protagonist's setting fits the wizarding system (or race) quite well. The reason why the comment section has been quarreling is because many people do not understand the concept of wizards. Wizards are not humans. They have no empathy and no need for so-called humanity. Spellcasters with humanity are called mages, not wizards. A reminder to those who want to read this book, don't look at the protagonist according to human moral standards. When the protagonist solves the mystery of the womb, it (he) is no longer human. Please give the author more details so that people who want to read this book can see it.

I was very angry when I saw a strange woman dead. I was thinking that I don't care about the protagonist's shit, so what's the point of being angry?

The greatness of wizards does not lie in their miraculous power, but in their mad thirst for knowledge. They analyze the world and they achieve gods.

The protagonist has too many skills... It's so complicated that it's hard to remember. It would be better to integrate them into [magic tricks], or use them directly. Otherwise, half of the chapter will be full of skill names.

There is an author named Taibaishuijun. After it was published, he updated 8,000 words twice a day and 8 updates every Monday, 32,000 words. At least 80,000 words a week. Occasionally, there will be additional updates, so the author should update quickly.

The protagonist is born pure and does all kinds of evil.

Anti-drug failed! It's not because the protagonist is ruthless. The writing of the dark wizard is correct, but you, the protagonist, do nothing in the camp and become the boss without any charisma. Although you have a big fist, how many people know about it? It's so unexpected to win over a boss and convince everyone! Even dark wizards must pay attention to efficiency. The so-called reward you give (becoming level 3) is not necessary. You can also break through independently. Why do you have to sacrifice your life for you? Even if a dark wizard chooses an apprentice, people must know what their goals are. What future do you give? Nan Guo didn't look back and didn't comment!

Holy Mother? Kneeling girl? Do you have a brain? Please tell me, Chinese people don't lie to Chinese people! I don't want to waste my time reading disgusting mindless articles about the Holy Mother.

I feel like the wizards in this book are so weak. They are about as weak as ordinary people who are relatively powerful. When I was a wizard apprentice, I really felt that this was the weakest wizard book.

Now that I have seen about 30 pictures, I feel that the author is a bit dark for the sake of being dark. He does not have the calm and rational feeling of a wizard. He can obviously get more advanced potions for those with powers, so that they can advance to help you collect supplies more conveniently, but your investment is not large. A very cost-effective method. It is impossible for you, a fourth-level wizard, not to have witchcraft or secret techniques that can quickly strengthen ordinary people. Moreover, you have studied the Corpse God Particles for such a long time, which can help ordinary people awaken quickly, but you just didn't do it. There are obviously such cost-effective methods but they are useless. Moreover, the time you changed from the woman committing suicide at the beginning to the current state of indifference to life is too short. I feel that it can be changed again. After all, new authors can understand.

I have a suggestion and personal opinion. I feel that the strength of the supporting characters in the post-apocalyptic world has improved too quickly, which is unreasonable. It feels very uncomfortable to benchmark the protagonist's strength (I worked hard to raise my strength, but you can easily keep up with the world wave). Benchmarking the wizarding world makes people feel that wizards are also very happy (generally speaking, people with wizard talents are only one in ten thousand, and among wizard apprentices, those who can truly become wizards are only one in ten thousand. Those who can continue on this road are selected at every level. The supporting characters in the end of the world can improve their strength so easily, which makes people feel very separated from the wizard setting, as if the entire world is a group of people. Wizards are suspected of being freeloaders) It feels even more strange to compare the strength of the gods in the end of the world (the gods were weakened to the extreme after their era came to an end, and it is not surprising that they were calculated by the protagonist, which can demonstrate the superiority of the protagonist's wizard path in the other world. But a group of backgrounds who were coerced by the gods and the general trend of the world, without the help of the protagonist, in just a few years, walked out of the It is very abnormal to have an ability that is only one level lower than the protagonist, only one level lower than the gods or even the same level as the protagonist) Put a patch and add some more restrictions, such as the energy is directly withdrawn by the gods now (it feels normal, like that fungus-like god, the things obtained from the superiors are withdrawn when they are no longer useful) ); For example, the strength is too weak and too partial, and it is impossible to continue on (the third-level wizard is the pinnacle of human beings, and the fourth-level wizard is already in the realm of gods. How many tricks do you need to open to make one generation from one plane walk out of countless planes and dozens of generations in just a few years) Also, don't say that the protagonist can help them continue to improve their strength. Why? Do you owe them?

It's indeed a dark article, but I don't know why. It's not fun. It's just an experiment. It's very boring.

The author may have wanted to write about the cold-bloodedness of the wizard, but the character ended up looking like a lunatic, which is outrageous.

If she was going to commit suicide, why did she save her? Want to use this incident to make the protagonist stronger? But the special thing is that he awakened the memory of a wizard from his previous life for five hundred years? Do I need you to arrange this plot?

Rubbish, while writing about being ruthless, he is "forced" to let go of his female counterpart, killing men but not women. The protagonist also likes to be a nanny and protect his female counterpart. It's really touching 😭

The protagonist's treatment of emotions is so bad. It's not just about clothes. It's just a distraction that brings back a father and a pair of children. It's equivalent to a thought in your main body. It can actually influence your main body, just like how Arthur was treated in the Double Dragon world at the beginning. He accepted as an heir who has the value of cultivation. Just like the second world, this woman is a complete B-_-||. What's the point of catching her? As if that wasn't enough, I wanted to bring a mother back to the third world. I felt a little speechless. They are taking wives from all the worlds, but you are taking a bunch of ancestors from all the worlds. . . . . . My personal suggestion is that if there is any cultivation value, give him the bloodline and make him an heir. If there is no cultivation value, let him stay in the original world and give him corresponding rewards.

The protagonist's setting makes no sense, he's not human, he's not ghost, he's just a piece of street stuff.

Seeing the plot of the summoner later, the character of the protagonist has changed directly. For the previous protagonist, "a life-saving grace with unequal strength is nothing." The equivalent exchange of wizard concepts also applies to this life-saving grace. The difference in strength between the protagonist and that girl is so big that the normal protagonist wouldn't even look at her, and it's so big that even the protagonist in a seriously injured state can easily crush her to death. Not killing her casually or taking her into the laboratory is already the greatest gift to her. The reason why the protagonist is criticized for becoming a nanny is because the girl has no value to the protagonist. Apart from her insignificant life-saving grace and her status as an academy student, she has no meaning to the protagonist. A lot of pen and ink is used to describe the girl's personality changes, love and hatred, but these protagonists don't care. The difference in strength is the biggest gap. The protagonists of the dark flow always look upward, and they don't care about the weak (unless they can help them move further up).

Writing about wizards is like writing about a holy mother... A group of ants are jumping in front of you, but you don't want to slap them to death and still answer his questions...

The biggest problem is the sense of immersion. The author does not write about the changing perspective of an ordinary person, but a wizard from another world. And this wizard is very ordinary and annoying. Overall, the three views are uncomfortable. Both good and bad people must have an attractive point, and it is best to convince readers. Just like the leader of the Moon Worshiping Cult, or the bad guy in Gu Long. Each has its own persistence and philosophy. And this protagonist is just a wizard, just a wizard. There is no change, a pool of stagnant water. There is nothing wrong with the plot and writing, but the main character is not immersed in it at all. I am an ordinary person, how can I become an extraordinary level 4 wizard? There is no foreshadowing at all. There's nothing about this wizard's past life that appeals to me. Now the only good thing about this book is that the storytelling is okay.

In the early stage, the character design was not established, and it looked like a saint and a dark person. The system was chaotic, there were constant minor poisons, the style was low, and it could not be substituted. In the middle stage, it began to turn into void creatures and join various systems. Although the story was bland and not exciting, it was not poisonous, and it was not unbearable.                                                      I slowly started to have a sense of immersion. I didn't expect that there would be a big poison in the middle and later stages, the perspective changes, the main body disappears, and various clones are put into each copy to start from scratch, which is quite disgusting.       ，，，，，，，，，？ In addition to the strength, some nanny plots were also added. I didn't watch it in the later stages, it's said to be unfinished.

The difference between the protagonist before and after is too big. At the beginning, I felt like an ordinary person who has recovered the memories of his previous life. He has no bottom line with the Holy Mother. However, he soon became inhumane and kept emphasizing that wizards conduct experiments. It's still bearable at this point, but if you want experimental materials later, you really have to ask your weak subordinates to collect them. It's okay to let them collect ordinary materials. Those who are guarded by level 4 zombies have to ask their subordinates to get them. If their subordinates are not strong enough and don't get it done, they will get angry. It stands to reason that at least they have to be strong enough. If you don't get it, it's considered a lack of strength. Besides, it's easy to get it directly if you're very strong. It's also more efficient, instead of being furious when your subordinates fail. And isn't the fourth-level zombie a very good material for the protagonist? After all, you should get it yourself. The author later emphasized the inhumanity of the wizard too much and lost the rhythm. Inhumanity is okay, but it cannot be deliberately portrayed in order to reflect the inhumanity of the protagonist. The wizard is completely self-interested. Before entering the gathering place, it was good to keep the rhythm. After entering the gathering place, he started to deliberately say that the protagonist is inhumane. You have to talk about efficiency. In fact, many good materials other than ordinary materials are more reasonable for the protagonist to get in person. Then he has to let his subordinates die and then get angry and finally have to do it himself. It is too deliberate.

This is a good-looking wizard novel, but the protagonist's words are hard to describe in one sentence. It feels too inhumane. Although I don't think there is anything wrong with it, there are always some parts that make me want to kill the protagonist. The author's portrayal of the protagonist is a bit too extreme. There are some places that could be written better. Also, when I saw more than 200 pictures of the world of Shichibu, I personally feel that it is too extreme and people who are good to me are taking advantage of them. How can I put it this way? I'm a little bit disgusted with it. Personally, I think it's okay to be bad, but you can also be bad to people who are good to you. There is no bottom line. You have to have a bottom line in everything you do. No matter how you are a human being, what else do you want to do?

The author actually writes quite well, but the results are not that good. Come on, sometimes it all depends on luck.

Every world has either a few more children or a pair of parents. At the beginning, it was emphasized many times not to be influenced by emotions. That's it?

It feels like there is a sense of separation between the protagonist's body and his clone. It feels like he is another person. The most obvious one is to randomly identify relatives. The first one regards him as his son because he has been with him for more than 10 years. The later ones just get some memories and recognize him as his son. If these memories can affect the protagonist, then the protagonist will not be so dark in the zombie world.

I see that all the supporting book friends are talking about equivalent exchange. To put it bluntly, the world in the book does not have a god who swears justice. If there were and were popular, the protagonist would not be able to get enough of the benefits he asked for even if he took out his soul. A vampire is a vampire, and if you are not a human, you are not a human. There are many wizards who are not human, but this one is missing? What is equivalent exchange? It seems like the protagonist abides by equivalent exchange.