Wizard: The Book of Dark Stars

In this novel about a wizard who wears a wizard's skin, I haven't seen the protagonist learn any knowledge for more than seventy chapters. The construction of a spell model does not require any basic knowledge, and transformation does not require any basic knowledge (yes, I just tested it and it is true that it can be copied by a formal wizard once after watching it6). The same is true for potion. What are the medicinal properties of herbs? , You don't need any basic knowledge about the reaction of potion fusion, just imitate it. I don't see that the protagonist has any wizard's wisdom. Anyway, the protagonist is awesome because of his high mental power. As long as the mental power is high, you don't need to learn anything. You can just imitate it after watching it once. There is no need to know the properties of the medicine or anything like that and just forcibly make the potion.

A few suggestions 1: I would like to change two of the more poisonous points. One is when it comes to branching out. Inexplicably, a wizard mentioned it when getting off the ship. Everyone else wanted to go to the summoning department. The protagonist is not lucky to be assigned to the summoning department. Is it sad because he didn't choose it? Just this one article has eliminated too many readers, and then when I go to the store, I can't take my eyes away from the junk potion recipe! Not only is it abrupt, but it's also mentally retarded. You could totally add a paragraph of thoughts on future development before it! And stop staring at that junk potion! 2: Development direction. The protagonist's golden finger is obviously a combat system, which has no auxiliary effect on the cultivation and development. His talent is not high in nature. If he does not follow the golden finger to develop his combat effectiveness, it is a complete waste of time to find any potions. In the early stage, he should use the golden finger to obtain gold! Then it will assist with training. In the later stage, the golden finger should be able to produce some rare materials, and the immortal summons can be used for experiments and carrying out various projects, which will be a great advantage! The second golden finger has not been fully unfolded yet and I am not sure yet, but the first golden finger is really recommended to be changed. This is not how readers use it! Other aspects are good, you can continue reading

The protagonist has some secrets and tells everything, and he becomes the father of a child he has just met... He is as timid as a mouse, and he is always on the verge of exposing cheats. The character of the protagonist even made me have the illusion that the protagonist is schizophrenic. Apart from these problems of the protagonist, the rest of the plot feels fine. If the protagonist is a Gou, a sixth child, a dark pervert, then please continue to pervert, instead of pua dismembering his own summons and then being so nice to that kid with lucky abilities.

I don't want to read it when it comes to aptitude testing. It's all about the depth of red to judge aptitude. However, the protagonist was given a white ball with a hint of red in it. It took 2 minutes for it to appear. So are those all-red balls the Sons of God? Or is the protagonist not even worthy of being human?

The protagonist is the Book of Dark Stars, right? As for the male protagonist, it's easy to say he's a tool, but he's also a wizard, and he's just a warrior who can shoot fireballs.

Either write a mature protagonist or delete the time-travel and write a local immature protagonist After time-traveling, he is still immature. It is not likable to write the protagonist with a child-like personality. With the time-travel setting added, the protagonist's character will be set at the mature stage of adulthood. Many authors will write it as a child's character, and the sense of fragmentation will be serious So I said above, delete the time-travel setting and write a local protagonist

To be honest, I don't understand the protagonist's low profile. The real need for low-key novels is because the situation faced by the protagonist can only be kept low-key, otherwise the mortality rate is almost 99%. In this situation, it is okay to be low-key. Normally speaking, it doesn't matter if you have a high profile if you have high talent. The official resources given to you are several times those of a low profile, and they will continue to provide resources, not to mention giving priority to those with high talent first. (Why can't you get along with resources? Get high-level resources early and break through into the mid-to-high level vision early [after all, a genius with enough strength is called a genius, and those who die before being promoted are not geniuses]. Then it will be convenient for whatever you do in the future) As for the situation of wizards, I feel like the author should consider changing the title of the book? The core of a wizard is to study spells, transform spells, study various potions and bloodlines, etc. Spend at least half of his life in the laboratory. You are probably not a mage. You are probably a warlock.

Authors, please hurry up and update more than 100,000 words a day, otherwise the milk bottle will be kicked away by you!

Summon Shennong What is the character of the protagonist?

The writing is so procrastinating that one conversation has to write down all the details of both parties' mental journeys and expressions, and it can read people's hearts just like stacking mille-feuille cakes. The main character in the first 40 chapters dissects the creatures he summons and then sells them, telling others what to do and what he does, just like a mortal cultivator who makes a fortune in silence. Some plots are written like making dumplings for that dish of vinegar. You are a wizard but you must practice knight training, and then you can become a knight in seven days. There are potions, but you have to buy the formula just like ordering food. If you leak money, you will be targeted. When you pass by or express yourself, you should write down the attitudes and thoughts of the supporting characters (even if you feel like you are watching a group portrait)