Reborn: My Animation Era

The animation director's setting is poisonous. This framework limits the development of the male protagonist.

Popular science article, it looks too dry

I have long wanted to watch similar themes. The animations in the past were really remarkable and had soul. Last time I watched Sanmao Wanderings on Bizhan, I didn't understand it when I was a kid. But when I grew up, I found it to be a classic.

Regarding the route of this book, relying on the small amount of funding for political missions and multiple-choice questions on designated themes, without commercialization, there is no funding to fight against foreign propaganda positions. Japan's annual average of 800 animated film series in the 1980s cannot be competed without money. It is impossible for domestic state-owned enterprises to have additional creative funding for such political missions, and the average annual average is less than ten. There are still many. It is useless to cultivate talents. It will only lead to involution. Once China and foreign parties engage in animation exchanges, it is inevitable to compare wages and dividends. Once the comparison is made, problems will arise. Workers in state-owned enterprises without money have no enthusiasm for involution, which will eventually lead to losses and bankruptcies. The most important thing is to set workers' salary levels, red lines and dividends. Without a material foundation, everything will end up being an egg against a stone. The materialistic world will not be shaken by consensualism. Whoever provides more resources will have an advantage. If you don't want to spend more money to produce more works, just concentrating on handicrafts is inefficient. Only by improving your productivity can you win the volume war. What you need is not only the improvement of painting skills, but more importantly, the improvement of the productivity of painting tools, from hand-painting to electronic painting and painting software. In the 1980s, Japan had so much money that it engaged in inflationary production. Celluloid Lu's technical route can improve the light productivity of complex paintings. In order to overtake in the domestic market, what is needed is electronic board painting and a large memory integrated with the main chassis to store drawings and layouts of general objects. Only industrial production can defeat Japan, which had not yet transformed into a computer route in the 1980s.

Does Chinese animation have a future? Bloody violence is prohibited! Not allowed for young children! Abnormal exposure is prohibited! Three views are not allowed! Parents report ban!

Depressed all the way? You have been reborn for several years and you are still afraid of showing up, afraid of this or that? Still consider yourself an ordinary person? Are you reborn? How can a man live with his hands depressed for a long time? I have never heard of this? Where is your anger?

What's going on in this comment circle? There are all kinds of complaints and badmouthing. Some people say that the style of painting back then is not as good as now, and some people say that China is not as good as Japan. I wonder how old these people are. Have they not experienced the era when domestic animation flourished? The author should ignore them. Popular science articles are boring. It's just that wild boars can't eat fine chaff. I was born in the early 1990s. When I was a kid, there were all kinds of good-looking animations, including Black Cat Sheriff, Rubik's Cube Mansion, Calabash Brothers, and The Legend of the Book of Heaven, as well as the ink painting of Ginseng Kingdom, Puppet's The Legend of Flowers Through the Mirror and The Great Thief. There are also Afanti, Zodiac, Son of the Sun, Little Mouse on the Prairie, etc., Paper-cut animation, shadow puppet animation, ink-style animation are all available. The later Journey to the West, The Legend of Nezha, Pleasant Goat and Two Bears are just the afterglow of the golden age. Chinese animation has experienced a decline after the millennium, but as long as we have enthusiasm, confidence, and the efforts of generations of animators, we will always regain our former glory. After watching Return of Thirty Thousand Miles from Chang'an, I wanted to read an article about being reborn as an art studio and reviving the glory of domestic animation, and I found it after searching. Just for this topic, give the author a thumbs up and give it a thumbs up!

The pace is too slow, and daily writing is not that bland. It is as boring as reading a diary.

Animation, toys, games,,, doesn't the author know how to make foreign exchange using this method?

Animation is a talent nb! If you want money, get money! Want power and have power! Is the director considered a villain? Film and television are the directors!