The Last Great Writer

If you don't take it seriously as a writer, give me a fighting spirit. That would be fun.

Don't you think the poems you wrote are awkward? Everything you do has a source, right? If you start copying the poems of great men without any foundation in classical Chinese and sufficient literary style, you will definitely be known by knowledgeable people that you can't write such poems at all! When we read a poem, sometimes we may not understand the meaning of the poem, but we can definitely feel the author's mood in the poem. This is the expression of the author's emotion! Poetry is not about imagining a world by writing novels, but the release of the poet's external emotions!

I just read the first ten chapters, and here are some comments from an old bookworm: 1. It's best not to write things that have no effect on the plot. For example, portable space is superfluous. I saw the author said below that it was purely for the convenience of life, but it had no effect on the plot, but directly destroyed the atmosphere of the three golden chapters. Readers thought you were going to write about urban supernatural beings. 2. Secondly, at the beginning of the plot, the character travels to a junior high school student, which means that the first dozens of chapters are devoted to the youth campus. Even if the author quickly skips the middle school and college years, this extreme way of writing about youth and fame was several years ago. Now readers like more immersive content. A better way is to skip the student days and start by entering society. The theme of this book is literary heroes. Literary works should reflect the current social situation, changes of the times, satirical politics, magical reality, etc. You write about a youth campus and put it into a drama. . 3. It's not impossible to write stories about parents' ambivalence and conflicts between relatives, but side plots must serve the main plot. Your main plot should be the protagonist copying one classic work after another, rather than rambling in the first ten chapters. The side plots in the early stage can only be foreshadowing and foreshadowing.

I felt like the author was so soft-spoken that he was bullied every day and had no time to deal with it. As a person who read it, I got angry. The protagonist was bullied casually and didn't fight back at all. I was speechless. The plot continued like this. I had no choice but to abandon the book. I really couldn't stand such a soft protagonist.

I haven't read it yet. There are fewer and fewer such novels now, and many of them are too fast-paced. I think we should start from magazines and improve the writing step by step. We can not use cheats, but instead use memory partitions to update, and through self-study, we can further optimize the works.

Literary hero is more than just two words. I hope the author knows what it represents.

I don't want to read the last few chapters! Pig's Feet has written so many masterpieces but has not won any awards. Suddenly, there is a kind of begging for help. How does Buffett trade in stocks? It's like a group of poor losers voting whether to invite Jack Ma and Wang Jianlin to eat instant noodles together!

Chapter 3 Exit The protagonist's setting in his previous life was obviously an ordinary person busy with life, and after time travel, he didn't love studying since he was a child or had a family background. "Magnolia" has no foreshadowing at all. If I were a person in the book, I might still think that the protagonist may be a genius. Unfortunately, I am a reader who opened the God's perspective. The supposedly reasonable golden finger can make up for it, but you still wrote a terrible thing. That's it

Just being a literary copycat will not make you a literary giant. The protagonist must at least have his own thoughts and his own works. It is best to incorporate the protagonist's thoughts and writing style into the literary copy's works.

It is tasteless to eat and a pity to throw away.