Zhutian: Start by Repairing a Small Broken Ball

I feel that the protagonist's thinking is too narrow-minded. He has guns and equipment, and there are too many simple ways to get food. For example, you can just find a granary to stay there, wait for the virus to break out, and grab hundreds of thousands of pounds without risking anything.

This book is okay, but you have to consider one problem. With so many things happening in the underground city, you can no longer live in it. You can only control the opening and closing of the door and build a new home. Moreover, there has been a gap among scientists. It is necessary to re-train scientists as a series of talents, and those factories must be restored immediately to prepare for occupying other dimensions. This is the main body and not the porter.

? ? ? Why do I look more and more like the ancient feudal society in P's science fiction novels?

I, Shennong, have already tried poison I wanted to read a cool article. Who knew there were so many pitfalls in it? The first pitfall was when traveling through the second world. There was a missing robot. When the protagonist asked, the artificial intelligence just fooled him casually, and the protagonist didn't care. The second pitfall was that the protagonist's father had told him not to turn on the artificial intelligence Moss until the end because he didn't know what uncontrollable factors he would face. The protagonist knew it clearly, but after reading more than seventy chapters, he didn't see any countermeasures. There is no explanation. She just grows with her hair covered The third pitfall is Han Kun's wife. The protagonist can't figure out her thoughts. She stays with her because she is strong. It makes me sick. There are so many pitfalls even before it is released. It can be expected that they will bring trouble to the protagonist in the future. Poisonous, really poisonous

This book is basically overdue. It distorts and unrealizes the situation in such a serious situation in your hometown, and you still wander outside. If you are from the United States, you have nothing to say, because you are going to collapse. When you send materials within your own sphere of influence, others will check your background and the things you send are not good. In this era, there is basically an extreme shortage of materials, and even earthworms are still cultivated artificially. When faced with everyone's desire, you chose to hide it and do things outside. Can you keep your position?

If this book doesn't hit the street, it's unreasonable. The protagonist's IQ is worrying.

To write about The Wandering Earth, you must first have scientific and technological knowledge. Just like this book, those who didn't know it thought it was a modern diaosi time travel.

As I get older, when I read novels now, if the protagonist is a power lord, he still has rights. If all the decisions I make are worse than my own ideas, I will think that the protagonist is mentally retarded. Unless I quickly send a ruthless supporting character to kill the protagonist, I will not be able to read it. It is also possible that when I was young, I had little knowledge, and looked down on those with lower IQs than myself, who were powerful but could only write books. People must be more knowledgeable than I was when I was a child. This makes me believe China's history is there, and it is not surprising that the emperor of the Ming Dynasty was a waste and always wanted to kill himself. This is still the feudal era when imperial power is supreme, let alone the modern future. If he has no ability at all and does not have the ability to ruthlessly suppress others, you can say that he can hold a stable position and have rights...

The aboriginal pigs' feet and dogs don't even read it, and the writing is not that good.

How can I say that the writing is becoming more and more unrealistic. Your hometown is in that kind of high-pressure furnace situation. You still have the nerve to go outside and do things. Just like the United States, the country itself is about to collapse internally. You are still staring at the other party. You really feel that you are not dying fast enough. Just like when this nerve is usually tense, although a little change can calm the other party once they know the truth, you can open the door to time and space. But you choose to use material things to relieve the tension, instead of using territory to solve the problem. In this case, everyone wants you to skin them, because what they need is a safe territory, rather than facing collapse at any time. The lack of material places can be solved instead of material temptations. Like a hungry zombie, sucking blood will only arouse his greater blood addiction.

Even though his hometown is under high pressure and he still participates in the plot, he is still the leader of the base! The resources at the base will not be used. . . . . .

I think it's okay. There are very few apocalyptic themes. Generally, writing about the apocalypse is about zombies plus mutations and rankings to show off, but they are all in the early stage, and writing about superpowers is very boring.

Not very well written! You, a feudal lord, came to the river of time just to fight?

I read the introduction of the book, which is my favorite type. As long as it is beneficial to the protagonist, the protagonist will not be merciful to all the characters in the original book. I thought it was really a book that kills decisively. After reading the comments, it seems that this is not the case.

Why does it feel like it borrows a bit from the Ice Age setting?

Is your Stargate the one from the American TV series?

Doesn't the protagonist just have IQ and EQ at the beginning... I go back and get the equipment and then use various intelligence-reducing attacks.

The half-dead look of this book is not far from that of a eunuch.