I Want to Get Out of the Computer!

I think this book has great potential. The beginning of the revival of spiritual energy is usually linked to mythology. The author has jumped out of traditional mythological stories and will indeed not cause aesthetic fatigue. About the creation of characters: The behind-the-scenes flow depends on whether the group portraits are well written, and whether there will be plots that lower the intelligence or break the character settings. Now it seems that the author's subsequent difficulties are reflected in Su Qing, the alcoholic fairy. This very smart character depends on how the author controls it, so that she can perfectly reflect her own characteristics and at the same time make the reader feel that the protagonist's layout is more perfect and awesome. Then about the subsequent development of the plot: it is inevitable that the protagonist returns to reality, but it should not be the final event. Why did the extraordinary virus appear? This can shape a lot of plots for him. And in the false "chronicle" constructed by the protagonist, why the seal went wrong? This is also where many plots can be unfolded. For example: the emergence of the extraordinary virus was due to an experiment done by another civilization in order to extract the perfect fruit (you can also fill in the question of why humans killed each other without brains in the protagonist's previous world, because of the interference of that civilization, just like what the protagonist is doing now?) Then there is a problem with the seal in this world now, and a suitable reason is needed to turn the fake into the real. Then we need a final foreign enemy. For example, if that civilization discovers that the final fruit escapes (that is, Hertz), it also travels through time and comes to this world? But how to write it depends on the author. I look forward to seeing a wonderful plot. Come on!

The behind-the-scenes story of the mutant aura's revival was quite interesting, but it's a pity that I didn't get to watch it. The most important thing is probably that I am dissatisfied with the arrangement of the role of Hepu. First of all, even digital life cannot escape the shackles of real hardware in the initial stage. In other words, the computing power of the computer controlled in the real world is not enough, and even thinking will become difficult. After all, the original carrier is a quantum computer. Secondly, apart from explaining the reason for the protagonist's time travel, Hepu's other functions are useless. The protagonist has a strong desire for a real body, and I don't think he needs a crisis to urge him. Then, explain why I think Hepp is useless. The most useful thing for the protagonist of the First Herb Spectrum is actually the "extraordinary gene" library contained in its data, but this database can be completely replaced by another one. The second protagonist has also become a digital life, and the logic system is perfect. Even if the protagonist was a geneticist during his lifetime, he is extremely efficient in learning computer knowledge. He does not need to spend too much time to iterate and use useful artificial intelligence tools. Even as a digital life, it is no problem to separate a child of his own. Thinking cannot stay within the framework of biological humans. Thirdly, it is not necessary to be a thought (or companion) of the original time and space. After all, the original time and space have ended for many years. There is no nostalgia for the past when you come to a peaceful place. Finally, in summary, the arrangement of the character Hepu is a poisonous point for me, and the author does not understand and reflect the advantages of digital life well. I hope the author's next book will be more mature.

Is it because the educational websites don't have enough movies? When I came up, I asked the harem, did they want to lead the author into a ditch? As we all know, there are only a handful of authors who can write good female characters for male videos.

I think there is one thing I need to make clear. I will not write about the harem, and I will not consider writing about the relationship between men and women for the time being. Simply because I feel that the story of this book does not need such a plot. Definitely not because of misogyny. If a misogynist parent wants to find resonance with me, then I can only say that I have chosen the wrong person. When we read books, don't bring in some bad attitudes towards the world. I don't discuss the rights and wrongs of some things or opinions. I am just a writer of novels. I just want to tell stories. I don't want to set the rhythm, I won't include personal information, and I don't like to engage in confrontation. 🙄 I hope everyone will give the novel a relatively tolerant space and allow every friend to find their own fun here.

I don't understand why someone would ask about the harem. Does it make sense? Have you forgotten the nonsense about the male protagonist? Return to the harem? The theme of this book has been definite from the beginning, and it has little to do with men and women 😅

This book is not about a harem. It just happened to be that there were three female characters in the book at the beginning. There is no description of the relationship between men and women. I reserve the right to choose whether there will be a relationship between men and women in the future. Therefore, please stop asking if it is a harem. 🙄

It's okay. I don't feel like a novice author. There are a few places where it's a little bit toxic (I'm not saying that pretentiousness is a slap in the face, but Wu Miao, as a goddess, can be a little smoother... Cough... Mellower). In other places, there are no problems with the setting and plot. The origin of the protagonist Goldfinger is also well designed. I can't understand it, but I think it's awesome (something that requires a vague setting and will rarely be used in the future must be written like this). To sum up, it is a good guide.

After reading about 10 chapters, I feel like I can't stand it anymore. My imagination is interesting. Many people say that the second chapter is awkward. In fact, the pace is a bit fast. The plot lacks foreshadowing. The protagonist is not set up. The official is the audience. I believe it without paying attention to the process. In the battle, there are a few lines from the second chapter, and then the black screen text easily wins. This has a heavy sense of déjà vu. It is possible to write 10 chapters in the middle, and the result is the same. It progresses around the chapter, and it seems a bit like reading the outline. Now I won 100,000 in A today, and I won 200,000 in B tomorrow... Reality can be magical, but novels will also seem unsmooth like this, and behind-the-scenes people always want to wear armor and go into battle. This is probably not like other behind-the-scenes endings of 200-300. It is also a poisonous point for the vest to reveal the real name and face at the beginning.

I really can't help complaining about that long-lasting character, and how he is too genius. He can master everything as soon as he learns it, so there is no challenge in life and no passion to commit suicide. It gives me the impression that primary school students score a hundred points every time they take a test, and then lament that learning is too easy and unchallenging, so they are tired of studying. This character is so embarrassing that I am picking my feet.

Chapter 96: Shi Chan and Wan Cen are so disgusting. My suggestion is that if the author doesn't know how to write emotional scenes, don't write them. They hurt each other so deeply and yet they describe it so ambiguously. It seems that there will be a plan for two women to compete with one man. This is so disgusting. Is there something wrong with your emotional concept? ? I would rather see Wan Cen continue to be a strong woman and step into the extraordinary, and the only contact with Zhong is her daughter's attitude of respecting each other as a guest. That's disgusting. I subscribed in vain.

Books are great, but why put poison in them? As for the part about Wu Miao attending the wedding, come on, her mother and she really didn't even decide to stay away from each other forever? It's okay if you don't write about the causes and consequences, but it will be even more uncomfortable after you write it. Most people can't stand this kind of relationship between relatives.

The Wan family episode was really poorly written, the coincidences were too blunt, the characters were so twisted that they were incomprehensible, and the dialogue between the characters was also a bit awkward. Everything goes well, author, come on💪

I thought the guardian spirit would refer to Zhenhun Street? You bitch are trying to play martial arts possession with me. Still thought the Mechanical Goddess was working on Transformers? You damn give me a Digimon. 🙂

This is the ability of online article authors to make readers feel scared when they see female characters.

After reading ten chapters, I felt something was wrong. Think about it carefully, my dear, this is not a virus, it is clearly a meme.

After reading Chapter 20, I found that the protagonist chose opportunities and chess pieces for women. Is this the case later? If it's still the plot of a novel about the Kingdom of Women, then forget it.

If there are too many women in an organization, it's easy to create intrigues. Shouldn't the author add more male characters? Are you okay? Look at how women fight in female videos.

The subject matter is good and the writing is okay, but it's so embarrassing.

Author, what are you doing? Why do you feel that the plot has become half a children's channel and half a bloody TV series?