No Love Letters in the Exorcist's Notebook

The male and female protagonists of this book are thrown into the past by the future world in the book to solve the problem of time and space tides. They belong to different salvation plans, which forms the spy play style in the later part of the book. Because of this setting and the many iterations of the author's early outline, the book has two beginnings: male and female protagonists. Chapter 1-86, Chapter 118-147 are the male protagonists. Chapter 87-117, Chapter 148-185 are the female protagonists. The line is closed after Chapter 186. Both lines can be connected smoothly. New friends who have a sense of tearing are asked to jump to the chapter manually. 😆😆😆

Brother, this is a serialized online novel, not a physical book. The number of updates is only a small amount. The sudden appearance of the heroine and the disappearance of the original protagonist will give people an abrupt feeling, and it will easily break the game. It's a good novel and I don't want it to be ruined because of this.

To be honest, it would be great if you had half the male protagonist and half the female protagonist in one chapter. I haven't even finished the free chapter yet, so if you just cut to the female protagonist for more than a dozen chapters, I almost thought I had read the wrong book.

The author only updates the text, not the thread. He humbly accepts the opinions of readers and will not change them. The outline is there and the plot is designed, so you don't have to worry about writing it down (I did it on purpose)

OK folks, I totally get it. Shi Yan is when the work is completed and the story ends. The anchor point is the supporting character setting. The president is equivalent to the background setting of the story, so there is a saying that the previous dynasty will be cut off. To trace back why it is particularly difficult to resurrect a person means that you have to reasonably obtain the recognition of the readers. For example, Eri Yi. The heroine can be successfully anchored because she comes from the fanbook. Regardless of whether it is written or not, she has an identity in the main work. However, several anchoring failures are equivalent to death in the main work, or she is not in the original outline. However, in this book she is the heroine, so the subsequent anchoring is successful. The male protagonist is equivalent to being skipped over from another work. The background setting is similar and there is the Secret Service and so on. However, he has no identity in this work, that is, he is a variable. The results of many things will change unpredictably due to the presence of the protagonist. To put it bluntly. The person in another novel is named Wang Yunxiao, and he travels to Wang Yunxiao in this novel. Although there is such a person, it is inconsistent with the setting of this book, but the world view and power system are related. Therefore, there will be a saying that anchoring is successful at some moments. Then the early stage of the story has the setting power of the later part of the book, and of course one punch crosses the river and breaks the tree. As for why foreign history cannot withstand the erosion, I understand it to be that the author conceived a work, originally wanted to have traditional foreign villains, and decided to change the outline step by step to only write about the national perspective, so the original historical settings were all overturned. And why a bunch of foreigners always want to come to China is because only in the country can the author write about you, which is a relatively stable appearance. As long as the villain is outstanding enough, he will have the opportunity to become the background setting in the next work, and writing fan fiction will not avoid you, which is the so-called anchor point. Fifty avenues, forty-nine Tianyans, escape one of them. This is the author's next work. Fan authors, and even everyone who wants to write a novel about the worldview, will borrow your setting and use it in their own world, which is equivalent to surviving an era of annihilation. Of course, you must be like a platinum author who can directly wipe out all creation and create a novel with the same setting, so that all subsequent novels cannot avoid you, then it is a stable survival. For example, the gods and Buddhas in traditional mythology, or Cthulhu, or the advancement sequence of the Lord of Best Friends, or the dragon clan of Jiangnan. The Dragon Girl is the rock of success that the author finished writing in the previous book, so it is always mentioned in this book. There are also signal flags. The signal flag is actually a place for fan authors to show their strength, or it can be said to be a turning point in the author's outline. Whether it's time travel, it's either time to travel to the critical moment or to the opening moment. The signal flag is the possibility. He needs the original author's setting of the background and the fixation of the original image. An example would be to travel through time as Hokage and become the Third Generation, Hinata, or a certain Uchiha before the Uchiha were massacred. If you don't make up your own family from scratch or make a fan work of ordinary people who wake up and kill them randomly, then you will be thrown into the street, unless your writing skills are good enough. This editor does not use the gods and demons or Sharingan in other works, but writes about one that no one has heard of, but has the ability to defeat the protagonist group in various ways. It's like a fight between two kids. One uses ultra light waves, and the other uses a hanging flying deer to absorb your light waves and bounce them back. Neither can he get the approval of Ultra Light Wave, but he will also be isolated as a fool. I understood this section after reading Chapter 150 of the Human World Chapter. I almost put it down after catching up to this point, but recently I found that there are a lot more chapters, so I picked it up and read it again. Of course, my understanding may be wrong, so I posted it first to see if anyone agrees with it. If you would like to know more about the story, there are no major spoilers in the above paragraph, so you can watch it with confidence.

Bad news: I didn't see Love Letter Good news: Exorcism Notes is quite interesting.

Recently, there have been a lot of outsiders coming to preach.

Chaos... It feels like there is no main line, and people have no expectations for the main plot. They don't know what the protagonist will do, and they don't know what the supporting characters will encounter. The main theme is a mess.

In order to prevent eating shit, my round "Where is Shennong?"

The first one or two hundred pictures are really okay. Although the dual-perspective narrative is a bit messy, it is also quite novel. The middle and later stages are really watery. There are many explosive points that are deliberately dragged out to become poisonous points. Yes, they name the male and female protagonists. They broke each other's vests. I relied on one big point for three chapters and couldn't figure it out. In the end, I couldn't figure it out in a secretive way. There were all kinds of ambiguities in the middle. Since you have marked the heroine, why don't you fucking do it. Then if you have done it, you can do it to the end. The two of them I can't please anyone at all, but things have improved in the middle period. The male and female protagonists are starting to feel like they're getting married, and all kinds of messy female characters are interspersed to drag out the plot and create ambiguity. I just rely on this. I can only say that this problem has not been solved. The author's generation It's impossible for a woman to get ahead, she's so greedy that she wants and wants at the same time. Among the popular characters in the early stage, no such person can be found in the later stage. Veronica, the white-haired nun, is a good example. In the middle stage, there are some problems with the male and female protagonists, making them all look different.