Imperial Master of the Ming Dynasty

After reading more than 300 chapters, let me talk about the advantages first, as it is a standard time travel novel. Able to combine certain knowledge and then describe a time-travel story in a logical and self-consistent manner. Then it can also show the development of some eras and the Ming Dynasty. From a macro perspective, it can be used as a viewing and introduction. Although you can't think about many plots in your head, and the more you think about them, the more outrageous they become, but they are always in line with the logic of a time-travel novel, and it is also a refreshing structure in itself. Then, I didn't spend a lot of points to buy this article, and I finally redeemed it from the reading coupons given by Qidian. If this book is really well written, I would also have the idea to spend some money to make up for it. But the actual process feels very baffling to me. I majored in physics, and then learned some knowledge in humanities, economics, law, and human relations. In the beginning, the description of relevant knowledge in the early free chapters was relatively smooth, or to a certain extent, it may be that I did not know that part of the knowledge very well. But later, especially when the topic talks about my direction, you will find that its related descriptions will appear in a very unreasonable state or even out of touch. Then combined with this unreasonable state and pushing back, you will increasingly feel the huge gap between what is described in the book and reality. Let me mention a few points. For example, there is a paragraph in which the protagonist puts forward some ideas and then clears the air for the character in the novel. He understands it instantly. But in fact, in real society, you have to consider the task of interpersonal relationships, not simply a situation of a relationship. The simplest thing is that when a person and a genius appear in an environment that pursues the mediocre emperor phenomenon, he cannot blindly follow certain things. If he can understand some of the ideas put forward by the protagonist, then at the same time he should have the relevant logic to establish a routine in Houheiology. This behavior of clearly giving the supporting character an intellect for the people of that era is in sharp contrast to the fact that the protagonist can praise him and understand this kind of thing. Given the limitations of implementation at the time, if you put forward these ideas, it will speed up the occurrence of some plots in this article. Then there are some imaginative processes. If you regard it as imagination, it is not grand enough. If you regard it as fact, you will find that his writing is too radical. For example, there are some plots in it. If you want to achieve what he said, his state is obviously unattainable. But if you want to imagine, there is no need to approach it from this angle. It can be described from a better angle. Then some of the character relationships later on are, well, weird and messy. You have said that you need to consider it. In the case of games that need to consider a series of interpersonal relationships, even if there was no party struggle in the early Republic of China, it still existed. The idea in the front was too bold, and the things you considered in the back were very thin, and the gap between the front and the back was completely unequal. Then what you want to express is an image of a proletariat who cares about the poor, but in the end it's the performance of the Virgin and a certain degree of illusion of reality that makes it so. Once grounded, a lot of his ideas are too childish and idealistic, and it feels like there's a lot of room for improvement here. So from my point of view, compared with the time-traveling articles in previous years, its advantage is that the author really hopes to use some good academic skills, some evidence-based facts, and a cultural context to let you know that he is indeed working hard to build such a fantasy world. But at the same time, the author has many taken-for-granted ideas that make this novel unable to allow readers to sink into an obvious fantasy world. Then in the later stage, I don't know whether it is because of the word count or because the outline has drifted. In the following chapters, there is no way to use a relatively strong and perfect writing style to write such a thing with ease. The process of reading the book will become faster and faster, which means that it feels like the author is in trouble. On the other hand, the author may also want to make the image of this character more three-dimensional, so he will find ways to stuff more characters into it who are not sure whether they are related or not. Then you will create such an article that is increasingly difficult to read, and in the same process, we can also see Many readers also said that it actually feels like it is a bit high and low, so in macro terms, if you ask me whether it is a good article, I can say that in the current environment, it has indeed achieved a passing grade, but I think it is far from being a good and excellent Ming Dynasty time travel article. To sum up, I am very grateful to the author for giving me a pretty good experience, but I feel that I could actually write it better so that this article leaves no regrets.

Zheng He went to the Western Seas several times. Why didn't he go back later? It was because he lost money later! Why did you lose money? After several trades, the surrounding countries all emptied their wallets for Ming Dynasty. They had no money! The Ming Dynasty's foreign trade was all about profit, with a huge trade surplus. A large amount of non-renewable gold and silver treasures from other countries flowed into the Ming Dynasty, and what the Ming Dynasty paid for was renewable porcelain, tea, silk books and other items. The Ming Dynasty had very little external demand. In other words, the food, cheap raw materials, labor and other production materials that the country really needed were limited by transportation and could not be obtained on a large scale. They could only ask for light materials such as gold and silver treasures, which eventually emptied the wallets of other countries and made ocean trade unsustainable. So, don't think that profiting from ocean trade during the Yongle period can save the Ming Dynasty's economy and push the Ming Dynasty into a prosperous age in advance. In a word, the Ming Dynasty is too big, and a little profit from trade is just a drop in the bucket. That's why all the maritime trade powers are small and big city-states, and the ocean trade of the real continental powers is quite average. The Ming Dynasty banned the sea, and the Manchus and the Qing Dynasty locked up the country. From a contemporary perspective, it is stupid and backward. In ancient times, there must be national-level considerations in it. Gold and silver treasures are not productivity, they are neither food nor materials. No matter how much gold and silver you make from ocean-going trade, you are just injecting water into the domestic commodity market, which will lead to inflation. Those who profit are the merchants, workshop owners and civil servant groups who engage in ocean-going trade. They easily outperform the inflation, but it is the people all over the world who pay for the suffering, further widening the gap between the rich and the poor. Moreover, ocean trade further stimulated the planting of cash crops and crowded out the planting of grain. When the times were bad and grain production was reduced, more people would starve to death. At the national level, this was a huge loss. The gold and silver obtained from trade have become the knives used by the merchant and civil servant groups to cut cakes. Each knife is used to cut the flesh and blood of the people in the world. It is the nature of capital to pursue profit. Without control at the national level, ocean trade will only bring disaster to the Ming Dynasty rather than profit. It is a joke to expect that well-meaning gentlemen will laboriously transport cheap labor, cheap food and raw materials from abroad to balance the domestic commodity market and improve the labor force. During the Yongle period, it was difficult for the Ming Dynasty to profit from ocean trade to promote national development. The main reason was that the markets in neighboring countries were too small and too low to bear, and due to transportation problems, it was too difficult to realize profits from trade. If the Ming Dynasty wants to follow England's path of exploiting the world and making the world its source of raw materials, it must at least introduce steamship technology first. Without the support of super-large shipping capacity, all long-distance trade will be a castle in the air.

In the middle period of this work, the writing style was still the same. The changes after time travel were always focused on the ideological aspect. There was no description of technology and social ethics, and the chapter was always delayed on the cultural aspect. Obviously it can end with dozens of chapters covering technology, economy, and military aspects, but in the end it is still in the writing stage of arguing about cultural conflicts.

When I saw these brushes, I was too lazy to look at them.

After reading 200 pictures, this book left me with a serious sense of fragmentation. The protagonist Jianzheng's part is like something from a textbook, but other than Jianzheng, the dialogue between the characters and the setting of the characters are particularly childish. A person who has died countless times and watched countless joys and sorrows is still so childish and passionate. I don't know how to evaluate this feeling of separation. I even seriously suspect that this book took things from the textbook and added the plot of the story written by myself, and the early political part accounts for a very large proportion. It gives people the feeling that the author of this book is not the same person, and the gunman is replaced in the middle. Then I saw the comments in the book review area, and I felt that it was a bit "knowledgeable".

I majored in mathematics, so I know very little about philosophy, literature and even all engineering subjects. All my feelings are personal. First of all, it is certain that this book is very unique. It is different from all the historical texts I have read before (mainly about official battles). This book is equivalent to emphasizing debate and change from the perspective of the emperor, and makes full assumptions about the possibility and interpretation of modern philosophy and scientific thought in the special feudal era. Therefore, the focus of this book is on this difference. Similar to many other readers in the comment area, I was attracted by this different perspective (of course, including the shining four-star honorary sign). When reading the content of the prison lectures, I began to think about the possibility of this change in character characterization and plot shaping. I was still very interested in the creation, and even the content of the lectures (i. E., The possibility of implementing new scientific reforms in the early Ming Dynasty). However, later on, when I recognized the identity of the banished immortal, was released from prison, worshiped the national teacher, changed the law, and debated the scriptures, I began to lose interest and even became confused. First of all, the biggest drawback is this setting. You can travel nine times and then live forever. It reminds me of Dodou's setting of Xiao Yan's identity as a time traveler in Battle Through the Sky. It feels like I just started writing and wanted to practice my skills and come up with an unconventional setting. However, this is different from the modern philosophy mentioned later (at least what I understand, but maybe others are similar to my level). Readers will also have this doubt) and so on. Although it cannot be described in accurate words due to level restrictions, time travel (even chapter 400 mentions non-parallel worlds, although I don't know what kind of description of parallel worlds there are in philosophy) plus immortality (maybe another way of heaven? How else did that setting come about), should have a new impact on the modern philosophical system mentioned in the book, right? The following is a question about the protagonist himself. After reading so many time-travel books, I never question the initial setting unless it is too outrageous or disgusting. Similarly, it is understandable to check while writing in order to increase the corpus for the protagonist, but one of the big strange things about the protagonist in this book is that This is due to the fact that Zhu Di's character designs before and after his appearance are not completely consistent. In other words, Jiang Guoshi does not look like a human being, nor does he look like any character in the novels I have read, but like he has a huge knowledge base in his head. According to my understanding, the status of the banished immortal was originally recognized due to the time-travel setting, but how is it written that he actually becomes an immortal and becomes invincible? Finally, based on my personal views and feelings, the readability and universality of this book are highly questionable. The reason why most of the historical-themed online novels I have seen rely on history and focus on plot is because it is enough to be substituted, and secondly because it is indeed full of ups and downs, and it is a classic that attracts readers' interest in reading. However, due to the unique setting of the protagonist in this book, and my own impression of the character who is connected to the Internet, it is difficult to relate to it, and the climax of the plot cannot be found. It feels like it is a good popular science book as some other readers have said. The overall feeling of reading is that of a witness rather than a participant in the world (perhaps students majoring in history and philosophy will feel more involved?), And this feeling seems a bit abstract here. Until the 400th chapter, it is not only me who can only witness the world through the screen, but there is even a vague feeling that the protagonist (or the author) is also observing rather than participating. Of course, I mentioned at the beginning that my professional and knowledge reserves are limited, and secondly, I have not read as many books as others, and I do not have any noble sentiments or elegance. It may be that I am just a layman, so it is difficult to digest fine chaff. If there are any mistakes or settings that the author will make up for in the subsequent more than 100 chapters, other readers who read this review may also wish to discuss, comment or directly criticize.

It was very enjoyable to watch it before. It was a completely different feeling. However, some people pointed out that the content was all mentioned in videos made by other up owners, so it cannot hide the enjoyment. Later, I started to popularize science. I didn't have a master's degree and I couldn't understand some of the science. His audience, who had no basic knowledge, understood that this paragraph was very boring. There is also the design part of Cheng Zhu Neo-Confucianism which is very boring. Yandao still feels that the blood-sucking insects are too powerful the second time he gets sick. What is the protagonist's solution? Through various metaphors in a movie, the development of the world is spiraling, and this is cured. Every time the male protagonist wants to do something, someone will always come and criticize him and then slap him in the face. It will be the same next time. Every time, someone is not optimistic about the male protagonist. Whatever the male protagonist says is right and whatever he does, he still thinks he is not optimistic about it. Then there are constant slaps in the face. What I can't stand the most is the part about the floods. Can a prefect or governor who has experienced several emperors still be a governor in a wealthy place with an important transportation route? Can he be a governor without ability or scheming? He has already made enough money. Facing Zhu Di, he still dares to use military rations. Is he really not afraid of the family tree? You personally hired Fan Da to kill the Imperial Preceptor. He is a person who has no chance of crossing paths with you, yet you asked him to come to you just to hire him. Even if he succeeds, even if he is silenced, someone will still see him.

It's a very good novel. It starts with a lecture in prison, which is really enjoyable. But after I was released from prison and started practicing, I felt like it was normal. After all, talking on paper is indeed easier than doing it in practice.

I hope the author will think about it when he writes about physics. It can be said that it is illogical to teach it this way. It is better to just copy the high school textbook jc. Pep. Com. Cn is the website of people's education ideas teaching materials

Book Review of "The Imperial Master of the Ming Dynasty" Can national debt be used by the Ming Dynasty? How to analyze the emergence of the posthumous etiquette in the Zhou Dynasty from the perspective of land support? What is the relationship between Zheng He's voyages to the West and the Ming Dynasty's policy of reducing vassal states? These profound academic issues were actually explained in a vivid one-on-one lecture by "Master of the Ming Dynasty", and he also started spiritual communication with the ancients as a time traveler. The blend of story and academics, the coordination of rhetoric and action, the contrast between laziness and decisiveness, the role of the national destiny of the Ming Dynasty and the principles of modern disciplines... These are all combined without any contradiction in "The Master of the Ming Dynasty". Readers can enjoy the feast of knowledge while also getting the "refreshing points" of the story. No wonder someone left a message in the post: "You won't believe me if you tell me, but I'm here to review!" ""The Imperial Master of the Ming Dynasty" created the lecture stream"... This is a small way of teaching knowledge; this is the intellectualization of novel creation; this is the modern presentation of historical stories; this is the literary experience of modern people empathizing with those things in the Ming Dynasty... The innovations of "The Imperial Master of the Ming Dynasty" are far more than that! ! !

It's not like writing a novel, but like reading a high school history elective course textbook. However, this book is neither as fascinating as a novel and has ups and downs of plot, nor is it as logically rigorous and easy-to-understand as a textbook or other historical science novels. It's like a student who, after initially mastering historical knowledge and mainstream views, uses the name of historical novels to show off to lay readers.

It's fully pre-ordered now. Let me tell you what you think of this book. Let me start with the conclusion: it's a pity. This book is such a pity. The author must be an old bird, and this is a trumpet. First of all, the author's writing style is very good, and he has a good grasp of the emotions of the characters in the book. It would have been impossible to write this thing for several years without finishing it. Because it is so rare, it is a pity as mentioned above. This book was originally expected to be a high-quality book worth 2 to 3 million, but due to some practical reasons, it was written as a prelude to a sentence that could end with a sentence of 200,000 yuan. Yes, it is very interesting to read, but I will follow up. This old guy will just run away, because I have no interest in reading another book from scratch, because from the overall framework of this book, after being released from prison, the book will have to be written seriously at least 2 million to 2.5 Million to end, and according to the current writing method, it is conservatively estimated to be in the tens of millions. Speaking of water, the current word count of one million gives me the feeling that only 250,000 is the effective word count. Of course, I am just an old guy, and my opinion is not important at all.

There is so much I want to say, but I don't know where to start. Whether it is a dry theory or something else, it can be interesting to read. Perhaps the most fundamental reason why I like this book is that for some things, although it is said in a vague way, the three views are indeed quite similar.

Popular Science Work status: Serializing, 1.24 Million words. The dynasties on the ground rotate for hundreds of years, the stars in the sky remain unchanged forever, and the wisdom that spans the ages, can this dynasty named [Ming] slightly peek through the barriers of the periodic law to a scenery that has never been seen in the past. The king who is thirsty for talents, the time traveler who wants to die, and the prime minister in black who is under one person, what kind of sparks will burst out in this contest called the fate of the country? Highlights: 1. The article contains a lot of popular science knowledge about politics, economics, and natural science, rather than the same plot of making gunpowder and paper, etc. The protagonist focuses more on using ideological transformation as the main weapon. {"TopicId":"886256127972278272","TopicName":"Weekend Book Recommendation"}{"TopicId":"804728532092780544","TopicName":"Book Shortage Terminator"}

A major feature of this book is the lectures, which you must try🤗 Basically, those who want to travel through ancient times and change their fate will encounter the economic, zz, and system problems of agricultural countries, and all of them are covered and solutions are provided. The explanation is also profound and easy to understand. The poisonous part is that it is too ideal, and I want to use whatever is good. Faced with the pinyin of Mandarin being moved to the ancients who spoke different dialects, the law of universal gravitation was taught to the ancients who did not understand physics and science, and how to calculate the mass of the sun was explained. How could the ancients understand it without any scientific literacy? 🤔 In general, it is suitable for people who have a general understanding of ancient economies and systems, and book friends who want to travel through time and change their fate against the will of heaven 🙂

I've read a lot of chapters in this book, so I'm just going to share my thoughts. I feel that the content is generally okay. Even when it's explained, I skim through it quickly. It's too long and I don't have the patience to read it all, so I just skim through it quickly. I can't understand a lot of the classical Chinese text. Although there are explanations, I feel like I should add some inspiring words. The result is a historical novel that feels bland.

Speaking of which, it was purely by chance that I came across the book "Xihu Yuyu". The main reason was that I had been chasing another book for a while and had never thought about chasing a new book, so I didn't know the existence of the book "Master of the Ming Dynasty" at that time. Unfortunately, one day while I was scrolling through Douyin during my lunch break, I happened to hear someone say that there was a strange historical text in which the protagonist kept giving lectures in prison but there was no plot advancement. I wonder if this book will be good? What kind of brain circuit can write such a book? So driven by curiosity, I immediately clicked on the starting point, searched for the title of the book, and then started reading. Good guy, I couldn't stop starting from the first sentence in regular script. It really suits my taste 😍😍😍😍😍[fn=21 ], if I didn't have to go to work in the afternoon, I really didn't want to put it down. After that, I even put aside the book I was chasing to catch up later 😅😅😅 That's how I bumped into the boss of West Lake Yuyu 😏 by accident and necessity. 😏 What a surprise! I hope the boss will bring us more exciting content❤️

Which sentence from the Ming Dynasty do you like the most? Let me start with "The Ming Dynasty cannot repeat the founding of the country and the peace crisis forever, but it must repeat the imperial examination every three years!"

This is my first time to write a review. What can I say about this novel? My personal feeling is pretty good. The early stage of the novel was quite good (I haven't finished it yet), the writing style is considered relatively good for a new writer, and the ideas are quite novel (I haven't read many of this type of novel, maybe I don't read enough?). The cool part is the kind of invisible pretentiousness, and the professional knowledge in the novel is handled very well. It will not make people think it is watery, but it will make a lot of people take history classes and politics classes with great interest. This is very good. Of course, sometimes it feels like the treatment of the supporting characters is a bit like a cool novel, but this book gave me the feeling that it is a cool novel. If you open your mind and read it as a cool novel, it can be regarded as a good book.

Star List Analysis on the Success of "The Imperial Master of the Ming Dynasty" "The Imperial Master of the Ming Dynasty" has achieved unprecedented success in the starting point historical novels. Currently, some people in the industry and novice writers are trying to "disassemble" the novel techniques in order to imitate and innovate on this basis. It is no exaggeration to say that the author of "The Master of the Ming Dynasty" has profound historical background, profound knowledge, and superb writing skills. Especially considering his current first position in the "Star List" and his age (the author of "The Star List" is required to be under thirty years old), his achievements are truly amazing! Innovative scenario design, fast-paced novel rhythm, fascinating character dialogue, careful consideration of details, introduction of academic issues, and thorough insights like breaking through the window paper... These are the magic weapons for the success of "The Master of the Ming Dynasty".

Star List "The Imperial Master of the Ming Dynasty" Star List The starting point of historical novels in 2023, "The Imperial Master of the Ming Dynasty" leads the list, repeatedly breaking the history subscription record, reaching an astonishing more than 70,000! What is the password to success? What are the innovations in the novel? Currently, many novel creators and analysts are looking for answers. Success may seem accidental, but it is also inevitable. Ingenious plot design (a chance encounter in the imperial prison through nine generations), vivid character dialogue (especially the wonderful dialogue between Zhu Gaoxu and Li Jinglong), meticulous detail processing (such as the one-way sound transmission technology of eavesdropping), erudite knowledge (astronomy, geography, chemistry, mathematics, finance, finance, etc.), Thorough principle analysis, etc., Are all beyond the reach of ordinary authors!

Jiang Xinghuo holds a wine glass and looks at the bright moon of the Mid-Autumn Festival in the Ming Dynasty. He is both proud and infinitely melancholy. He is satisfied that as Emperor Yongle of the Ming Dynasty, he is Zhu Di's imperial advisor. He has realized all his ideals in this time and space. He believes that there will be no more people and political power after the death of Emperor Yongle. The great voyages and geographical discoveries will continue to develop, and history will not lead to the isolation of the country for nearly six hundred years, which will make future generations sigh with infinite regret. What is melancholy is that my "white moonlight" is looking at this moon in the time and space six hundred years later, and there is nowhere to send my lovesickness. This bright white moon shines for eternity, but it cannot bring my longing to my sweetheart in the time and space six hundred years later. My love is deep and my feelings are endless. I can only raise a glass to wish my "sweetheart" who cannot live in the same time and space together well. 🌹🌹🌹

List of Stars The People's Stand of "The Imperial Master of the Ming Dynasty" What kind of history will be written from what perspective you stand on; what kind of tone you will have based on what you start from. The protagonist Jiang Xinghuo in "The Imperial Master of the Ming Dynasty" proposes national policies (such as the National Debt of the Ming Dynasty) or policy suggestions (such as dividing labor into acres), all from the perspective of reducing the burden on the people; the main tone of the novel is "Long live the people." Compared with the protagonists of some time-travel novels who just want to "leave their name in history", or to make contributions, or to win the hearts of beautiful women, or to reduce dimensions and defeat the ancients for fun, etc., The pattern, tone, feelings, realm, etc., Are incomparable with Jiang Xinghuo in "The Master of the Ming Dynasty"! So, this novel "Three Views Right", from a certain perspective, occupies the position of public opinion across historical genres, eclipsing the narrow personal heroism, the lingering drizzle of you and me, selfish personal calculations, etc. Qidian Novels deserves praise for its strong recommendation of this type of novel! 👍🏻👍🏻👍🏻

The Master of the Ming Dynasty is currently the novel with the best score in the history category of Qidian. It has received over 70,000 orders. In terms of history, it does not count the popular category. The score is very strong. The protagonist Jiang Xinghuo relies on his own knowledge to influence the history of the Ming Dynasty and make the Ming Dynasty better. The writing is smooth and worth reading. By the way, thank you for the many monthly packages.

Star List - "The Imperial Master of the Ming Dynasty" "The Imperial Master of the Ming Dynasty" is far ahead in the star list and has become a rising star of Qidian novels. The author Xihu Yuyu has a profound historical background and is familiar with the history of the Ming Dynasty, as well as the history of the Yuan, Song and Tang dynasties. He has obviously received strict, systematic and professional training in history. At the same time, he has a high talent for poetry and singing (the protagonist Jiang Xinghuo is a master here). What is even more impressive is that the author understands finance Thorough, well-educated in game theory, familiar with geography, and other knowledge and principles such as philosophy, politics and economics, physics, chemistry, etc., Coupled with skilled writing skills, clever plot design, wonderful character dialogue, and rigorous logical thinking... These are all things that foreseeable imitators will find difficult to master in a short period of time.

A1 is also quite taggy

Contradictory, support at the front and opposition at the back

The structure of the "Heartless Cannon" is very simple. A discarded gasoline barrel, a pile of propellant powder, and a few explosive packets are the entire structure of the "Heartless Cannon". The principle is astonishingly simple. First, dig a hole in the ground, then place the gasoline barrel diagonally into it, then add some propellant gunpowder to the bottom of the gasoline barrel, then ignite the explosive package and throw it in. That's it. The diameter of the gasoline barrel is the same as the caliber of the gun, and some are even more than one meter in diameter. The lethality of the explosive package is limited, but when it hits the ground and explodes, the shock caused is enough to kill a person. Therefore, most of the enemy soldiers who died under the muzzle of unscrupulous cannons bled to death. Since it is not a howitzer, it has no fixed trajectory, and no one can estimate its impact point. Therefore, once you encounter a "heartless cannon" on the battlefield, you can only decide whether your own life is in danger.

Looking for a Counterattack Dragon Ball

The moon hangs high during the Mid-Autumn Festival and is as bright as day. In the narrow prison room, the moonlight illuminated Jiang Xinghuo's face. Feeling that time was almost up, Jiang Xinghuo and his group came to the old crooked neck tree. Jiang Xinghuo leaned lazily against the crooked neck tree. "Mr. Jiang, what should we talk about today's Mid-Autumn Festival?" "It's already the Mid-Autumn Festival." Jiang Xinghuo sighed, "Then let's talk about this festival." He stretched leisurely, his voice was hoarse, and he talked about the meaning of traditional Chinese festivals. "Mid-Autumn Festival is a time for family reunion. Relatives sit together to spend the festival together, full of friendship." Jiang Xinghuo's voice spread throughout the courtyard and shocked everyone present. In the corner, the second prince Zhu Gaochi sat quietly, listening attentively. His eyes flashed with a strange light, as if he was thinking about a deeper meaning. "Dragon Boat Festival, dragon boat racing, folk wear calamus to ward off evil spirits and plague. This is an ancient custom, and there is a profound culture behind it." Jiang Xinghuo continued to talk, his words contained deep pride. Outside the prison, Emperor Zhu Di and Yao Guangxiao were approaching secretly. They were attracted by the sound and couldn't help but want to find out. Yao Guangxiao's eyes showed awe: "This Mr. Jiang can still be so energetic in such a difficult situation. It's really admirable." Zhu Di was silent, but there was some understanding in his eyes. He has never been in such close contact with these traditional cultures, but at this moment he feels an unprecedented closeness. "The Lantern Festival, dimmed lights, dragon and lion dances, folk songs and laughter, has been passed down for thousands of years." Jiang Xinghuo's words were filled with deep emotions, as if they could make people feel the liveliness and joy of the ancient festival. Zhu Gaochi has been listening silently, as if there is a fire burning in his heart. Although he is a prince, he has never lived in a prosperous palace and has never understood these traditional cultures so deeply. Zhu Di and Yao Guangxiao also stayed outside the prison, listening constantly. They seemed to have glimpsed another world, a world full of wisdom and warmth. "Culture is the soul of a country." Jiang Xinghuo's voice revealed unwavering belief, "Only by inheriting and promoting its own culture can a nation be truly strong." "And in order to protect these traditional cultures, it is particularly important One thing is - "Jiang Xinghuo paused, "Holiday!" "Holiday is not only a custom, but also a kind of respect and protection for our cultural heritage." Zhu Gaochi listened with interest. He had never thought about these traditional cultures in this way. Having a holiday, he understood, was not only for personal rest, but also for the cohesion and unity of the entire society. "During holidays, people will return to their homes and reunite with their families to spend time." Jiang Xinghuo continued to explain, "This kind of reunion not only brings family ties closer, but also enhances the emotions between neighbors and forms a close social network." Under the eavesdropping of Zhu Di and Yao Guangxiao, Jiang Xinghuo talked about how traditional festivals have become the bond of society and how people can feel the connection and dependence between each other in a common experience. Holidays have become a common experience for a country and a nation! Holidays are the most direct and warm way for social cohesion! Jiang Xinghuo's voice echoed in the cell. He said: "A holiday is also a guarantee for social stability. It provides people with an opportunity to adjust their body and mind and calm their emotions, making the entire society more harmonious." These words made Zhu Di fall into deep thought. In a prosperous country, cultural inheritance is an important guarantee for social stability. People feel the cohesion of their country in the atmosphere of traditional festivals, and also find a sense of belonging in the common cultural heritage. "If a country or a nation loses its recognition and respect for its own culture, it will lose its stable foundation." Yao Guangxiao said with emotion, "Holidays are not only a respect for traditional culture, but also a protection of social order." "Your Majesty, Mr. Jiang is really an amazing person." Yao Guangxiao looked at Zhu Di, his words full of admiration, "His heart is full of love and belief in culture." Zhu Di nodded, and thousands of words surged in his heart. "During this period, I seem to have seen a whole new world." He said softly, "These traditional cultures have allowed me to re-understand my country." Zhu Gaochi stood in front of the prison cell, with a firm determination shining in his eyes. "I want to pass on these traditional cultures, let more people understand them, and make our country stronger." "Your Majesty, we should let Mr. Jiang regain his freedom and let him pass on this love and belief." Yao Guangxiao said sincerely. Zhu Di took a deep breath and decided to send an envoy to ask Jiang Xinghuo to be released from prison. "His mission shouldn't end in this small place!"