Supreme Immortal!

The writing is good, it is a step-by-step practice, and there is nothing poisonous about it. Very reasonable.

This book is not boring, but boring. There are no highs and lows, only bills like a running account, and I will complain like a running account. What I have learned is just a decoration. The two spiritual pets that I spent a lot of money to feed have no use except for traveling. The operation of the golden finger is also possible, but the qualifications are not good at all. Instead of proficient in the more applicable skills of cultivating immortals, you instead found a few more exercises to practice? Don't talk about being stronger after fusion. NPCs learn from each other and sell their goods, and each of them is powerful. The protagonist learned high-end goods at the beginning, but in the end he had no advantage in this one and no advantage in that one. After learning how to fuse, you still have no advantage. So what is your advantage? What is the point of learning so many useless things? Are you afraid that you are too strong and feel too safe? Then he keeps mentioning that he is worried about his family, which is nothing to worry about. If there are talismans, they are all takeaways. If there are puppets, they are also takeaways. Can't you sell more to your family? Always wanted to go out and explore, but you couldn't because you were worried about your family? Then why not settle down and spend a few years to equip the family with dozens of foundation-building puppets and reserve thousands of second-level talismans? With this strength, not to mention the surrounding families, even the sect will not dare to easily provoke your family. If you learn another formation, you can ensure the safety of your family. You have a proficiency system, but are you worried that you won't be able to learn it? But the protagonist just doesn't have it. After spending decades building the foundation, he sold two puppets to the family. He has been lamenting that the family is in a worrying situation and must step up his cultivation! The key point is that the protagonist's cultivation speed is so slow that he even ran away to practice other earth and water attribute techniques. Yes, the five elements are united into one, as all routine writers know. After uniting, they will definitely be stronger, but what about now? I can't participate in all the plots, or I don't want to participate. The puppet that can be called the incarnation moved a few times and wiped out an entire clan. But it's okay to make a lot of money but not feel any better. Also. The spiritual root determines that the daily practice time is limited, and the elixir has no effect. As an alchemy master, his cultivation is still like a tortoise. The advantage of practicing elixirs to the extreme is that there is no advantage? Not to mention the spiritual roots, the spiritual roots have been upgraded, but they are still not as good as the NPCs around them. And it also depends on the halo of the protagonist from time to time. Suddenly, an inexplicable opportunity comes, and the breakthrough is inexplicable, and the level is upgraded inexplicably. It's okay to write about the cool points of upgrading but not the cool bits at all. Individual training has no effect except killing a third-level Qi practitioner, so I spend so much energy and money to learn an air purifier! I'm done complaining, I feel comfortable, feel free to delete it and scold me, I never read the message prompts anyway.

The more you write, the more you drive high and the low, the worse you get. Do you think it's more satisfying to achieve a little breakthrough? Do you think you can write well? Do you think your writing is wonderful by forcibly expanding the enemy to have the same strength as yourself? You go into seclusion for only a few years, and you can't improve much in terms of strength before you come out and do this or that. You might as well practice Qi and build the foundation at the beginning. When you go into seclusion in the Nascent Soul Transformation Cave, it will be difficult for you to come out after a hundred or hundreds of years of seclusion. Forcibly arranging the plot, the sect that has been developing steadily for tens of thousands of years will have trouble as soon as you come. You, who can develop smoothly for thousands of years, have to design it so badly. Do you want the good stuff with good grades or the crap with bad grades? It seems that you chose the bad, or the bad that gets worse and worse. The results speak for themselves.

6. My wife didn't give her any skills or top-notch resources when she was in her hometown. The maids in other shops who cultivated the golden elixir casually outside could still reach the third level of the golden elixir with so many good resources and those top-notch techniques. The protagonist feels separated

The first part was fine, but then the protagonist relies on external forces to advance the plot. I still can't figure it out. Many novels are like this. For example, the protagonist is practicing Qi and uses external forces to interfere with or even defeat enemies in the Nascent Soul realm. You will find that the protagonist is still in a low realm. , But he can interfere with high realms through external forces. This is really brainless, and the development of the plot is also the same. Since you have written these realms, you can write down one realm after another and slowly write about it. Why do you have to write about things that are several realms away from the protagonist? I don't understand, this feels so disconnected. One second, you are fighting Yuanying, and the next second, Lianqi slaps you.

I was deceived by the introduction, "Travel through the world of cultivating immortals". If you wrote "travel through the game world", I wouldn't read it at all 🤫 After reading a few chapters, the protagonist used game information to make money, I was really disgusted. All novels about traveling through the game world are written in this way.

In fact, I have been thinking about why it is necessary to hide the Golden Cicada Technique, and why it cannot be published directly. It is just like the sword manual to ward off evil spirits. You hide it and it will kill you. You make tens of thousands of copies of it and distribute it in large numbers in a gathering place. What else can happen? To say that there is no distinction between the priority and the priority of the plug-ins, or that the author's writing skills really have no choice but to have the mechanical god descend to continue the story.

After watching half of it, I can't stand it anymore. The routine is old, just keep changing the map, but I'm not too stubborn. It doesn't feel satisfying enough. I don't want to open a harem. I want to accept a few more women to be ambiguous and break up the family relationship. I'm not very willing to give resources to the family. It's neither fish nor fowl. I say it's good for the family. Just some leftovers and foundation-building pills are all sub-jobs that can be perfect at every level. I don't know if I can give the family more training to improve their background. There can be hundreds of puppets in the mortal world. Qian, here you have to go through a lot of hard work to get the materials for the foundation stage, and even after the beast tide. You can obviously prepare thousands of puppets in the family, but you have to suppress the development of the protagonist. I dare not offend this one, and I can't offend that one. Just write it as a dogma, but you have to develop the family, which is contradictory. Finally, the most important thing, the entire novel has explained more than once the importance of fate and the protagonist's destiny is very awesome and destined to live forever. So I'm talking nonsense.

The protagonist practices Qi to kill the foundation, builds the foundation to kill the pill, forms the pill to kill the Yuanying, and the Yuanying is more powerful. Not only can he kill the distraction, but he can also be 50-50 against Dongxu. Of course, it's fun to defeat monsters by leapfrogging levels, but it's even more fun to crush the same level. To put it bluntly, the plot is too cliched. Just make a blind guess and wait for the protagonist to be distracted, and a powerful combination will definitely appear. It looks good at first glance, but becomes boring after reading too much.

It was okay in the early stage, except for the forced washing of Su Qingyi, but the way you wrote it in Chapter 130 was extremely blunt. The forces at the same level fighting in the arena can make the opposing forces use their tricks and forcefully expose the protagonist Jin Chan's method. It's really poisonous.

The smell at the beginning of this book is that of Wuwai Jiangshan, and the writing structure and rhythm are similar to the parallel-imported novels that Wuwai Jiangshan wrote before. The book is so popular. It is normal for the rhythm and routine of this kind of book to remain unchanged. Whoever writes it is a parallel novel. But TMD, what is the protagonist's attitude towards Taoist companions? What's that stuff written on the back? My Taoist companion's life is approaching, so I won't come back in advance to see him. And the Taoist couple is unwilling to send a message to the protagonist until he dies, asking him to come back. This shows what impression she has of the protagonist? If even his Taoist companions don't believe in him, who is he, a lucky protagonist? How chilling is it for others? Normally, I don't even meet the protagonist. When I have a Taoist companion, I keep having ambiguities with other people. When the Taoist companion dies, all he needs to do is give him resources. What did you do? I don't believe that she failed to break through. You didn't even have the ability to save her life or even see her once. On the road to immortality, if you can't even value the first person who stays with you, who are you, the protagonist of immortality, and what qualifications do you have to understand the years. It has only been 500 years since you became like this. What qualifications do you have to be the protagonist? Earlier, it was written that the protagonist valued love and righteousness. What has become of the protagonist now? Scumbag? Fengling wrote something else, something inexplicable. Has the protagonist now figured out what the purpose of cultivation is? In the past five hundred years, have you ever thought about what you would do when you came to this world? Just to be a worm in the world and suck blood by virtue of immortality? This kind of novel explains how to realize one's own body and realize that I am mine today. Have you forgotten the routine? You have enlightened to so many great ways, but you don't even understand it yourself, what are you cultivating?

I've seen the latest chapter, and I feel like there's something wrong with the value system of the Foundation Establishment Pill. A foundation-building elixir costs 10,000 spirit stones. According to the author's previous statement that ordinary first-level mid-level alchemists can only make money with a 30% success rate. It is tentatively proposed that ordinary second-level low-level alchemists must have a 30% success rate to make money. The author also wrote that in a perfect state, one foundation-building pill can only be converted into 3-4 foundation-building pills. Then we assume that an ordinary alchemist can only produce two foundation-building pills from one foundation-building pill. It can also be concluded that a Foundation Establishment Pill costing 5,000 spirit stones requires selling 16,666 spirit stones to make money. But now an ordinary foundation-building pill only costs more than 8,000. In this case, an ordinary second-level low-grade alchemist has a 30% success rate and will lose a lot of money. (I would like to remind you here, don't compare the protagonist's 100% success rate with ordinary alchemists. Ordinary alchemists also need to make money.) Therefore, the author can polish the value system to avoid this problem.

Forget it in the early stage, it would be too boring to still be stubborn after you have become a Nascent Soul. With all the burdens attached, the word count is still low, so I might as well write it as a novel about family cultivating immortals. The protagonist doesn't even have descendants, but it's hard to say anything without dragging along all the burdens.

In fact, it would be better to write the protagonist as a casual cultivator. The family basically does not help the protagonist.

The only shortcoming is that it is too fancy, the golden elixir is formed, and then the protagonist starts to have extremely low spiritual roots, and then he is a fellow practitioner of the five spiritual roots, then he practices body cultivation, and finally he cultivates the golden elixir avenue!

What? Has someone been replaced? Not to mention that the Taoist couple never saw him for the last time. The highest combat power of the Immortal Sect is still Dongxu. If you can't beat it, you can run away. If you can't beat the gods, you can beat Yuanying. If you dare to destroy your Immortal Sect, kill Yuanying directly. Kill one and hide for ten years. What are you afraid of?

The world of cultivating immortals is still experiencing troubles caused by abandoned immortal disciples and monsters, but no one cares about it. They all smuggled to another world of cultivating immortals... Tsk, tsk, tsk! Otherwise, people who cultivate immortality are the biggest worms in the world. They search for all the resources in the world to achieve their own goals, and then run away (including ascension). How the world will be in the future and how the human race will turn out has nothing to do with them...

I practice more than one method at the same time. I really don't understand that nine levels of wood attribute exercises and six levels of earth attribute methods can coexist! ! !

I can't accept this setting. Say goodbye.

I read hundreds of chapters overnight, driving high and walking low

It might be more exciting if the protagonist could put down all the burdens and be determined to follow the path alone.

It's a book that I can't read even if it's a limited edition. I can't stand it anyway, it's too cruel

A good book was ruined by the author

Are you feeling happy that you are behind the scenes and you are still writing?