Above the Mage!

First of all, why is it so popular now? Is it worthy of my monthly ticket? Swordsman wasn't so popular back then 😡 Although it is written in detail, the bad thing is that the starting point is charged based on the number of words 😒 I feel that the content of this book is indeed to my taste like Jianxiu, so I am actually very lucky to have discovered the author's book (after all, Jianxiu's name really makes people have no desire to click on it, it was purely a book shortage at the time). But five years ago, I was still in the second grade of junior high school. I had no money to buy books, so I had to read the resources. This is why I insist on reading the original version of Master now, vote monthly, and vote for recommendations every day (of course, because I really love to read it). But there are problems. First, the update is too slow. This is also the most important point. It is difficult to catch up with the update. Many people choose to keep it. And because the update is slow, it takes a long time to keep up. Not to mention the number of readers, I am afraid that these readers will forget it over time. This book, or I gave up because I couldn't remember the previous content (for example, I think almost no one can remember that Lu Qingshan traveled through a corpse pool 🤭. I also read it after a semester, and it took a long time to suddenly remember it). The second thing is the same as above, water is water, water is water, so there are really not many brothers who can insist on watching the genuine version. 😭 But the author is not a full-time writer after all, and I feel that "water" is actually the author's own style (I really hope that water does not have to spend time perfecting a spell that may not have a chance to be used, and it can be made elsewhere). I really hope brothers will stop scolding. One thing, don't really destroy the source of my happiness 😢 (although I know the author will insist on it, after all, the last sword repair book was much worse than this one 🤭) In the end, I am very happy that I still have brothers reading the book together. In a sense, we can be regarded as friends. And the barbecued pork buns, keep writing, I really have to control you 😡

There are too many details and details. A few chapters can be written about unimportant little characters. Only one update a day. It's almost 2 million words, and the protagonist is only a level 2 wizard 😅

The first few chapters, which start with trying a medicine to die and travel + killing the purchasing disciple and taking his place + secretly doing magic + killing the mage, look a bit familiar. Even Goldfinger looked familiar, similar to a mage book I had read before. The only thing missing is the plot of fighting a few wandering knights, but the book I read before was so old that I forgot the name.

I haven't read the book, but I think the comment section is better than the book.

If you like to read pure magic texts, you can read Long Ling

It's a good book and worth reading. It's very smooth from training to farming. The shortcoming is that the current background is too spread out and the protagonist's training is too slow. I hope I can give the protagonist some time to practice quietly and mention his cultivation. According to the current progress, I can't finish the 8 million words.

To be honest, this book is very attractive to me, but first of all, it doesn't matter if you have a slow pace, or if you have an abusive master, but you have to make clear progress to become stronger. Let's not talk about the slow level up. For wizards, just slow down. When it is released, we will talk about planting trees. There is no significant progress in Chapter 30, and there is no hope of planting trees. Goldfinger is for killing monsters to gain points, and planting trees is written as the basis for becoming stronger. Every time I am still or moving, I can imagine that you will not be able to spread the trees even after planting trees, and all kinds of bad troubles will come to your door. Secondly, there are less than 300 maps that have been changed three times. You are a one-level wizard and a weak Kun who can't even make a splash in the big situation. You have to change the map three times? I would like to ask you to find another market. You were forced to leave again. No, did the protagonist kill God's father or what, so he brought trouble to others? Let's do it this way. I'm tired of looking at it. See you again if we are destined

Are all the items sold in this book sold at a 50% discount? Highly liquid products should be sold at a 55% discount? Outrageous and over the top. To put it bluntly, if you can receive the materials at half price. A large number of people in this world are working as intermediaries. If the products purchased within a year are sold, the annual profit will be 100%. Able to sell within 1 month with a profit of 1200% last year (*12). The author also has a background in finance and markets. Any industry with huge profits will definitely have a large number of arbitrageurs engaged in this industry. In the end, the profits of this industry will be compressed to a reasonable range (one price fixed by the market) If the acquisition of materials industry can achieve such high profits, those who work hard to defeat monsters to obtain materials will not earn as much as those who acquire materials. Who will fight monsters? (The protagonist group hunted level 3 monsters at sea worth 2500 gold coins, and the purchase price was 1250 gold coins. As a result, the auction of a level 3 monster at the turn-around auction exceeded 2500 gold coins. Is this reasonable? If I do this, I will put it on the auction house myself and turn around and earn more. More than 1,000 gold coins? How many companies don't make 1,000 gold coins in a year? The reasonable logic should be that the purchase price of goods is around 20% off the market price, and even 10% off for high-circulation products. As an acquirer, the profit comes from the "turnover rate". It is a single high profit. Such a market is unhealthy and will be educated by the market. Explain from the perspective of the product itself. Even if the material is not a high-frequency demand type, the more so, the price of the product may not be lower than the market price. It is also difficult for the demand side to purchase. This is a "long-tail market". Although the market circulation is not high, the pricing fluctuates greatly, and may even be several times or even ten times higher than the actual value. A 50% discount is also an extreme situation. Explain from the perspective of store management, general stores want to open well, especially materials buying and selling stores. Many store managers know the needs of customers. When passers-by come to sell materials, the store managers often know who has the demand, and the turnover cycle is actually very fast. The inventory is very small, and even if it is really overstocked, it can be sold at a 40% discount, because a large number of people who don't need the materials can still stock up and look for opportunities to resell at the original price, which is also a huge profit. Finally, let's talk about the industry, procurement cost and market price. The difference is relatively large. For example, for bulk commodities with a shelf life, fruit farmers sell them at very low prices, but the market price is very high. However, the price difference is due to "channels", "logistics", "goods damage", etc. So it is not that the purchase price is cheap. , But other costs in the product sales process are very high. If the 50% off "on-site" purchase is really justified, it must be 1) "The shelf life of the material is short" 2) The inventory is occupied for a long time (difficult to sell), and there are substitutes. (Non-substitute products belong to the long-tail market and can even be sold at a markup) 3) If transportation is involved, there is also a shipping price and delivery price. Besides this, all other products should not be purchased at a 50% discount. The market purchase price of a level 3 material is 50% off, which is incomprehensible. To put it bluntly, the market has not spontaneously formed several private trading gathering platforms for magicians? One transaction is equivalent to earning more money for one piece of material. There must be too many such organizations. This book is good everywhere, but the consumer market is too outrageous. The author is a science and engineering major, and I like his style very much. I am also a graduate student in science and engineering, and I also work in finance. I am quite sensitive to this. I hope the author can plan the rationality of market prices.

It looked quite frustrating - every time I had the slightest sign of taking off, I was forcefully pushed back. The characters and supporting roles are emotionally full, layered, rational, and the emotional interactions are quite interesting and not popular. However, the main plot is about pulling my hips, which made me feel frustrated while reading it. (Food and grass before the fifth-level wind dragon battle in Soul of the Wilderness) The plot of the drug-testing apprenticeship stage is bland, with a little poison, but it is a common routine. When the academy won the first place, it was immediately overwhelmed, and even the teacher was shocked - a third-level rune constructor, really didn't have any connections? Okay, even if your plot has a specific arrangement, the transition of mentality in the middle is indeed smooth, and the characters can stand up. At best, it's still frustrating. Then we arrived in the North. The protagonist didn't even reach the second level, and he had fourth-level subordinates who obeyed his orders. Only a third of the known map of the North has been mapped out, and you say "it can't be developed anymore" - obviously the adaptive expertise still needs to be explored, but you haven't set foot in colder places, so you insist on going to other places to open the map alone. The protagonist's combat power is at the limit of the first level at best. The academy's combat power has suffered a loss and he has not yet long enough to remember it. The protagonist's character, which was foreshadowed by the change of mentality, should not be forgotten so easily. Opening a new picture is a set of fixed templates: first level versus second level, but also emphasize "the kind that is not very powerful in the second level" and "or barely a normal level". We must benchmark the protagonist's ultimate combat power, why bother? More nonsense later. A wilderness soul directly dragged the person into the fifth-level battlefield. The protagonist had just reached the second-level combat strength at that time. Relying on the golden finger to forcefully suppress the fifth-level recovery power, he also touched the energy core under the eyes of the opponent - the first reason was "the blind spot of vision when the high one beats the low one", and the second reason was "it is also the element of wind". It really makes people speechless. Then the first-level soul of the wilderness swallowed up the fifth-level core, and was stuck on the way from the first to the second level. It just felt like it was "full." The combat power is so stuck. When I was at level 0, I absorbed wind elements from other people's second and third levels, but I couldn't get up to the next level after absorbing them for a long time. When I went to the battlefield, I sucked in a bunch of ready-made second and third-level energy, and it took me a long time to get up to the first level. Every time I see it taking off, I will shoot you to death immediately. The slight hint of pleasure that first appeared was gone in the next second, which was really uncomfortable. Goldfinger also has no sense of existence. Every upgrade seems to be "just right", and the "just right" special effects can be used in the restraint relationship of the next level - this kind of "just right" is not as good as directly making the ability a stable enhancement. The whole thing is a repeated cycle of "take off--be pressed--change another place to continue---be pressed again". The emotions of the characters and the description of the supporting roles are clearly online, but the big frame cannot hold it. The more I read, the more I feel it is unbearable.

It's pretty good at the beginning, but it gets more and more uncomfortable as I write it later. It originally revolved around Wind Spirit Moon Shadow and gradually escalated, and the rhythm was very good. But since I left the academy and came to the Northland, the writing has become more and more ugly, and the strength level has collapsed. It is still level one now. I no longer write runes, and there is no practice. I only do agriculture every day, and I wonder if you have lost your mind if you engage in agriculture in the wizarding world. First-level mage, if you don't practice, don't add points around the golden finger, you start by relying on mathematics, and now you are developing agriculture, your book will be ruined.

Don't be fooled by the title, this book is purely about tormenting the protagonist, not about being a cool novel, because he has been suppressed. The plot is very weak, skipping more than ten chapters does not affect the plot.

One sentence from the article can reveal that the author does not have basic entry-level scientific literacy: The magic in this world is by no means the superstitious means such as drawing talismans and chanting incantations used by alchemists, but the real art of magical change, a kind of power that can change things and reality through unscientific methods. Let me tell the author about the two errors in this sentence: 1. In real life, magic is considered unscientific because it cannot be proven that it is real and effective. Once magic can be realized in reality, then someone will definitely study the principles of magic realization and summarize the rules, and it may become a school curriculum. Therefore, the method in the novel that can repeatedly achieve magic cannot be described as an unscientific method. 2. Classify drawing talismans and reciting incantations as superstitious means, advocating that spells are the power of heaven. They are not only effective in pulling off obstacles, but also reflect the stupid nature of the protagonist. Suppose you suddenly travel to a world with spells, and the spells are all real. Do you dare to conclude that you did not draw talisman and recite incantations? Immediately classify this as superstition? From these two points, it can be inferred that the author's scientific literacy is not high, his logical ability is not good, and there is a high probability that he is poor in science in reality.

The author writes whatever he wants, which makes me confused. I thought the power was attributed to myself, but then I turn around and start farming. I keep farming and I am the king of the first tribe in the north. The next second, I go to serve as the leader of another dynasty.

I read several wizarding novels one after another, and either I disliked the protagonist or abused the protagonist. The previous wizard novels had robotic protagonists with no human touch at all.

The author's scientific literacy is basically zero. It doesn't matter in itself, but you chose to set the protagonist as a math major at a top university... Poison, okay? I won't talk about scientific metaphysics anymore, but any college student who doesn't even know the definition of science will be ridiculed in the dormitory. The taste of civil science is too strong. I didn't go to college or herd sheep in college, and then I read some messy civil science books. This is the way I talk. Typical ones include: The end of science is theology; (there is a soul/travelling/superpowers, etc.) This is not scientific; science has failed, etc. First of all, please clearly distinguish between "science" and "technology", okay?

Was it really you who wrote the previous book "Kenshu"? This book is completely useless. The protagonist is not even half as good as the sword master. The protagonist is a masochist. The main plot has no sense of satisfaction at all. In other words, every time he is halfway through the enjoyment, something unexpected happens and interrupts the original sense of enjoyment. As a result, the protagonist keeps getting frustrated, running away, getting frustrated, and running away.

The level collapse is so severe. A fourth-level wizard will be beheaded immediately after you know the first level. The advantage of level in the entire novel is completely lost. Even if it is a high level, it still does not break away from the category of mortals.

Brother, the teacher was so kind to you. Before his death, he gave you all his property as constructs and taught you construction techniques that were ahead of the times. I thought you would practice and study them after escaping from being hunted, and then become a master of construction and make your teacher famous. But you are better off. You just gave away the constructions and left the skills behind and stopped studying them. You move here and there, now you lead the northern barbarians to farm, and now you sneak into the system and get promoted. Does this book have a main plot? ?

Tsk... Apart from the fact that the protagonist used some knowledge of mathematics and geometry when learning spells, the rest is completely silent. Upgrading depends entirely on adding points. This is a bit different from the scientific training mentioned in the introduction. Don't pretend to be someone else.

To be honest, really, really, there is no need to forcefully write so many female characters. If you look at the current novels, the teachers are female, the relatives and friends are female, the talented ones are basically female except for the protagonists, there are no brothers, only sisters, most of the people you meet are female, no matter what the background, no matter what the story is, this is true. Most of the people who help are women, and when they are being helped, there are also more women. Basically, there are only one female out of nine out of ten characters in the whole story. It's not because the remaining ones are the protagonists. I really don't need to write so much. It would be fine if I accept it as a real harem. But most of them talk about how the relationship between us is like this. It's not that I am discriminatory or anything, but you ask yourself what most women think about such a grand ambition? This is a male video. If you want to write about the harem, please write it openly and honestly, and don't make all this mess. From the bottom of my heart, I believe that power like this is supreme. Unless you make it clear that you are a feminist society or that there has been a time when women were respected, would anyone really think that there are so many talented and powerful women? And they were all met by the protagonist and included in it? Eight of the ten novels I have been reading recently are like this. I don't quite understand why they were written. You said it was for pleasure. In my opinion, writing about men and women is just to get a wife. Otherwise, there is no need to write so many, and there is no need to make it as charming as an animated novel in my childhood, right?

Western Fantasy. Now you turn me into Eastern Fantasy. This is too poisonous. Can't stand it anymore

After the death of the rune literature teacher, the plot started to feel wrong. It was too literary and abusive to the protagonist. In the blink of an eye, the plot turned into a common cliché. After that, I skipped to the latest chapter and saw no new ideas. It's a bad situation. I went directly from researching to the mage to taking risks and fighting to the mage.

After reading the first twenty chapters, I can only say that it is a bit toxic and watery. Is the origin offset also described by a coordinate system? Do you still have to resort to cheating to find your starting point? Use Prim's algorithm to convert it into a minimum spanning tree, then convert each edge of the tree into a vector, and then build a vector table. Point offset only needs to modify the vector pointing to the point and the vector starting from the point. The whole chapter was about trying to figure out your planar coordinate system, but in the end it was solved by cheating. I have never seen such a diners majoring in mathematics, and they don't even have the level of engineering mathematics. All I can say is that if you can't grasp the baggage of the character, it's better not to write it. It's even more difficult to write a chapter with the baggage of the character that you can't grasp. Isn't it good to use it as a background board?

After reading dozens of chapters, I always feel weird in some places 1. Regarding Goldfinger Wind Spirit Yueying absorbing the origin and adding points, what is the logic behind it? Collect basic information about creatures to form skill points? 2. The act of killing the first apprentice felt very rough. Although it was explained that the protagonist would be used to test the medicine, something still felt wrong 3. Where the earth-line creatures broke out. In the front, it was said that the dangers in the wild should be kept alive, but later on, we had to learn about the big trouble that even the second-level wizards were not aware of. It was inconsistent 4. Saving strangers when exploring the earth-line creatures. People, it is said that the protagonist takes action out of pity, which is a bit contrary to the feeling given by the previous protagonist. 5. The protagonist kills the teacher, and then narrates a tragic past of the teacher to sympathize. It is really embarrassing 6. The most troublesome thing is to run away with the money. The gang of fellow victims at least moved you out of the laboratory to take care of you for a day, and supported you as the owner of the garden. Even if interests are involved, there must be some degree of friendship involved. As a result, I left a note and ran away. Can't we run together? As long as the protagonist runs faster than others, doesn't it matter? 7. There is another matter of contract. Doesn't the contract in the magical world include some strong measures? The protagonist ran away after signing the contract without any worries, which made me feel like these villains and nobles were fools.

There are more than 300,000 words, and I am still an apprentice. Many authors are like this. In the early stage, they are reluctant to advance the plot and suppress the level. When no one reads it in the later stage, I have no motivation to write it. The plot is out of hand. Even if I bite the bullet and write it down, no matter how exciting it is later, everyone will run away. What's the use? Great writers have long summarized the essentials of writing: tiger head, pig belly, leopard tail, but some people do the opposite.

Have you ever been a mage? Some things are written randomly, taking it for granted

I feel like the foundation is too solid, overall it's okay. You can see it, there is nothing too poisonous about it. It would be nice if the pace was a little faster! (Full booking, 35 tickets. Give it a try for my brother)

The protagonist becomes a prisoner at the beginning, goes to the academy and is imprisoned and tortured, and goes to the North and is captured again. He wanders around even though he has no strength, and offends all the big guys. There is a force with at least eight rings of strength that is looking for the protagonist everywhere. The protagonist goes to the dynasty to play games in order to get some rewards and becomes famous. This game book This is a trap. You have provoked the largest force in the mage plane. If you provoke a lot of enemies, is it safe to hide in the north? Anyway, the protagonist has a long lifespan and Goldfinger is destined to become a strong man. If you are not strong enough, don't do things beyond your capabilities. If you are strong enough, you can do whatever you want. No one dares to mess with you. What would the protagonist do if he saw a weak chicken carrying a bunch of treasures that he couldn't even imagine? The protagonist is that weak chicken

As the title..

I haven't finished writing two hundred chapters per ring yet - nine rings in total. When should I write this? 😥 Upgrading is so slow.